After a lot of intense, stressful stories, I needed something light and fluffy. This definitely did the trick!
[REVIEW]
DISCLAIMER: When writing a negative review, it’s never my intention to sound like I don’t think ANYONE should read a book I rated one or two stars. If I told you not to, I might be taking away your chance from discovering your newest favorite book. Therefore, if you haven’t read Not Another Love Song, please don’t let my review TOTALLY discourage you from reading it. This review is simply a collection of my thoughts and opinions on the book. This is me saying, “I wasn’t a fan of Not Another Love Song, and here’s why.” I’m not saying, “I didn’t like Not Another Love Song, and here’s why you shouldn’t like it/read it.”
(I am aware some people need to see others’ thoughts and opinions to help them to decide whether or not to buy/read a book. If this review does help you, and that’s what you needed, that’s fine! However, don’t just take my word for it. Look at what others are saying, and decide from there.)
*Trigger/content warning in this book for a Harry Potter reference and parental abandonment*
I debated whether to give this one or two stars. I finally decided to rate this two stars, because a one star means I really didn’t enjoy reading a book AT ALL. With two star reads, there are still a few things that saved the book from a one star. While I had more problems than praise with this book, there were things I enjoyed, like the chapter titles and Angie and Nev’s friendship!
MY THOUGHTS ON:
WHAT I LIKED:
•The chapter titles might be weird to some readers, but I personally enjoyed them! The main reason was that they reminded of the chapter titles in the Percy Jackson series. They’re weird out of context, but they have you wanting to read the chapter to understand what they mean!
•Angie and Nev’s freindship was so sweet to read about! I liked that Angie wasn’t a mentor to Nev, but more like a big sister. When I think of a mentor, I think of someone who’s almost flawless and always gives the best advice. Angie, however, made mistakes and didn’t always know what to do—but even then, she always had Nev’s back. Like a sister.
Additionally, some might say the friendship was uneven, with Angie ALWAYS helping Nev, and Nev not doing much for Angie. But come on, Nev was TWELVE. She didn’t have a motherly figure, her father wasn’t always emotionally present, and her older brother still treated her like she’s seven. She had a lot on her plate for a twelve-year-old! Nev needed someone like Angie—someone who would be there for her and didn’t expect anything in return.
•I really liked learning more about Mona Stone. Wildenstein did a FANTASTIC job writing Mona’s backstory, and her reasons behind some of the hardest choices she’d ever made. Learning more about her made her less of the idol Angie saw her as, and more as a flawed, realistic HUMAN. You don’t have to agree with some of Mona’s choices. But it’s not a black and white situation. And Mona’s reasons do make sense for HER CHARACTER.
The only thing that could’ve made this better was if we’d learned this THROUGHOUT the book—not just condensed into one scene near the end.
•OKAY, so I listened to the audiobook of Not Another Love Song, and I discovered a fun surprise at the end! One of the songs Angie (or the author) wrote, “Made”, actually played at the end of the audiobook! Like, it actually had instruments playing and a singer (Renee Wilkins) singing the lyrics and EVERYTHING! I’ve never seen this in an audiobook, and it was SO COOL!!! The song is on Spotify, Apple Music, and Google Music! I definitely recommend it!
CRITQUES:
•There were a handful of similes in this book, and many of them were ODDLY specific. Angie would say things like, “Her hair was as orange as a traffic cone”, or “My cheeks grew red as the ketchup on my fries.” Okay, these two examples weren’t actually in the book—I just couldn’t find any real examples because I didn’t take notes while listening to the audiobook. And I really don’t have the energy to go back and find some similes. But trust me on this one. The similes were WEIRD.
•There was A LOT of unnecessary information. Angie would be doing anything—LITERALLY ANYTHING—and she’d suddenly bring up something unrelated to the plot, or unrelated to whatever was currently happening in the story. For example, Angie would be talking to her best friend, and then she’d remember a random memory of them as kids. Or, she’d be at a restaurant with her mom, and suddenly she’d think about how they always come here every weekend, and explained to the audience where they normally sat, what they usually ordered, etc. I feel like if a lot of this information had been edited out, it wouldn’t have changed anything about the story.
•In my opinion, the buildup to the romance wasn’t the best. I just didn’t get WHY Angie and Ten were attracted to each other. Sure, they had a lot of page time together, but…something was missing: Them finding common ground. See, Angie and Ten were opposite in a lot of ways: Angie loved Mona Stone, and Ten just wanted to forget her existence. Angie loved music, and Ten had no strong feelings about it. Angie had abstract dreams of the future, and Ten had practical ones. Don’t get me wrong, it’s always good to have differences! Differences are what open our minds and push us to think in a way we probably hadn’t before.
But I just wanted to see Angie and Ten both relate to something and bonded over together. The thing is, there WERE some things that Angie and Ten could’ve bonded over: Living with a single parent. Liking certain foods. Heck, even the two of them being introverts! I just wanted see them bond over similarities, not just argue over the things they disagreed on.
•OKAY…*deep breath* there was one specific thing that got INCREDIBLY repetitive throughout the book. There’s no name for this trope, but there should be. Here’s the best way I can describe it: It’s when a character is going about their day, doing their thing, when SUDDENLY they hear a familiar voice nearby (or they feel someone tapping their shoulder). Then the character turns around, and OH MY GOSH—it’s their love interest (or someone else important to the plot)! I’ve seen this done in books before, especially in romances. Usually, it’s supposed to be an element of surprise. Like the reader is supposed to think, “Who does the voice belong to?” or “Who’s tapping on [insert character’s name’s] shoulder?” It’s supposed to heighten suspense.
However, Not Another Love Song used this trope in almost EVERY. SINGLE. APTER. Angie would be off doing her thing, in her own thoughts, WHEN SUDDENLY she’d hear a familiar voice or feel a tap on her shoulder. And then she’d turn around to see—SHOCKER—Ten. By the third time this happened, I just got annoyed. A couple of times would’ve been okay, but not ten, fifteen, TWENTY TIMES.
FINAL THOUGHTS:
Would I recommend this? Honestly, it depends. If writing style is important to you, you might struggle with Not Another Love Song. But if you need something light and fluffy, or like books that have music, definitely try this out (and definitely check out the song)!