Once a Castle is an absolutely brilliant followup to Once a Queen, the first of the Carrick Hall novels. This series is a lovely ode to Lewis’s The Chronicles of Narnia while also being a wonderful story in its own right. I thought that Once a Queen was a solid first installment, even if I was left wanting something more. In this sequel, I was giving everything I hoped to find and then some. Once a Castle is impeccably paced, bursting with compelling characters and lovingly conveyed life lessons, big themes and high-octane action. But even more than all of those wonderful elements, what stands out to me is the timelessness of this story. It’s a tale that will be forever fresh and evergreen, and I can see it being passed down through families over generations.
In this series, there’s a land—much like Narnia—that lies just beyond our world, with thin places sometimes connecting the two. Here, that land is Ternival, realm of the great stag. Periodically over the course of this world’s existence, people from our world, known there as the Children of Tellus, have come to Ternival when the land needed them, and they have reigned as kings and queens there until the great stag led them back home. In Once a Queen, we experience little of this magical portal world, and that was my main complaint with the story. In Once a Castle, we get to experience so much more of Ternival and its inhabitants. If Once a Queen was an appetizer, Once a Castle was a full meal, and I savored every bite.
For the early portions of the novel, we split our time between the two worlds. The chapters that take place in our world follow a host of characters, most specifically Arash, Jack, Tilly, and Elspeth, the latter three of whom are siblings to whom we were introduced in Once a Queen. Arash is the grandson of a lovely couple, the Rastegars, who we also met in that first installment. The Ternival chapters, mainly following Zahra, are reminiscent of The Last Battle. They have such a sad, lovely, classic feel to them, through both the story being told and the voice Arthur assumes for these portions.
There are some major parallels between Arash and Zahra's stories, ones that lead into discourse over some difficult topics. We see both of these young characters experiencing racism and xenophobia firsthand, as well as observing it being directed at the people they love most. We see the anger and helplessness those types of experiences inspire. And while we see the insecurities from which these awful prejudices often stem, they are never excused, for which I really applaud Arthur. She struck an empathetic balance while painting an honest picture of the harm we inflict when we see those who differ from us as somehow less instead of seeking to understand them and find the beauty in those differences.
Outside of these tougher topics, there are also lots of gentle, subtle, lovingly conveyed life lessons. These were things that readers of all ages can take and apply to their own life. What I loved about the presentation of these lessons is that they were never heavy-handed and never distracted or detracted in any way from the story being told. And then there are the themes, the biggest of which was learning when to trust your instincts and when to rely on others. Most of these characters are paralyzed by something, be it a particular fear, or something more general like indecision or perfectionism. These things are conquered to an extent through the story, whether that victory comes from a new grasp on bravery or a sobering encounter with humility.
The story took a few turns that I didn’t expect. At the end of Part One there's a fascinating, unforeseen twist, one that in my opinion marks where Carrick Hall finally becomes fully its own story, instead of being in so large a part an ode to Narnia. Although I do have to say, there was a character introduced in Ternival who I viewed as an endearing tip-of-the-hat to Reepicheep, one of my favorite Animal characters from Narnia. That was a delightful inclusion. And I really love that Arthur decided to include a small compendium of in-world fables at the end of the book, fables that readers will have already have seen the truth behind in the main body of the novel.
I’m so thankful that I live in a world where stories like Once a Castle exist. I’ve always said that if I could visit any realm in any story, I would want to step foot into Narnia. Ternival is now a close second for that title. It’s inspiring and humbling to consider the true World Weaver and the tales He’s inspired. This series has divine inspiration woven into every chapter.