Redcoat Volume 1: Einstein & The Immortal

Redcoat #1-7

by Geoff Johns, Bryan Hitch (Artist), Andrew Currie (Inker)

"Redcoat mixes history and the unknown for a tantalizing start." —AIPT

Immortal. Mercenary. Kind of a tool. Meet Simon Pure, the newest UNNAMED hero, created by comic all-stars Geoff Johns and Bryan Hitch.

British redcoat and all-around rogue, Simon mysteriously became immortal in 1776 after a run-in with the clandestine cabal known as The Founding Fathers, which included George Washington, John Hancock, and many other prominent American Revolutionary War leaders.

Since that fateful day, Simon has led a life of adventure and avarice, rubbing elbows (and sometimes fists) with many of history’s most renowned figures including Benedict Arnold, Albert Einstein, Annie Oakley and many more. But what are the true origins and extents of Simon’s power and the mysterious cult behind them? And how has it secretly shaped America and the world? Simon’s on a quest to find out!

Collects issues #1-7.

Genres: Comics, Graphic Novels, Historical Fiction, Fantasy, Magic, Fiction, Comic Book

240 pages, Paperback

First published March 18, 2025

About the author

Geoff Johns originally hails from Detroit, Michigan. He attended Michigan State University, where he earned a degree in Media Arts and Film. He moved to Los Angeles in the late 1990s in search of work within the film industry. Through perseverance, Geoff ended up as the assistant to Richard Donner, working on Conspiracy Theory and Lethal Weapon 4. During that time, he also began his comics career writing Stars and S.T.R.I.P.E. and JSA (co-written with David S. Goyer) for DC Comics. He worked with Richard Donner for four years, leaving the company to pursue writing full-time.

His first comics assignments led to a critically acclaimed five-year run on the The Flash. Since then, he has quickly become one of the most popular and prolific comics writers today, working on such titles including a highly successful re-imagining of Green Lantern, Action Comics (co-written with Richard Donner), Teen Titans, Justice Society of America, Infinite Crisis and the experimental breakout hit series 52 for DC with Grant Morrison, Greg Rucka and Mark Waid. Geoff received the Wizard Fan Award for Breakout Talent of 2002 and Writer of the Year for 2005, 2006, 2007, and 2008 as well as the CBG Writer of the Year 2003 thru 2005, 2007 and CBG Best Comic Book Series for JSA 2001 thru 2005. Geoff also developed BLADE: THE SERIES with David S. Goyer, as well as penned the acclaimed “Legion” episode of SMALLVILLE. He also served as staff writer for the fourth season of ROBOT CHICKEN.

Geoff recently became a New York Times Bestselling author with the graphic novel Superman: Brainiac with art by Gary Frank.

Reviews

[Anne · Rating 2 out of 5]

National Treasure meets Hamilton meets Highlander.
But not as cool.

My name is Simon. Simon Pure.
Though I'm anything but, as you'll come to know.
This phrase is on repeat throughout, but to be perfectly honest, I just didn't find it clever enough to need its own word bubble at the beginning of each issue.



Simon Pure was a "Redcoat" in the Revolutionary War who, after his regiment was defeated by a magic-wielding George Washington, stumbled onto a secret society's magical ritual and ended up being endowed with the immortality originally meant for Benjamin Franklin.
The story revolves around introducing Simon as a character and having him team up with a teenage Albert Einstein to save the world from another evil immortal that wants to "cleanse" the United States with fire and start over again.



Simon is supposed to come off as this rogueish character that needs some help polishing up his heart of gold. I just thought he came off as depressing and silly.
I'm also curious as to why, in 2 centuries, he hasn't updated his wardrobe. I will assume for now that there is some valid reason, but since we see him putting it on in the morning, it can't be that the damn thing is somehow attached to his skin. Maybe he starts to rot or itch if he wears something other than the clothes he was made immortal in?
Or maybe the clothes are also immortal, and he's just cheap.
You had 7 issues, Geoff. Would it have killed you to tell us what the fuck is up with the fashion choices in one of them?



Eventually, it seems as though Simon will end up as part of a time-traveling team that brings together Johns' other characters from the Ghost Machine lineup Geiger & Junkyard Joe, called The Unnamed. I'm actually looking forward to that.



As for this?
Johns is a good writer, but I think I just hate the premise too much. It's cheesy. I wasn't crazy about it in Killadelphia, and I'm not crazy about it here.
I gave it a shot because I didn't think he'd be able to pull off a silly premise like Junkyard Joe, and I ended up loving that. I think this reimagining of the Founding Fathers shtick & I are just not meant to be, because if anyone could do it, I would think it would be Geoff Johns.



Recommended for fans of Revolutionary War Reenactments.

[Molly™☺ · Rating 3 out of 5]

A good entry into the Ghost Machine universe that follows Simon Pure and his navigation of external life through the centuries. It is a well-executed premise that borders predictability, but it never feels overly boring or bland. Familiar names from American history are thrown in, expanding the lore by blending reality and fiction, and it may take a while to adjust to their utilisation. Of all the characters, Simon and Benedict Arnold’s dynamic has the most potential should it fully choose to embrace the concept and complexity of being begrudging immortal peers as they are the only guarantee in each other’s lives whilst the world continues to age around them. The dialogue is fun for the most part - with the only main criticism being the grating German-English depiction - and Johns’ writing style works well in terms of pacing and progression. Definitely one of note for comic readers who want a taste of magic and fantasy without the superhero shenanigans and tropes.

actual rating: 3.5 stars

[Oscar · Rating 3 out of 5]

Pretty good!

[Robert · Rating 4 out of 5]

Conceptually maybe more of a 3-star than the full 4 but darn it if that wee Einstein wasn't too adorable, and he even speaks in grammatically correct German- most of the time.



Besides that I never particularly came to like the protagonist and as far as "Immortal Founding Fathers of the U.S. of A." stuff goes I came to Killadelphia sooner and I feel those stories have more edge and more to say about the state of the place in the here and now.

Might be back to read vol. 2 but it's not a high priority.

[Chris Lemmerman · Rating 4 out of 5]

His name's Simon. Simon Pure. Although he's anything but.

Cursed with immortality by a failed ritual in the 1700s, Simon Pure finds himself targetted by a doomsday cult trying to burn America to the ground. His only hopes? Benedict Arnold, and a small boy named Albert Einstein. This'll go fine.

This reminded me a lot of the Sleepy Hollow TV show - immortal character gets stuck into historical events that he shouldn't, a slapdash of magic, and some laugh out loud dialogue. It's like if Ichabod Crane was a selfish bastard. And if the final issue of the trade doesn't tug on your heartstrings, you're made of stronger stuff than me. Solid plotting from Johns as always, and I'm definitely intrigued to see what's next, as well as filling in the gaps in the years we haven't seen so far.

Bryan Hitch is on art, and you can tell right from the get-go. The guy loves a splash page, a double page spread, and a fight scene where people's arms and legs end up in all sorts of weird positions. But he's gotten a lot better at getting his pages out on time without skimping on the details, and I'm a big fan as a result.

[Frédéric · Rating 3 out of 5]

Fun action, a little iconoclastic considering the involvement of the Founding Fathers, with an endearing, magnificent loser.
Nothing transcendent, but a pleasant read enhanced by Bryan Hitch - of whom I'm a great fan - on the drawings. Would I continue the series if he had to leave it? Nothing is less certain...

[Drew Canole · Rating 3 out of 5]

I always enjoy Bryan Hitch's artwork. Dynamic and detailed yet he always draws fast-paced stories.

This was a bit too goofy at times. Somehow Johns pulls off using a childhood Albert Einstein as a protagonist.

I've only read 2 Ghost Machine comics but they've both been really good. Genre comics, but very unique premises.

[Michael J. · Rating 4 out of 5]

NOTE: I read this in the monthly single issues

What really impressed me after reading the first chapter/issue is the art of Bryan Hitch. Working together with Andrew Currie on inks, the details really pop without being cluttered. And the amazing colorations by Brad Anderson take this to another level. Hitch has produced some incredible work over the years, and this is at the same level.

Here are some things I spotlighted in the first issue.

THE CHARACTER. As a British redcoat in 1776, he’s on the wrong side but could likely become a true anti-hero who may change allegiances as the story moves on. And, it doesn’t feel like he became a soldier because he supports Britain’s cause, but more like he wanted the paycheck. Plus, he’s an unusual main character - -  an immortal who didn’t ask to be - he was caught in a force that was intended to give Benjamin Franklin super-powers.

He’s always on the run and often hiding, from Revolutionary forces, creditors, unhappy lovers, or those who want revenge for a relative he has killed. Simon Pure (an ironic name, to be sure) can be killed, but will be resurrected - usually in a different time period that he cannot control. He’s a scoundrel, a bumbler, and seems clueless as to how to use his abilities to his benefit. He just seems to go with the flow. Definitely not heroic, and that’s a difference that I can appreciate. Also, I love how he often breaks the Fourth Wall and speaks directly to the reader.

TIME TRAVEL: You can tell right from this first issue that Johns will be putting a definite spin on historical figures. Here, the Founding Fathers were part of a cabal that used rituals to grant them super-powers. John Hancock exterminates a group of British Soldiers with magical fireflies. I can’t wait to see what other historical figures Redcoat will meet and what time periods he will end up in.

AN OVERVIEW OF THE UNNAMED UNIVERSE:Those time travel abilities will make it possible to visit other moments in John’s carefully mapped out universe. 
               
Overall this is a neat debut issue. FOUR STARS.

Issue #2 Re-cap: “The year is 1892. After being murdered in a bar brawl, a newly resurrected Simon Pure is dug out of his grave by a 13-year-old Albert Einstein. Before Einstein can explain his intentions, the hooded cult that accidentally gave Simon his immortality in 1776 surrounds them.”

They escape, but during the battle Simon is struck by an axe/hatchet with strange inscriptions. When the pain of the wound becomes too severe, a strange blue glow engulfs Simon’s surroundings and propels him backwards with great force. Einstein, who is trying to decipher the origin/meaning of the axe, tells Simon it is only going to get worse. Einstein’s sister had a dream in which Simon was a wizard capable of preventing a world catastrophe. This caused him to travel cross the ocean to team up with Simon.

They travel to the mansion of Benedict Arnold (now a.k.a. Benedict Armistice), another immortal like Simon. Arnold is familiar with the axe that spilled Simon’s blood and warns him that he has just three days to live.

More characters. An interesting version of Einstein, complete with dialect, and a mystery brewing. Why is the cult still chasing Simon after over 100 years? THREE AND ONE-HALF STARS.

ISSUE #3 The story of the mystical axe that wounded Simon has a history dating back to George Washington and the cherry tree legend. Washington used it in war and ritual and it became a deadly totem of mystic force - - The Axe of Lies, having the power to cut through even the greatest truth.

When Benedict Arnold leaves Simon and Einstein alone in his chambers, they discover a hidden passageway leading to a room of strange artifacts including book with a Masonic symbol. Simon
wants Einstein to decipher its message and magic spells, hoping to find a cure for his wound.

The cult catches up to them and during yet another battle, Einstein uses a spell improperly that destroys a section of Arnold’s estate. The cult capture Simon and prepare him for a ritual - - but to what outcome? THREE AND ONE-HALF STARS.

Issues #4 - #7 Each issue when Redcoat first appears his narration is the same: “My name is Simon . . . Simon Pure . . . Though I’m anything but, as you’ll come to know.”

In the remaining issues of the first story arc, Einstein is trying to decipher the backwards Latin in the Book of Spells to find a remedy to keep Simon from dying three days after being wounded by a mystical axe that belonged to George Washington.

A side effect is that in critical moments a blue glow will engulf Simon and release a propulsive force, which continues to increase in intensity.

The axe is one of the few weapons that can kill an immortal. Another way is that death will occur if any of these continental immortals go offshore from America.

The mystery behind why the hooded cult is still pursuing Simon is unveiled. A Grand Architect is behind the plans. On the third day, a ritual will be performed that will unleash the fire building inside of Simon and burn America to cinders.

The story is told of how Einstein stowed away inside a passenger ship in order to to arrive in America and help Simon save everyone, as seen in a dream by his mystic sister.

Benedict Arnold says that George Washington remains alive and is the man behind the hood and robes of the Grand Architect, but should he be believed?

The final attempt at the summoning ritual succeeds and the power surging from Simon is transferred to the Grand Architect (who is not George Washington, but I won’t tell who). The fiery hell-like power is too much to contain and consumes the Grand Architect. Worried for his young companion, Simon makes a valiant effort to rescue Einstein, who ends up returning the favor shortly after.

Issue #7 is an epilogue, which takes place years later in 1955 where an ageless Simon has a heart-warming conversation with the hospitalized Einstein in the moments before his death.

The stunning visuals of Bryan Hitch have made this a pleasure to view, along with fantastic color work from Brad Anderson.

So far, the debut issue of this series has been the best, the most promising. Four Stars. However, the story seemed to meander and repeat itself somewhat, so I couldn’t honesty keep grading it Four Stars, and downgraded Issues 2 & 3 to Three And One Half Stars. Things did pick up more as this story eventually put all the cards on the table. I’d give Issues 4,5,6 Three And Three Quarter Stars. The epilogue Issue #7 deserves Four Stars.

Consistently high quality. This is worthwhile reading and recommended.

[Mohan Vemulapalli · Rating 3 out of 5]

"Redcoat: Einstein & The Immortal" is a mostly readable paranormal tale about an immortal British Redcoat and his adventures in the 1890s with a teenage Albert Einstein. This book is brimming with unfulfilled potential and only gels at the very end when their is a final hint of possible character development in future volumes. Hopefully, there will be more to future volumes as the idea behind this book is definitely promising.

3.5 stars rounded to 3.

[Paxton Holley · Rating 3 out of 5]

This had a cool premise and I like Geoff Johns as a writer for the most part. So I gave it a shot.

It’s not bad. The plot is cool. It uses American iconography and fuses it with magic. A British soldier is mistakenly given immortality and roams the Earth unsure what he’s supposed to do, until he stumbles upon a conspiracy to destroy America by a group called the Founding Fathers.

Overall I liked it, but I felt it kind of dragged in the middle of the first 7 issues. Many of the story elements are interesting though and we get a great appearance by a young Albert Einstein who helps save the day.

I’ll be interested to see further adventures of Redcoat. This is also a part of a larger universe called, collectively, The Unnamed, along with several other titles.

[Jayson · Rating 3 out of 5]

Review to come...

(B+) 78% | Good
Notes: Review pending re-read. Individual reviews for included issues can be found here:
- Redcoat #1
- Redcoat #2
- Redcoat #3
- Redcoat #4
- Redcoat #5
- Redcoat #6
- Redcoat #7

[Robert · Rating 4 out of 5]

Even if we the readers consider the plot to be absurd the characters themselves take it seriously, which is enough to carry the day.

[Machiavelli · Rating 4 out of 5]

Redcoat Vol. 1 was a genuinely fun read — sharp, fast-paced, and consistently entertaining.

Simon Pure is an incredibly engaging lead. His blend of immortality, cynicism, and dry humor gives the book its real spark. Watching him stumble through history with equal parts swagger and reluctance makes for a great hook.

The story moves at a brisk pace, balancing action, comedy, and big-concept intrigue without getting weighed down. It’s the kind of book that’s very easy to sink into and hard to put down.

Bryan Hitch’s artwork looks fantastic throughout. Clean, cinematic, and polished, it gives the series a sense of scale and energy that perfectly suits the tone.

While it occasionally feels more focused on momentum than depth, that hardly detracts from the overall experience. This is a slick, highly enjoyable start that delivers exactly what it promises. 4.5⭐️

[Dakota Morgan · Rating 3 out of 5]

Possibly the weakest Ghost Machine entry so far, but I think that's due to the character's natural limitations. His deal is that mysterious Founding Father magics have made him immortal. Instead of using that power for anything, he just kind of bops through time as a bored gun for hire.

The plot in this volume tries to put a little meat on those bones by giving the Redcoat something to do. The mystery magic cult are trying to kill him (which would send a fire across America for "reasons"), so he's got to get away. A young Albert Einstein randomly turns up to help (and act as a comic foil). There's another immortal who is very clearly going to end up the villain. Across eight issues, the characters basically escape a number of close calls while briefly, occasionally pondering what's behind all the weird stuff going on.

Ultimately, I was disappointed in the world-building and never found the Redcoat to be an interesting character. Geoff John's comic writing chops are on display, so the book is well-paced and mostly engaging. Art's solid. But it definitely doesn't make me look forward to seeing the Redcoat elsewhere.

[Lesley · Rating 3 out of 5]

I have no interest in the other 'unnamed' volumes but Redcoat was fun and positively cheesey.

[Anna Quilter · Rating 3 out of 5]

"My name is Simon.
Simon Pure.
Though I'm anything BUT as you'll come to know"

lots of fun with a pretty clueless Immortal and a very poignant #7.

[Jordan Anderson · Rating 5 out of 5]

4.5 stars

Okay, so full disclosure: I picked up Redcoat expecting a goofy, overly patriotic romp through colonial America with laser muskets or something equally absurd. What I got instead was shockingly good…like Geoff Johns just snuck into my historical fiction comfort zone, kicked the door down with a sarcastic immortal British soldier, and redecorated with wit, violence, and some extremely cool coats.

Redcoat tells the story of Simon Pure, a grumpy, reluctant, centuries-old Brit who just won’t die (and no, that’s not a spoiler… it’s kind of the whole premise). He’s a little bit Wolverine, a little bit Constantine, and somehow, despite being a literal redcoat, he’s weirdly charming. The plot jumps between key moments in American history with a twist, and while it’s full of clever rewrites and satirical nods, it never loses sight of the emotional core or the overarching mystery tying it all together.

The writing is sharp, the pacing is brisk, and the tone balances absurdity and sincerity in a way that shouldn’t work, yet totally does. The supporting characters are all distinct and memorable (even if some of them definitely need therapy, or at least a stiff drink). And the art? Honestly fantastic. The visuals walk that sweet spot between gritty and stylized, with bold layouts and some standout action panels that really bring the chaos of immortal brawls and colonial conspiracies to life.

This 7-issue run is technically standalone, but it ties into Johns’ larger “Unnamed” universe—which, thanks to Redcoat, I now feel morally and emotionally obligated to read. Curse you, Geoff Johns, and your cleverly connected storytelling web.

If you’re even slightly into alt-history, sarcastic antiheroes, or just want to see what would happen if Deadpool got stuck in a Ken Burns documentary, Redcoat is your book. A bit uneven in places, and maybe not quite perfect, but it’s one of the most entertaining comics I’ve read in a while.

Also, I now want to punch Ben Franklin. Read the book. You’ll understand.

[Eric · Rating 3 out of 5]

Well, it ended better than it began but I'm not totally sold on this series. I don't hate the character or anything, I just don't know how much steam is left in the engine. Also, even as a kid, Colonial/Revolutionary American History has never been my favorite, non-fiction or otherwise. So maybe that's always going to keep this series from hitting with me.

I will say Bryan Hitch's art is still and always worth the price of admission. And considering I lived through the Ultimates delays of the early aughts in real time, I love seeing him on a regular scheduled program.

[Alex · Rating 3 out of 5]

While it does involve some amusing historical fiction, Redcoat is a alright read. Johns has a little too much love for decompression, this didn't need to be 7 issues. Hitch is both incredible during his two page spreads, but some individual paneling is a bit muddled. it's fun seeing magic being intertwined with American history, and notable figures who might pop up. The actual plot isn't the most exciting but I've read far worse. Just think how awful it would be to actually outlive all those close to you, even if you're just the wooorrrsssttt

[Paul Spence · Rating 4 out of 5]

Redcoat is everything I hoped for and more! A sharp, action-packed historical adventure with a supernatural twist. Simon is the perfect kind of rogue: a sarcastic, immortal troublemaker who stumbles through history, rubbing elbows (and often clashing) with figures like Johnny Appleseed, Albert Einstein, Benedict Arnold and even presidents! The book seamlessly blends real historical events with wild, unexpected turns, making every issue a blast to read. I can't wait for book 2!

[Michelle Villmer · Rating 4 out of 5]

Fun alternative look at history. Get ready to see Benedict Arnold, George Washington and Albert Einstein in a whole new light. Our protagonist, Simon Pure, an immortal from the Revolutionary War when an arcane ritual meant to bestow immortality on Ben Franklin goes very, very wrong. Lots of humor here too.

[Nick Phillips · Rating 4 out of 5]

An enjoyable historical fantasy in which everything that is wrong with the world is the fault of George Washington, an argument that I feel stands even in the real world. This is part of a shared universe which I shall definitely be exploring further.

[Alaina · Rating 2 out of 5]

First couple issues were fun but I felt the overall story to be boring. Not my favorite in the GM universe.

[Rick · Rating 4 out of 5]

Phenomenal concept!!!

[Doreen · Rating 4 out of 5]

With a tagline like "Immortal. Mercenary. Kind of a tool" this is the kind of book that is usually pure catnip to me. Tho I have to admit that by the fourth or fifth issue opener of "My name is Simon. Simon Pure. Though I'm anything BUT", I was ready to cheerfully strangle someone, character, creator or otherwise.

And, y'know, if I'd read this title in issue form, there's a very good chance I would have bounced right off it somewhere around Chapter 4. But I'm glad I persevered with the trade paperback, because it was ultimately the kind of warmhearted, thoughtful work I generally associate with Geoff Johns and Bryan Hitch, even if I did feel that the beginning was edgelordier than I prefer. I don't think that the me of twenty years ago would even have noticed or cared, but the premise of the Founding Fathers of the USA being a cabal of immortals with supernatural powers -- and then the protagonist of this book being a Redcoat who shot Washington, crashed an immortality ceremony, and over a century later has to team up with young Einstein to save America... ugggghhhffff. Can't we just let people be human? Do we really need to mythologize historical figures who have already accomplished great things with the powers of their heads and hands and hearts alone? George fucking Washington isn't heroic enough for leading the ragtag Continental Army to victory almost entirely through sheer force of will: he has to have superpowers, too?!

And yes, yes, I know old George wasn't perfect, but that's exactly my point! My main beef with this (admittedly very human) desire to turn men -- and have you noticed, it's almost always men? -- into gods is that it absolves "regular" people of trying to do good, too. But, and very crucially, Chapter 7 of Redcoat Vol 1 neatly turns that desire inside out, in an issue that absolutely made the rest of the book worth reading for me. I presume this was Mr Johns' sneaky way of delivering his warmhearted, thoughtful message to people who really need to hear it, after dabbling in a bunch of ridiculous theories beloved by dumb people who think that they're smarter than everyone else in order to suck them into the book in the first place.

Because the premise of the book is basically that English soldier Simon Pure accidentally stole immortality from the Founding Fathers and their Masonic cabal (I know, I know, I sighed gustily, too.) One hundred and sixteen years later, a young Albert Einstein steals away to America at the urging of his beloved sister Maja to find Simon and save America from the conflagration that she's foretold in her visions. Simon has spent most of his immortality being a dissolute gun for hire, so has no interest in helping, until his own immortality is threatened. Hijinks ensue.

As an alternate history romp through America in its first centuries, this is fun (I loved the Johnny Appleseed bits, especially.) And once I got over the insulting undertone of "the only reasonable answer is magic" plus the hint of "the Founding Fathers were evil!" I was better able to enjoy the read. Also, this was pretty much my first encounter with the Ghost Machine universe: I get that Simon is meant to be something of an anti-hero, hence the offbeat tone -- tho I'm ngl, the resemblance to Jack of Fables is unflattering to everyone involved.

It's also interesting to see how Bryan Hitch's work is allowed to be unpretty here. I know he was killing himself back in the day trying to turn in The Ultimates, which continues to be one of the best-looking comic runs I've ever enjoyed, and while his art is still spectacular, it's less Hollywood in this title. Perhaps that's due in part to the contributions of Andrew Currie, who worked on the inks with him, but it is striking how the characters don't all look like they come out of central casting. Issue 7 continues to be an exception, with Einstein looking much more like he was at his most famed, and Simon being spiffied up to see him. Shoutout to Brad Anderson for some really good work on the colors, too. I'm definitely interested in seeing how the art progresses as the title continues, and the story likewise.

Redcoat, Volume 1: Einstein & The Immortal by Geoff Johns & Bryan Hitch was published March 18 2025 by Image Comics and is available from all good booksellers, including Bookshop!

This review originally appeared at TheFrumiousConsortium.net.

[Shivesh · Rating 5 out of 5]

Immortality, intrigue, and historical spectacle converge in Redcoat, Vol. 1, a thrilling dive into an untold corner of American history reimagined through the lens of supernatural mystery. At the heart of this adventure is Simon Pure—a name dripping with irony, as Simon is anything but. Once a British redcoat, now an immortal rogue, his life was forever changed in 1776 after an encounter with The Founding Fathers, a secretive cabal that included George Washington, John Hancock, and other Revolutionary War figures. What mystic rites transpired that day granted Simon eternal life, but with it came questions—ones that have shaped America behind the scenes for centuries. As Simon ventures through time, rubbing shoulders (and trading blows) with icons like Benedict Arnold, his journey becomes not just one of survival but one of revelation. What are the origins of his power? How deeply has this shadowy organization influenced history? And is immortality truly a gift, or an unrelenting curse?

One of the volume’s strongest features is its seamless balance between historical immersion and personal storytelling. The art is vibrant and deeply expressive, making every era Simon traverses feel richly textured and alive. Facial expressions are particularly striking, adding layers of personality and emotion to each exchange. The detail in clothing, settings, and even battle sequences further enhances the sense of time and place, drawing readers into a historical world that feels as authentic as it does exhilarating. This synergy between art and writing creates a story that is not only enjoyable to read but visually rewarding. The artistic partnership behind Redcoat has crafted a book that stands out in its ability to transport readers across centuries while maintaining a sharp focus on character and intrigue.

The mechanics of immortality within the narrative introduce compelling stakes. The idea that Simon’s immortality is tied to the very soil of America is an inspired choice, immediately setting the ground rules for his eternal existence. Much like Highlander, Redcoat embraces the notion that immortality must come with boundaries, ensuring that the conflicts remain fresh and engaging. This isn’t a tale of a man simply watching time pass—it’s a battle for control, knowledge, and survival, as Simon navigates a world that is constantly changing while he remains unaged. The existential weight of immortality plays heavily into the storytelling, creating moments that feel both adventurous and deeply introspective.

Simon himself has undergone notable character growth throughout these issues. He is a rogue, yes, but one whose journey has begun to reflect the toll of his eternal existence. The last issue in particular stands out as a poignant meditation on the familiar trope of immortality as a curse rather than a blessing. Geoff Johns doesn’t merely rest on these themes—he uses them as a launchpad for deeper storytelling, ensuring that this remains more than a collection of historical adventures. Instead, it becomes a layered exploration of fate, power, and the unseen forces that shape history itself.

With the Ghost Machine universe expanding, Redcoat promises to intersect with future timelines, including those of Junkyard Joe and Tariq Geiger. How will Simon’s story weave into the larger tapestry of this world? Will his immortality continue to serve him, or will its consequences grow even more dire?  I am here for it.

[Gancu · Rating 4 out of 5]

Cóż, jeśli kiedykolwiek marzyłeś o komiksie, który łączy cynicznego, wiecznie żyjącego Brytyjczyka z historią Ameryki, to Redcoat Geoffa Johnsa jest dla Ciebie. Po przeczytaniu tego, pytam siebie: “Czy to jest arcydzieło, czy po prostu komiks, który nie bierze siebie na serio, a my wpadliśmy w tę samą pułapkę, co Simon Pure?” Cóż, odpowiedź brzmi: trochę i jedno, i drugie.

Fabuła? Prosta jak budowa amerykańskiego demokracji (choć bardziej zgrabna). Simon Pure, wiecznie żywy Brytyjczyk z XVIII wieku, próbuje przeżyć w rzeczywistości, w której ludzie umierają, a on zostaje, niczym ten jeden wujek, który nigdy nie odchodzi z wakacji. Ma tylko dwie rzeczy na stałe w swoim życiu: Benedicta Arnolda (tak, ten sam, który zdradził rewolucję) i... Albert Einstein (bo czemu nie?). Teraz dodajmy do tego kult doomsday, który chce spalić Amerykę, i mamy idealny przepis na katastrofę nie tylko dla historii, ale także dla samego Simona.

Ton i styl? Geoff Johns chyba pił kawę z Deadpoolem przed pisaniem. Jest zabawnie, ironicznie, a momentami aż za bardzo. Z jednej strony dostajemy skrupulatnie przemyślane wydarzenia historyczne, a z drugiej strony mamy postać, która traktuje poważne sprawy jak żart na imprezie. Redcoat to komiks, który nie boi się strzelać z języka, czasem aż za bardzo, jakby autor miał obsesję na punkcie ironii. W tym wszystkim nie brakuje mrocznych chwil, które są jak te dziwne, niezręczne momenty na spotkaniach rodzinnych, gdy wszyscy się śmieją, a ty nie jesteś pewien, czy powinieneś się zaśmiać.

Postacie? Simon Pure to prawdziwy twardziel, który ma “czarujący” sposób na życie marudzi, wkurza, ale… jakoś go lubimy. To trochę jakby się trafiło na wkurzonego Wolfa W. "Wolverine'a" i rzuciło go w sam środek amerykańskiej wojny o niepodległość. A Benedict Arnold? Ach, ten gość naprawdę dodaje do komiksu nową warstwę komplikacji i goryczy, której nikt się nie spodziewa. Tylko nie wiem, kto wygrywa w tej niezdrowej rywalizacji o miano najgorszego „przyjaciela”.

Rysunki? Bryan Hitch nigdy nie rozczarowuje. Co prawda, jakby miał więcej splash page'ów niż jedna strona komiksu, to wcale bym się nie zdziwił. Jego sztuka nie jest dla każdego przypomina to trochę przerysowaną brutalność lat 90-tych, z efektami specjalnymi, których Marvel pewnie już by się wstydził. Ale jeśli lubisz intensywne walki, w których ludzkie kończyny wyglądają jakby je ktoś porozrzucał po scenie, to… hej, mam dla ciebie coś specjalnego.

Satyra? O tak, Redcoat to nie tylko komiks o historii to komiks, który wywraca historię na lewą stronę i mówi, "Cześć, masz tu świetny koncept, teraz zróbmy z tego całą komedię." Benjamin Franklin, kochany przez amerykańskich patriotów, tu jest przedstawiony jako totalny debil, któremu najchętniej byś dał kopniaka w tyłek. Dzięki temu komiksowi, na pewno nie będziesz już patrzył na niego tak samo.

Podsumowanie? Redcoat to komiks, który nie bierze siebie na serio, a Ty, drogi czytelniku, możesz się śmiać z każdego zaskakującego zwrotu akcji, choć nie do końca wiesz, czy to jest komedia, czy tragedia. Wiesz, że coś nie gra, ale chcesz, by to trwało dalej. Jeśli szukasz czegoś bardziej wciągającego niż Twoje przeciętne historie o nieśmiertelnych bohaterach, to Redcoat z pewnością dostarczy Ci emocji, które wydają się wyjęte z książek historycznych… a potem przerobione na cyrk.

[Will Robinson Jr. · Rating 4 out of 5]

A very unique action adventure romp with a super heroic feel. Geoff Johns is writing a very unexpected tale about immortality and its unexpected gifts & curses. With Bryan Hitch on artist duties this is a not to be missed comic book experience. Redcoat is a topsy turvy history lesson on what we think we known about the United States and the legendary figures who shaped this nation. The characters are just quite simply well written. Simon Pure is the underdog that you want to cheer for and young Einstein really does a great job as the sidekick to this history jumping adventure. Hitch is also drawing some the best illustrations I've seen in a long form comic series. The storytelling through the art is Hitch's best since Hawkman for DC comics. Which is ironic since this book feels like an incredible pitch for a Hawkman story. Having read four other of the Ghost Machines books, this one is steadily moving to the top of my list as the bet series. The epilogue at the back of this volume really teased some great stories I can't wait to read. It will be interesting to see what Simon's life was like during the Civil War, the Great Depression and especially World War II. I am still not clear yet how this series is going to connect to the other books in the Unnamed Universe. But Ghost Machine is really putting out something special here. Johns & company have done great work in creating this universe. It really feels like being around for the early days of the creation of the Marvel universe. Can't wait to read the second volume. The Indie scene is firing on all cylinders between Ghost Machine, Conan, and the Energon Universe there are just some great comics on the stands right now. If you enjoyed this book I'd check out these other Ghost Machine series: Geiger, Vol. 1, Junkyard Joe, Rook: Exodus, Volume 1: Fight or Flight, & The Rocketfellers Volume 1: First Family of the Future. Here are few books featuring the art of Bryan Hitch worth checking out as well: Hawkman, Vol. 1: Awakening, The Ultimates, Vol. 1: Super-Human, & Justice League of America: Power and Glory.

[Subham · Rating 3 out of 5]

This was quite fun and not as good as the other titles in the GM universe but this is still fun seeing a historical fiction setting and its got all the hallmarks of a Geoff Johns book.. quirky character and finds himself in situation bigger than he can handle and threats coming left and right and a massive mystery and a big emotional hook and a solid fistfight and an emotional ending and man it was done so well here, the last 2 issues just made me love this more.

I love how we have young Albert Einstein and his german accent and how he and Simon in 1892 found themselves going against this group called the Founding Fathers and their Grand Architect and magic and chaos ensues as Simon has been hurt by an axe and he has only days to live and they meet Ben Arnold and he has his own mystery and how they dodge these villains is the story, emotional conflicts and moments between them and all that and finally the big reveal of who the GRAND ARCHITECT is and tbh you could see it coming.

But it was a fun battle in the end and I like their portrayal of Albert and how he comes to his friends Simon's rescue and there is a lot of mystery it ends with as to what happened with the whole thing but its one of those big emotional finales of the first arc thats always prevalent with Johns writing and omg that last issue where Simon meets Albert for the final time in his deathbed and recalling one of his adventures and one of their final goodbyes omg. <3

Yeah its emotional.. I have used that word so many times fr in this review but then again its so well done and through Einstein's eyes you see Simon in a whole new way! I liked that one and lets see what stories the future volumes bring in the life of SIMON PURE!

[Yoshiro · Rating 5 out of 5]

POPKULTUROWY KOCIOŁEK: Simon Pure to brytyjski żołnierz z czasów rewolucji amerykańskiej. Mężczyzna w wyniku niezwykłego zbiegu okoliczności staje się nieśmiertelny. Co jeszcze ciekawsze, odbiera tę moc jednemu z Ojców Założycieli USA podczas bitwy pod Trenton w 1776 roku! Od tej chwili żyje przez wieki, stając twarzą w twarz z historycznymi legendami – od Benedicta Arnolda, przez Annie Oakley, aż po młodego Alberta Einsteina.

Pierwszy tom serii zbiera siedem zeszytów historii Geoffa Johnsa, odpowiadającego za całą serię o Bezimiennych. Scenariusz płynnie łączy elementy alternatywnej historii USA, magii i czarnego humoru. Simona ciężko nazwać prawdziwym herosem. To bowiem antybohater, nie zawsze altruistyczny, ale niesamowicie barwny i charyzmatyczny. Popełnia mnóstwo błędów i jest zapatrzony w siebie. Jednakże, z czasem, pod wpływem innych zaczyna zmieniać się na lepsze.

Simon to zdecydowanie najmocniejszy punkt Redcoat. To jeden z najwyrazistszych bohaterów z jakimi miałem do czynienia w ostatnim czasie. Mężczyzna jest moralnie niejednoznacznym skurczybykiem, któremu nie raz jako czytelnik kibicujemy pomimo jego egoizmu. Otaczający go bohaterowie występują tutaj niejako w formie kontrastu, jeszcze bardziej podkreślając jego przywary, ale z czasem także jego chęć zmiany.

Do pełnej intrygi, zwrotów akcji, ucieczek i pościgów fabuły świetnie odpowiada wizualny styl Bryana Hitcha. Zachwyca szczegółowością — od kostiumów i architektury po magiczne efekty. Sekwencje walk są dynamiczne i pełne ekspresji. Rysunki doskonale ujmują również postać głównego bohatera komiksu. Wygląda on i zachowuje się dokładnie tak, jak byśmy sobie to wyobrażali....

https://popkulturowykociolek.pl/redco...