In 1894, across space, this earth was being watched by envious eyes, and plans were being drawn up for an attack.
What seems to be a meteorite falls to earth, but from the debris, unfolds terrifying alien life...
A young man called Leon records his observations and sketches. 'Those who have never seen Martian life can scarcely imagine the horror' - he tells us. 'Even at this first glimpse, I was overcome with fear and dread. The earth stood still as we watched, almost unable to move ...'
In a full colour, graphic novel retelling of the classic, Chris Mould depicts the arrival of these giant martians that tower over woods and cities, seemingly ungainly at first, but then horrifyingly efficient when they begin to attack...
As war descends, Leon and his scientist wife race against the clock to discover the science behind these martians in the hopes of ending this war of all worlds.
Herbert George Wells was born to a working class family in Kent, England. Young Wells received a spotty education, interrupted by several illnesses and family difficulties, and became a draper's apprentice as a teenager. The headmaster of Midhurst Grammar School, where he had spent a year, arranged for him to return as an "usher," or student teacher. Wells earned a government scholarship in 1884, to study biology under Thomas Henry Huxley at the Normal School of Science. Wells earned his bachelor of science and doctor of science degrees at the University of London. After marrying his cousin, Isabel, Wells began to supplement his teaching salary with short stories and freelance articles, then books, including The Time Machine (1895), The Island of Dr. Moreau (1896), The Invisible Man (1897), and The War of the Worlds (1898).
Wells created a mild scandal when he divorced his cousin to marry one of his best students, Amy Catherine Robbins. Although his second marriage was lasting and produced two sons, Wells was an unabashed advocate of free (as opposed to "indiscriminate") love. He continued to openly have extra-marital liaisons, most famously with Margaret Sanger, and a ten-year relationship with the author Rebecca West, who had one of his two out-of-wedlock children. A one-time member of the Fabian Society, Wells sought active change. His 100 books included many novels, as well as nonfiction, such as A Modern Utopia (1905), The Outline of History (1920), A Short History of the World (1922), The Shape of Things to Come (1933), and The Work, Wealth and Happiness of Mankind (1932). One of his booklets was Crux Ansata, An Indictment of the Roman Catholic Church. Although Wells toyed briefly with the idea of a "divine will" in his book, God the Invisible King (1917), it was a temporary aberration. Wells used his international fame to promote his favorite causes, including the prevention of war, and was received by government officials around the world. He is best-remembered as an early writer of science fiction and futurism.
He was also an outspoken socialist. Wells and Jules Verne are each sometimes referred to as "The Fathers of Science Fiction". D. 1946.
Fun fact, I've been a huge fan of Jeff Wayne's musical version War of the Worlds for the longest time. If my dad and I are on a road trip, that's what we're listening to. I have read HG Wells War of the Worlds and enjoyed it and then I came across this graphic novel edition in an indie bookstore in Halifax before Christmas. As kismet would have it, Chris happened to be there signing books. So I got mine personalised and got a photo with him (thanks again Chris).
This was fantastic. Such a wonderful graphic novel inspired by the original story. The illustrations were stunning and the story itself was so well told. I really enjoyed this, and the nostalgia with my dad as well as the fun story of getting my copy and meeting Chris just adds to my love for this book.
Chris Mould's War of The Worlds, inspired by the H. G. Wells classic
This stunning book retells the story of War of The Worlds in a brand new format.
There was a bit of a debate in the comments on my latest reel as to what makes a graphic novel, but regardless of where your opinion lies, there's no denying that this is a beautiful book.
This was my first time experiencing this story in any medium; I've not read the original novel, I've not seen the films or the TV series, and I've certainly not heard the radio play.
This book felt like a perfect entry point for someone like me. I do read prose, but it's very much secondary to my comics reading, so this hybrid of graphic novel and illustrated novel felt unique and interesting.
It was a breeze to read too! The story moved along at a quick pace, and the addition of the illustrations helped bring the world to life.
My one main criticism would be that the comic sections pretty much repeated what you'd already read in the prose sections, so while they did help you visualise what was going on, but they didn't actually move the story along on their own.
But don't let that take away too much from what is a great way of getting new readers into an old classic, in a refreshing and innovative format.
This book comes out on 10th October from Faber & Faber.
Chris Mould's War of the Worlds: A Graphic Novel is the re-imagining of the classic Sci-Fi novel by HG Wells, putting it into a graphic novel format by Chris Mould. The book is one of my favourite Sci-Fi novels and just a great story. I've read 3 or 4 times over the course of my life. I was very interested in seeing how this version matched up.
For a graphic novel, it was excellent. It respected the original story with just minor changes and the art work was super, coloured clearly and drawn beautifully. Some minor changes with the main character being an artist who is tasked to keep a written record of everything he sees. The story was basically the same, with Martian tripods invading England and the rest of the world in the late 1800's. The story focuses on the English countryside and how it is terrorised by the Tripods.
The story is much quicker but it still packs an impact and the main facts are still covered. I enjoyed reading it very much and it brought back fond memories of the original story. (3.5 stars)
4.5 stars--At first, I was a little surprised by this one--I opened it to find pages of text instead of the graphic novel I was expecting. But it quickly drew me in and I ended up enjoying this novel/comic hybrid quite a bit.
“Those who have never laid eyes upon Martian life can scarcely comprehend the sheer dread..."
In 1894, far across the void of space, envious eyes fixed upon our Earth with cold intent, and dark plans for invasion began to take shape.
When a mysterious object crashes to the Earth's surface, it is no revealed to be no mere meteorite. From the smoking wreckage emerges alien life - horrific, gargantuan, and fearsome. In this full-colour graphic novel (yes, yes, warning there is some debate as to whether this is a graphic novel or a heavily illustrated short story) retelling of the classic tale from the father of science fiction, Chris Mould’s eerie illustrations bring to life the arrival of the Martians - giants that loom over the cowering populace, their awkward, otherworldly forms conceal a sinister precision, unleashing devastation with ruthless efficiency upon everything in their path.
As chaos engulfs the world and Earth edges toward annihilation, Leon and a team of desperate scientists launch a frantic race against time, determined to uncover the secrets of the Martians’ sinister power and bring an end to this apocalyptic war of worlds.
The illustrations bring a fresh perspective to this classic tale, turning descriptions into vivid, haunting visuals. They capture the Martians’ terrifying forms, the chaos of collapsing cities, and the raw emotions of humanity - fear, awe, and resilience. Through bold imagery and striking details, the story feels alive, immersing readers in the horror and hope of the alien invasion. More than just accompanying the text, the artwork redefines the narrative, making it a gripping and unforgettable experience for both new readers and longtime fans.
"From the moment I first glimpsed them, my very soul seemed to freeze. Time itself halted as we stood transfixed, paralyzed by terror…”
2.75 I thought this would be a graphic novel in the common sense of the word, but didn't mind that it wasn't. What bothered me was that the text and illustrations didn't seem to fully agree despite this book being written and illustrated by one person. I also got a bit miffed by the inaccurate depictions of the earth.
PS: I haven't read the originalnovel or seem the film.
Much like Jeff Wayne’s War of the Worlds this abridged text manages to convey the essence of Well’s writing in a more accessible way, together with the accompanying illustrations this makes for a truly special gift!
H.G Wells' masterpiece of science fiction has been on my mental back burner for a long time, and Chris Mould's excellent adaptation is the perfect way of approaching the book for those who want to. Mould's approach is less an integration of the story into a graphic form than an illustrated version of it. Text and visuals alternate. Since Wells' story is what it is, it's worth just saying that Mould's artistic vision complements it very well, though at times I wish it had been sequenced a little better, as pages of visuals repeat pages of text in a few places.
Characters have a little bit of a Burton-ish quality to them, stick or stocky characters in a high Victorian era all look quite twee and darkly innocent until the Aliens arrive, and the dark ripping destruction of England begins. There's at least one scene captured in silhouette that tops anything done in the Spielberg version, and reminds us that what's left implied is often more horrifying than what's shown.
If you're looking for a reason to finally consume a foundation stone of sci-fi, this is it.
The cover of this is sure eye-catching, but the character work by Mould really reminds me of Corpse Bride-era Tim Burton concepts in a way that could have worked had the illustrations felt more kinetic. I thought it was odd that this is ostensibly meant to be the journal of the narrator recounting the events of the Martian invasion, but some of the images really felt as though manifested from the character’s interior kind in a way that didn’t gel with the rest of the visuals. That’s fascinating, on the one hand. On the other, I imagine the perspective unclearly shifting in this to be a challenge for kids. The illustrations also struggle with the scope of the tripods, making them a bit less interesting since their always appear similarly posed and either too distant or too close. In terms of adapting the story, I think this preserves the Wells story fine — I distinctly remember a scene of a cart losing or breaking a wheel and that somehow feeling really arresting, but also, and maybe this is from art around the novel, but a tripod fighting a boat? Can’t keep everything I suppose.
OK, so first off, let's get this straight - this is NOT a graphic novel. It's an illustrated retelling on War of the Worlds from the point of view of different characters to that featured in the original H.G. Wells classic, but set in the same geographic milieu. Inspired by, one could say. I was taken out of it quite a few times: firstly by the many depictions of the Earth, where geography is 'fluid' - some countries just disappear, including Mexico and the UK itself, coastlines are all over the place; secondly, by the uneven placing & mis-ordering of the illustrations in relation to what they show in the story. There was also a moment when the main character, Leon, is passing an orphanage that has been badly damaged by the invading Martians, and he knows there are a couple of older orphans sheltering in the basement, but he doesn't make the time to go and check that they are ok. Frustrating. Disappointing.
bit dissapointing, the writing lacks life and i picked up on a few printing mistakes as well (words would be there twice in a scentence) as for the story itself i thought it was strangly paced, i suppose its a graphic novel so there is just a lack of text ofcourse, but for the text that was there it was surprisingly dragged out for a while with the main character going around finding shelter and what not. then suddenly it picks up the pace and quickly kinda rushes to the aliens being dead all of a sudden and theyre safe? it left the entire fenomenon of the red vines growing unanswered which was annoying seeing as that was the very thing that actually got me intrigued to keep on reading. idk, i expected more.
This entire review has been hidden because of spoilers.
I agree with the other reviewers that this is not a graphic novel. It is a beautifully illustrated retelling of the classic novel. The illustrations, for the most part, show what you have already read; they do not propel the story forward unless you choose to ignore the text.
That being said, I loved this. It was a quick, easy read (it took me less than two hours to read it aloud). I don't remember much of the original story as it has been decades since I read it, so this was interesting and exciting to me. I loved the illustrations. They reminded me of a cross between The Little Prince and The Corpse Bride. I think a pre-teen or young teen would enjoy this.
I have read War of the Worlds a while ago and I have watched the movie multiple times in the past, so I was very excited to see a graphic novel representation of this story.
This is one of the first (maybe the first one) humans and alien interaction story. It has impacted the science fiction genre a lot and I have always enjoyed it. As a graphic novel, I feel that this story has a completely different vibe. The way the Martians are represented just gives you a better understanding of the impact a creature like this could have. The art is beautiful and I highly enjoyed every panel. I kind of wanted more text on the page sometimes.
Cute but very neutered for a younger audience - do they actually use heat rays? No Martians eating people, no actual Martians at all, in fact, just their machines. Does it need to be so sanitised for children? I first read HG Wells’ original when I was around 11. Scary as hell, and stayed with me for life, but didn’t exactly warp my fragile mind. Also, cars and radio broadcasts in 1895? Give younger people a bit of respect, and don’t talk down to them. The graphic novel side of this is excellent though - very nice and atmospheric illustrations. Wouldn’t mind seeing a full version of them in Wells’s book. All in all though, this is a gorgeous book. The kind of book you treasure and show to people.
This is a lovely book. The illustrations are excellent and really add to the atmosphere of the story.
The text is a bit more accessible than the original by HG Wells and with some of the more horrific sections minimised it is suitable for a wider age range.
In drawing inspiration from War of the Worlds, Chris Mould brings a fresh perspective on the story in this lovely book. The book switches between text sections and graphics and works really well. It’s a lovely book that just takes you along on the story. I read it in one sitting. The prose is as beautiful as the art and expressive itself.
A simple story with beautiful illustrations. It has been a long time since I last read anything with drawings and reading this brought me back to the times when I read Enid Blyton as a kid. I looked forward to every flip of the page for the next drawing. Felt like I would enjoy the book less if not for the drawings.
A beautiful rendition of the classic sci-fi story. Although it's really more like a illustrated short story than a graphic novel. It definitively captured my attention! I loved the artwork and would highly recommend giving this a read, whether or not you have read the original story.
The illustrations superbly complemented the narrative, allowing me to better visualise the story. The only disappointment was that the story was a little shorter than what I expected.