Even better than the first collection, I think. Geary does a generally fascinating job in his retellings/adaptatinos of these true stories. The Lizzie Borden one repeats the odd (and, I believe, fictional) conceit of being adapted from a contemprary anonymous account--a very odd device--and also included reprints of several genuine contemporary documents, the only story to do so. It is a compelling account, regardless, but I find the other ones more engaging. The one about the Benders, especially, is an excellent study in economy and understatement as it deals with the moral monstrosity of the Benders. Geary has a fascinatingly static style. Many panels look as if they are copied from or at least designed to suggest photographs. Word balloons are rare--entirely absent from some of the stories--so the controlling voice is narrative and descriptive; the characters are represented from without, rarely allowed to speak for themselves, and never given thought balloons. Design features repeatedyl stress the factual/historical: maps, reproduced docuemnts, floor plans etc. It is very meticulous, precise work, and consistently fascinating.