Yes indeed, the main protagonist (and first person narrator) of Margaret Gurevich' first four stories of her middle grade Chloe by Design series (titled Making the Cut) is sweetly likeable, personable and hugely into fashion sixteen year old Santa Cruz, California native Chloe Montgomery and whom I also along with Chloe's not at all into clothes best friend Alexis (Alex) would definitely consider as being totally kindred spirits, with Making the Cut very nicely and wonderfully demonstrating that I as a reader do not have to be into fashion and into sewing to enjoy and appreciate Gurevich's presented storyline for Making the Cut (and which Alex being not at all into clothing, but rather blasé and even a bit of a tomboy regarding what she enjoys wearing, but still Chloe's best friend, very much supportive of Chloe's love of fashion and always ready to offer advice, encouragement and even design suggestions also really nicely underscores). And yes, Chloe by Design features teenaged characters, but just to state that both Margaret Gurevich's writing style and equally so her featured thematics and contents are definitely and in my humble opinion much more middle grade than young adult in feel and scope, with Making the Cut including Design Diva, The First Cut, Unravelling and Design Destiny, all of which are approximately ninety-five pages in length, are also of course available by themselves (as chapter books) but certainly do make a lot of sense in an omnibus, that books five to twelve of the Chloe by Design series are also available as omnibuses, as Measuring Up and as Balancing Act (and that I am after having read and enjoyed Making the Cut now planning on reading the entire series).
Now in Making the Cut, with Chloe Montgomery determined to become a clothes designer and that she definitely knows she wants and desires a career in the fashion industry, she of course is shown as reacting with exhilaration (but also and understandably with a bit of fear) when her favourite television show, when Design Diva, announces a new fashion themed series that will focus on teenagers competing and offering as first prize an internship in New York City with a major fashion designer. Encouraged by her parents, by Alex (see above) and also the owner of a local fabric store, Chloe works hard to create three original designs, succeeds in getting a spot on the show, but is constantly wavering between confidence and timidity. However, I do have to admit that while my inner child absolutely appreciates and really majorly textually adores Making the Cut and how immediately and totally supportive almost everyone is regarding Chloe's entry into the Design Diva for teens competition, except hometown (local) rival, Nina LeFleur, my older adult self does indeed find how Chloe has no issues at all with her family, that both the mother and also the father immediately, completely and pretty much all encompassingly support Chloe regarding entering that TV competition a bit too on the surface and a bit too facile and problem free, and yes, that Nina as the main villain of Making the Cut is rather overly stereotypical and also kind of feels tacked on so to speak, not all that smoothly incorporated into the text proper and almost as though Margaret Gurevich kind of has added the Nina character into Making the Cut because there obviously "must" be a villain present (and that LeFleur as Nina's surname artificially oozes arrogance and fashion snobbery).
But the above having been said, since Making the Cut is obviously aimed at (as previously already alluded to) middle grade readers, and since my inner child clearly and majorly enjoys (and even kind of prefers) having Chloe not encounter too many deep and problematic issues regarding her family, her life at school and is able to compete in the Design Diva competition with no huge preliminary issues and with no objections and obstacles cast at her regarding trying out for the show (and with Gurevich focusing in Making the Cut mainly on descriptions of Chloe’s designs, how she imagines them and how Chloe then fares in each stage of the Design Diva competition and also overcomes her jitters and lack of confidence), my personal rating for Making the Cut will be solidly four stars and with Brooke Hagel's accompanying artwork of Chloe's clothing designs being both a lovely mirror of Margaret Gurevich's words and also a bit of an appreciated and detailed visual expansion. But truly, even my inner child does find the Nina LeFleur character rather annoying, even a bit unnecessary (and as such certainly not an in any way a very interesting and well conceptualised, nuanced and developed villain emanating from Margaret Gurevich's pen) and that my inner child therefore would not be able and could not be able to consider a five star rating for Making the Cut (but well, while my older adult reading self would in fact be rating Making the Cut with a rather low three stars, I am going to listen to my inner child and will be going with four stars for Making the Cut and very much appreciating a fun and engaging and not too problem heavy reading experience).