These books are enjoyable once you decide to embrace Yarbro’s weirdly stilted, expository dialog, and if you don’t mind the endless repetition: Saint-Germain is always distrusted by the authorities because he’s foreign and wealthy; he’s always spied on by his employees and doubted by his lovers. If you don’t mind watching over and over again as he flees from persecution and sets up house in a new location, where his manservant Roger runs his bathwater and lays out his stylish clothing.
This book begins in Spain in the 1930’s, at the onset of Civil War, and Saint-Germain is forced to flee to the United States, which is suffering the Great Depression. There he meets up with an old lover and is pursued by an enemy from Spain.
Yarbro takes pains to portray each historical setting, and it’s interesting to watch her immortal characters adapt and immerse themselves in the current culture, always as outsiders. I know that some readers don’t like seeing him in a modern setting, but I rather enjoy watching the ancient vampire driving cars and figuring out how to create a passport photo when his image doesn’t register on film.