This is an often-mediocre and extremely limited career memoir that spends the first third on his really dull pre-fame years living in California, then has a surprisingly detailed and lengthy section on Magnum P.I., but Selleck intentionally avoids anything too personal. The book basically ends in 1988 with only a couple of pages mentioning Blue Bloods, leaving the reader to wonder what about the other projects he was involved with over the past 35 years? Or almost anything about half of his adult life?
Selleck writes, "There are a lot of things I'd like to share...but I won't." He adds, "When I undertook this project, I made a commitment to share my private, personal emotions and feelings primarily about my work." Get it? This is intentionally about his work, not his private life. But even then he falls way short of covering most of his career.
So if you're looking for details about his many alleged affairs while he was married to his first wife, you'll be disappointed. He barely mentions her, then says nothing about anyone else he dated or slept with until he meets his second wife. Or if you want something about his bad reputation for being very, shall we call it, "picky" when dealing with others in Hollywood, you won't see him apologizing for that here (though he does jab at a couple of the people that created and produced Magnum P.I., then in the final pages jabs again at those involved behind-the-scenes with Blue Bloods).
The first third is so boring that I'd recommend you just skip to page 138 (though I realize no one will do that). He doesn't get to Magnum premiering on CBS until almost 200 pages in. You have to decide if you're willing to take that long quiet walk with him. There are only a couple paragraphs about his childhood. His high school and college years, as well as the first ten years of his career, are insignificant but verbose and written in such a way that I literally dozed off a few times getting through them.
Not until he receives the Magnum script (which he's not interested in), along with the amazing simultaneous offer of doing Raiders of the Lost Ark, does the memoir shift into temporary overdrive. Those fifty pages covering the conflict between the two offers, along with a few other chapters later in the book about making Magnum, are riveting. There are a few surprises included. If only the entire memoir could have been that interesting and vulnerable.
Once he becomes an overnight success with Magnum, Selleck comes across early in the first season as a jerk who thinks he knows what's best for scripts or how to produce a show (though he has never been the lead in a TV series before). He also thinks himself to be more important than he really is by avoiding people wherever he goes, hiding himself from others and never accepting the public part of fame. A lot of people around him tolerate this but can't be happy about it, especially his agent, publicist, lawyer and in-laws--all of whom were not told about his clandestine marriage to his second wife, finding out about it a month later in the tabloids. Doesn't Selleck see that his way of hiding only encourages more media gossip that he claims to so much hate?
In one eye-rolling section he says about starring in Magnum and making movies during the summer, "A lot of (film) actors may have been in a series earlier in their careers, but as far as I could figure, no one else was trying to do it at the same time." Namely, he thinks he's the first performer to star in both TV and movies simultaneously. Funny how he forgets John Travolta, who just a few years earlier did Welcome Back Kotter while making Grease and Saturday Night Fever. Or Dick Van Dyke having one of the top sitcoms of the 1960s while starring on the big screen in Mary Poppins and other films.
No, Tom wasn't the first, nor the greatest. Most of his movies really weren't that big anyway (the exception being Three Men and a Baby topping the box office just months before the Magnum finale was #1 in the TV ratings).
While devoted older Magnum fans will love the bulk of this being about the original series, this misses the mark in terms of a well-rounded memoir. Selleck claims to forget an awful lot of details about some very important moments in his life. His guard is way up and he fails to answer many of the questions fans have had about him over the years. I'd even say that in some ways this raised even more questions in my mind about his social life or why he runs from public view. What exactly is this guy hiding?
At his heart Selleck is simply a second-string high school and college athlete who wants to be one of the guys on the team, always feeling a bit insecure about stumbling into the profession of acting without any true preparation for it and uncomfortable with the attention that comes with fame. As he says too often throughout, he just wants to "do good work" and "keep laying bricks." The problem is that with this book "you never know" what the workhorse laborer is really like.