Memoir, intercontinental cycling adventure, music guide, CADENCE is the debut book by ABC Classic FM’s Emma Ayres.
In her provocative, intelligent, surprising and funny memoir Cadence, Emma cycles her way from England to Hong Kong with a violin she calls Aurelia strapped to her back. But it is also a journey through the keys, and the music that inspired, shaped and provided refuge for Emma throughout her travels with music.
Eddie Ayres has a lifetime of musical experience - from learning the viola as a child in England and playing with the Hong Kong Philharmonic for many years, to learning the cello in his thirties and landing in Australia to present an extremely successful ABC Classic FM morning radio show. But all of this time Eddie was Emma Ayres.
In 2014 Emma was spiralling into a deep depression, driven by anguish about her gender. She quit the radio, travelled, and decided on a surprising path to salvation - teaching music in a war zone. Emma applied for a position at Dr Sarmast's renowned Afghanistan National Institute of Music in Kabul, teaching cello to orphans and street kids.
In Danger Music, Eddie takes us through the bombs and chaos of Kabul, into the lives of the Afghan children who are transported by Bach, Abba, Beethoven and their own exhilarating Afghan music. Alongside these epic experiences, Emma determines to take the final steps to secure her own peace; she becomes the man always there inside - Eddie.
‘Cadences are waypoints in the music, places where you can take a breather, readjust your instrument and hurtle on to the next bit of the adventure.’
On 9 December 2000, Emma Ayres accompanied by Vita (her bicycle) and Aurelia (a three quarter length violin, borrowed from a student) arrived in Hong Kong. It was the end of a 16,000 kilometre journey that had started in England one Friday many months earlier. This is a book about a number of different aspects of life: about experiencing and being; about travel and music; about journeying through the past, making choices in the present and choosing possibilities for the future. Emma structures her memoir around musical keys, and writes of her own musical adventures and loves.
‘Our lives are full of interrupted cadences, full of moments when the direction is changed.’
Interspersed with Emma‘s descriptions of her journey to Hong Kong are memories of her childhood. Some memories are more positive than others and, if cycling provides a means of escape and enabling a buffer of distance from the past, then cycling 16,000 kilometres mostly alone provides an opportunity for a very considered introspective analysis.
‘To move forward, we need to make decisions. Whether they are right or wrong.’
But during her journey, in the present, Emma (mostly) enjoys the different experiences the journey affords. Being mistaken for a man (‘Emmett’) in Pakistan undoubtedly makes aspects of that part of her journey easier. In most places, music transcends many barriers, and in some cases even international borders.
‘Then you are very brave. This is your courage.’
I read this book because Emma Ayres is one of my favourite radio presenters. For the past few years I have been listening to her breakfast show on ABC Classic FM while I walk for between one and two hours most mornings. I’ve learned a lot about music – yes, even though I can’t read it or play an instrument – and have made the acquaintance of many new (to me) composers and pieces of classical music. Emma Ayres is an accomplished viola player who has recently played with the Afghan Youth Orchestra and the Bombay Chamber Orchestra, about which she made two radio documentaries.
‘To share the value of music is the resolve of my life.’
It is now early March of 2018... Last week I was watching "The Drum", a discussion and analysis of recent news, a woman was chairing the panel of two men and two women - the two youngish men had previously been women; the two older women had previously been men. They openly discussed their problems and challenges in their new guises. Eddie Ayres had briefly returned to Sydney from Afghanistan where he had been teaching music. Emma made a very handsome credible man. It was wonderful to listen to this open discussion.
I had got back from a short overseas trip to find that Emma Ayres had disappeared from our radio airwaves, namely ABC-FM Classical station. Her accent,her quirky ways and sly gently landmine-placed humour had REALLY grown on me.I was thrilled when she announced she had become an Australian citizen.I knew her partner Jane was a close friend of the wife of one of my nephews. I felt almost related!!!! Our new Liberal (Facisti would be a better word !!!) Federal Government was cracking down on our Government TV and Radio stations, the ABC ie the Australian Broadcasting Corporation. Friends and I wondered if Emma had been one of their earliest targets. Conspiracy theories aside...she was missed...and still is.
What a thrill to find a BOOK by and about her in the local Dulwich Hill Bookstore of which I have almost bought half the contents !!!I bought it immediately for a fellow fan, Fran. Madly and enjoyingly trying to complete it before Fran returns from a trip to Perth.
Glad to see lots of Aussies have enjoyed their read too(just checked at the book's Goodreads Site.) And a few readers from O/S...overseas as well. Perhaps some readers not too conversant with Music or Music Theory do get a bit taken aback by the MUSIC content ...but when you have known about Emma THAT is Emma!!! You read it and expect it and possibly WANT it !!! So nonsense to want to get the publisher to reprint it as TWO Books!!?? Like asking the publisher to reprint "War and Peace" in 2 Volumes marked...yeah !!!You Got It !!!
If you enjoy traveller's tales, music, Emma's humour and wisdoms, memoirs from Childhood onwards...well this is the book for YOU !!!
PS. A CD of the music Emma mentions in this, her First book, was made as a companion piece to this book, which might satisfy those who want autobiographers to dismantle their Written Lives so they don't have to read about the bits that don't interest them. Otherwise, fans of Emma and lovers of Music will not gripe at the contents chosen here...undoubtedly by Emma!!! I picked mine up recently (July, 2015)...there's NO theory; but there are 12 tracks - most excerpts from larger works. The 3 Great "B"'s - Bach,Beethoven and Brahms - feature twice each,and Elgar,Schumann,Shostakovitch,Mozart & Webern account for the rest.
AVAILABLE from ABC Shops, ABC Centres, good music stores and online at www.abcshop.com.au
You gave me Emma Ayres' memoir Cadence a year ago. It's only taken me a year to get around to reading it, which let's be honest isn't a bad turn around when it comes to your gifts and my reading them.
Anyway, you gave me this book for a number of reasons. I think you knew that Classic FM was our choice of alarm-clock-station; after quarrelling over whether it should be Triple M (him) or Triple J (me), and anyway then we both grew up. So for a long time it was Emma's dulcet tones that let me know it was time to drag my carcass out of bed. Then there was the bicycle aspect: one of the chief points of the book is that Emma rides her bike from England to Hong Kong, and that reminded you of our bicycle trip around the UK. And then there was the music aspect, which clearly had nothing to do with me but I guess you thought might appeal to my trumpeter (but she's viola and cello, and brass players and string players have something of a mutual animosity I think).
The first thing to note about this book is that it made me immensely grateful for my stable, boring childhood. Boring in that sense is a good thing. Because Emma did not have a boring childhood. Her father left the family when she was very young; her mother struggled immensely to provide for the family; her middle sister was very troubled/ bordering on dangerous. None of them issues I had to deal with. Also her mother signed her up for violin instead of cello, thus breaking her heart. You on the other hand allowed me to experiment with flute but probably were not surprised when I gave it up pretty quickly. Let's be honest; I'm not exactly flautist material.
The book has a lot of potential... which phrase may be a clue to the fact that I didn't adore it. Sorry.
The potential is in Emma's life: the life of a musician isn't inherently interesting but Emma did a lot of interesting things - studied in Berlin, played in Hong Kong - and she has a nice turn of phrase that makes even a non-musician interested in the learning to play music bits. Plus she keeps agonising about whether she wants to try her hand at cello, as an adult, which is a fairly major change to consider.
Then of course there's the trip across Europe and Asia by bicycle, and all that entailed. She did it solo, and she attributes the many, many interesting conversations she had to this fact - and the fact that she was cycling with a violin strapped to her back. Turns out that even if you don't speak the same language you can indicate your desire for a bit of Brahms with your lunch fairly easily.
In the last half or so of the book, Emma starts talking about the idea of cadence, which is apparently a big deal in music. (I must admit that there were a few bits that I skimmed over... because I just don't get music-speak, so when she's waxing lyrical about majors and minors and tones and fifths, my eyes glaze and I start thinking about lunch.) There's perfect cadences and interrupted cadences and so on. Cadence is also important in cycling, and when you get a good cadence riding is a bit like flying. I think that what Emma was trying to convey in this memoir is that life has its cadences. Interrupted cadences can add to the richness of life, and so on. But... she only started talking about that towards the end. So it didn't really work as a framing device.
I think this is the problem with the book overall. There's a distinct lack of structure and form. Is it a book about her cycling adventure? Well, yes, but not entirely. In fact I felt a bit betrayed in the last chapter where she mentions that actually she got to Lahore, was so stuffed that she went home for a while, then flew back to Lahore to finish. Which is SO fine, I've got nothing invested in her finishing in one go, but... why not mention that say, chronologically? It's also only at the end that you find out she's been raising money for a charity. Which is weird. Anyway. It's also about her making major life choices... but it's not always framed around those, either. So I was frustrated by the meandering from childhood story to 20-something story to 30-something story with a lack of obvious connection. Like going from Brahms to Limp Bizkit and then to Howlin' Wolf without an explanation as to why.
ANYway. Thanks for buying us this book. It's not one I would have bought myself but I definitely don't regret reading it. It only took me a day to read while I was camping.
How could anyone not like Emma Ayres? She's so knowledgable, genuine, affable and her love of life just shines through on every page. Reading about her early life and how she came to music was really interesting. Then the whole bike trip, just inspirational. She's a woman who is so open to life, experiences, cultures other than her own, music and people. I thoroughly enjoyed this book and the only reason I'm leaving one star off is because the musical references were too laboured, she draws too long a bow using them as writing techniques but she's forgiven. It's a really good read, put the classical CDs on as you read to make sense of her descriptions. Emma Ayres for the epic bike ride I salute you! For telling your story, I commend you to all my cycling, fiddle playing book reading friends.
A beautifully executed piece of life writing which uses a series of major and minor keys to link musical and personal history - although I suspect that the Australian Broadcasting Commission marketing department has no small part in making this volume something of a ‘one size fits all’ memoir.
Nevertheless, Emma’s resilience and humanitas make ‘Cadence’ an inspiring and essentially joyful read, and I’m keen to check out many of the musical pieces which she details with the true attention and sensitivity of a practitioner who views the world through music. No less inspiring is the account of her remarkable solo pushbike journey between her (then) home in Shropshire and Hong Kong almost twenty years ago, and her evocative descriptions of people and place. If the ABC had issued a journeyman map as well as a CD, I may well have given ‘Cadence’ an extra ratings star!
Loved this book. Devoured it in two days. Such a joy to find out more about the mind and adventures of the funny and compassionate Emma who fills the airwaves every morning. If you love classical music, travel and being an aware human being then this book is well worth your time.
Interesting book in which the author details what happened to her while cycling through Asia interleaved with a discussion of music, including her own experience as a musician.
This book drove me insane because it is not written chronologically. Even in the space of a single paragraph, we might jump from her childhood to the middle of her bicycling adventure to playing in a quartet in her youth. This was difficult, as just as I was getting stuck into hearing about the exciting cycling adventure, we would leap backwards to a different time completely. I didn't realise the extent to which chronology traditionally organises the memoir genre, and it is glaring here.
Apart from that, it was a light, conversational memoir that covered quite a lot in not very much detail. It left me wanting more detail and a more logical format.
And lastly, like many others I skipped over the music descriptions - I'd imagine that it complements the themes of the story if you understand it, but it absolutely went over my head.
After having done a long distance ride myself last year of 3,800K, I can totally appreciate the scale of this trip at 16,000 kilometres. Cycling on your own from England to Hong Kong is not for the faint-hearted, so stand tall and take a bow Emma Ayres, hell stand tall and take two bows! I loved reading this book. At times I glossed over the technical writing about her music as it just left me floundering but, when she wrote descriptively about the music she loves to hear and play, it was a sheer joy to read. There are some wonderfully constructed word pictures. This amazing journey, taken with bicycle and violin was the making/breaking and re-making of the author. She met many people, some helpful some down right dangerous. Cadence is more than a bit of armchair-travel, it's more than a memoir, it's more than the combined sum of all its parts...it's epic, and Emma Ayres is a legend!
I read "Danger Music", the later work by E. Ayres, before I read this one. Consequently, I interpreted "Cadence" as a prelude. Emma embarks on a long journey of self discovery, vacillating between Viola and Cello, just as she vacillates on the verge of self discovery, on the threshold of a decision she finally takes in "Danger Music". "Cadence" is a masterclass, for both cyclists and musicians.
I thought this was an open, honest and inspiring adventure about tackling life, change and the greatest bicycle trip in the world intertwined with a discourse about the different musical keys and the emotions they evoke as one hits the sharps (majors) and flats (minors) in life.
I remember Emma Ayres very well as ABC morning music presenter. Not so long ago I've been to his (Eddie's) presentation of his latest book - Danger Music. I found this book very interesting, but at the same time I was very frustrated with descriptions of life in Kabul and hopeless struggles of Afghani musicians. I just received from Goodreads a summary of my readings this year. A very saddening summary - 35 books read, average rating 2.3. Most of books written by writers I respect and such a disappointment. I got a feeling of time lost and hesitated to start another book. It looks that the last glimpse at books in my local library was a kind smile of the fate - Cadence by Emma Ayres - her life, musical experiences, adventurous bike ride and reflection on selected pieces of music. I suppose for everyone who remembers Emma and her music programs it will be a most welcome return of a good friend. For those, who do not remember Emma? Still I think it should be interesting story of a brave girl fighting for finding her place on earth.
I loved this book, and it inspired me to take my travel writing more seriously. I've read a few of the other reviews, and can see that people really like having chronology in a memoir. This is interesting to note as an author wanting to write my own travel memoirs, however as a musician (cellist), I found the structure of this book superb.
I found the references to the colour of keys, and the use of them in 'ancient' music to be fascinating, and loved the way this lined up with the story of riding across the globe. Also the use of the term cadence, for a musician, is key ('scuse the pun) and I liked the depth that comes from the exploration of different contexts for the same words, and the way this can shine a light on life. Emma certainly has a way with words, and a lovely way of looking at life, as many who listened to ABC Classic FM breakfast will attest.
I find it interesting that cadence in the musical sense is about different types of conclusions, where as in the physical sense, it is more about flow and transition. Maybe for Emma, the journey and the process of writing this book ushered in the possibility for both conclusions and transitions - http://www.smh.com.au/good-weekend/wh...
I wanted to like this book, and am sure that my Book Discussion group members will disagree with me, nevertheless I did not get into it. I found it a frustrating read as I wanted to know more about everything that the author slips in almost as an aside; herself and her friends, the people she meets on her cycle trip, teaching in Kabul, her side trip travel in India, her return to England partway...anything but the constant reference to music notation. There is more information underneath the photographs she chose to put in (so a page on each of them would have satisfied me more). I don't know if it is the lack of or just bad editing or the lack of any chronological sequence but I found it quite a disconcerting read as it skips back and forth without any real links. I found that I did not get to know her as a person apart from her resilience and tenaciousness, and I would like to know more. There are snippets that are pure gems - such as her description of her meeting and befriending the self-taught musician luthier, so the book would have been grand if there were more anecdotes like that.
I will be honest, I struggled a little when it came to discussing the music and the cadences and the classical. I picked up this book because I was interested in reading the adventure of a woman riding her bicycle from England to Hong Kong. I loved this journey and hearing about the people and places that Emma travelled to. I loved her enthusiasm for her music and her instruments. I loved reading about her struggles both on and off her bike. I just found myself lost when she spoke about sonatas and symphonies and suites. My eyes have been opened to some of those parts of the world that I will most likely never see or experience. Many of the people that Emma met sounded like beautiful souls. It probably sounds silly, but I would like to thank Emma for sharing her hard times with the environment and with some of the people she met along the way. It reminds me that we all have to find our place in the world and the people who will help us share it.
Another book I put on my list as it featured cycle touring. Better still the author rode by herself from London to Hong Kong - I was interested in reading of the experiences of a solo female cyclist. It wasn't until I'd picked the book up that I realised she is the presenter on ABC Classic Radio who's pleasant voice wakes me most mornings.
I wanted to love this book but firstly it suffers that common Australian non-fiction book fate of poor editing. The story is presented as memoir which interweaves her journey as a musician with her cycling journey. Sometimes the jumps are jarring. I'm pretty ignorant of classical music and so those sections were often lost on me.However, in the end I let go of my annoyance with the bits I didn't like and really enjoyed the rest.
An interesting memoir in parts. There were a lot of musical references - and I do mean a lot esp. In the first half. Not being a musician, I found much of it went over my head. Personally I think the editor should have had a hand in this, and advised condensing much of that aspect so that a greater audience could be attracted to the story. Apart from that there was an interesting story buried in the musical business. We see a youngish woman finding herself by cycling from England to Hong Kong and then migrating to Australia. I would have loved a bit more info about her life in Australia and about her youth. Perhaps another book is on the way?
I really wanted to love this book. Having read prior and enjoyed 'Danger Music' I was looking forward to reading 'Cadence', as I have a keen interest in cycle touring and a personal connection to Pakistan, and thought the author's 'total beam of light' moment which during this cycle tour would be fascinating.
Unfortunately for me the novel lacked structure and order. Too many times I wanted more travel stories about cycle touring, border crossings, and cups of tea with locals, only too be bored by skimming pages on the complexity of composing classical music. I did persevere and finish the book, but I found the rambling nature of this writing style disjointed and confusing.
I loved Emma Eyres' ABC FM programs and was sad when she/he moved on that my Letter to the Editor of a national daily gave a thumbs down to her successors. So I expected to rate this book with a 5-star accolade. And would have done, if it included maps so readers weren't lost in transition. As a musician I appreciate reflections on key colours and harmonies, sometimes I was lost in abrupt segues from Turkey to London and bewildering time travels. More attention to editing would have lifted this to an exceptional book.
I really enjoyed this memoir, and as I listen to Emma every morning on ABC Classic FM, I heard it with her voice speaking. The jumping around in time was well done, I thought, and never became disoriented. The stories about Iran and Pakistan especially were very well done, evoking the cultures of the two countries.
I'm a bit like a chook so go to bed early and wake up early. But this book is a page-turner that drew me in and I finished it (in bed) at around 2.30am, not usual for me.
Emma has written a wonderful book about music and life -her travels and struggles written on the cycle of keys are enharmonically mapped across the landscapes, geographical and emotional through which she pedals. An engaging and easy read dealing with some deep issues. Her charisma shines through.
I very much enjoyed this. I wish a map tracing the journey had been included. Loved reading about (then-) Emma’s travels and especially appreciated the intimacy of some of the musical analysis. Such a strong voice - as a longtime ABC Classic listener I could really hear the author’s writing voice in a speaking voice.
An interesting read and I really enjoyed the musical details. She seems a very courageous woman although at times I thought her a bit foolhardy. My one complaint is that it did seem to jump around from place to place too much.
Lovely to be able to read this with the author's voice in my head, having heard her radio broadcasts for many years. I really enjoyed this - deeper then it first appears.