The nitty-gritty: Sex, drugs and rock and roll collide in Delilah S. Dawson's latest, a tense horror story with a fantastic twist.
Music horror is one of my favorite sub genres, and I’m so glad I had the chance to read House of Idyll. This short, fast-paced horror story takes the idea of “Be careful what you wish for” and cranks it up to eleven. Dawson successfully combines music, fame, cults and unicorns (yes, you read that correctly!) into a fun, bloody story that hit all the right notes.
Angelina Yves is a struggling musician who wants more than anything to share her music with the world, but she’s finding it impossible to be heard. On the worst day of her life—she’s fired from her barista job and loses her apartment on the same day—an attractive man calling himself Sol saves her. Sol seems to know things about Angelina and he connects with her on an emotional level. Urging her to “take a risk and jump off the cliff,” he invites her to stay at a lavish, secret commune called House of Idyll, where artists can live stress free lives and spend their time creating art.
With nowhere else to go, Angelina jumps at the chance, and she’s even more surprised when she realizes that House of Idyll is owned and run by her teenage crush, a band called Black Idyll. Jesper Idyll, the lead singer of the band, welcomes Angelina with open arms, and in no time at all, Angelina has embraced the odd—but fascinating—lifestyle. Everyone at the House of Idyll must wear white clothing, participate in hot yoga and drum circles, and live in their own tiny house. Meals and clothes are provided, but no cell phones are allowed. It seems idyllic, and even better, Jesper seems interested in starting something up with Angelina.
But when one of the artists is found dead, an apparent suicide, Angelina begins to suspect that things are not quite what they seem. Why does she keep seeing someone wearing a unicorn mask? What actually happened the night of the full moon? And who is stalking her? It seems everything her heart desires is within reach, but the price might be too steep.
I loved the contemporary Los Angeles setting, which tied in well with the “famous rock band” set-up. Dawson includes Black Idyll song lyrics at the beginning of each chapter, which set the tone for what’s happening. I thought it was a clever idea, and I liked the way the lyrics become increasingly sinister as the story takes some dark turns. I actually wish these songs were recorded, because it would be a fantastic soundtrack to listen to while reading!
The House of Idyll complex is menacing right off the bat. The all white clothes, the full moon bonfire dances, and the weirdness of the masked unicorn that Angelina keeps seeing, all of this and more create a “something’s not quite right” vibe. Angelina is pressured into doing drugs as well, so some of the scenes have a hallucinogenic quality to them, and the reader isn’t quite sure what’s real and what isn’t. There’s a sense that House of Idyll is a perfect place for artistic creativity, maybe too perfect, in fact. Angelina even asks herself a few times whether it’s a dream come true or a nightmare, and eventually we find out which one.
I also want to mention how beautiful the finished hardcover is, with decorated end papers and images of unicorns plastered throughout the book. The unicorn symbol turns out to be important to the story, although I can’t tell you why because of spoilers!
I had no idea what to expect at the end, but I absolutely loved the final, epic twist. Angelina goes from victim—going with the flow and not asking questions—to realizing that she’s going to have to do something drastic if she wants to survive. This was so much fun! House of Idyll is highly recommended for readers who are looking for something a little different.
Big thanks to the publisher for providing a review copy.