ROCK ROCK ROCK TILL THE DAYLIGHT!
Eristic is the opposite of Aneristic.
So finally, I completed the second part of Robert Anton Wilson’s magnum opus, The Illuminatus! Trilogy!
From my experience with the first part (The Eye in the Pyramid), I’d say the book succeeded in capturing my curiosity amid all that glorious disorder. We’re introduced to many new characters, and there’s a substantial amount of transformation occurring among the ones we already know.
Quite a few characters die as well.
I will admit, I was pretty bored in the middle, but then the book became truly enigmatic for me to read. As you might have guessed, Shea and Wilson keep that same trippy, kaleidoscopic energy throughout the narrative, just like in the first volume.
It was hard for me to connect all the events in The Eye in the Pyramid, but now everything somehow feels like it’s starting to make sense. This time, I absolutely loved Hagbard Celine, the way he speaks, the way he acts, all that mind-boggling brilliance.
I also find it hilarious that the book practically reviews itself.
I loved all the Atlantean conspiracy theories and the historical context woven through it. George Dorn is still screaming with his new waves of illumination.
THE JAMs!
As expected, there are again zillions of meta-characters, all tangled in that metaprogramming madness Wilson was obsessed with Yog-Sothoth, Lovecraft, Joyce, Orwell, and so on.
I also liked how the authors described neophobes and neophiles. I wish they had shown more of Joe Malik’s character, though! Still, it was funny what Simon Moon and Joe Malik did to Canvera through that AUM drug.
The pornographic and tantric sexual elements are present here as well. While they might seem controversial or clichéd to mainstream readers, I think they weren’t included merely for shock value or to evoke sexual tension, but rather as a means of transcendence, illumination, and perhaps even brainwashing. Many times, those scenes coincide with characters undergoing profound transformation.
What intrigues me most is how psychosexual issues are represented through the characters and their psychology whether it’s Saul Goodman, Rebecca, George Dorn, or even Hagbard Celine himself.
I loved the raw and oddly fascinating portrayal of the female characters Mao, Rebecca, Stella, Mavis, etc. I liked Stella more for some reason; her intelligence stood out, and she felt like an intellectual counterbalance to Rebecca.
There are references to unicorns, sissies, theatrical levels of brainwashing, cuckolding, humiliation, submission, and somehow it all circles back to two primal sources: the first and second anal circuits, if you try to analyze the characters and their psychosexual dimensions.
IS THE THOUGHT OF A UNICORN A REAL UNICORN?
IS SHE REALLY REBECCA?
IS SHE REALLY MAVIS?
AM I REALLY GEORGE DORN?
IS THIS A GOLDEN APPLE ABOVE A PYRAMID?
Characters like Markoff Chaney and Simon Moon continue their little synchronistic, surrealistic manipulations of reality around them.
I don’t know if I can still get “illuminated” enough to realize the robot within me, like Hagbard asks in Never Whistle While You’re Pissing:
> WHO IS MORE TRUSTWORTHY
> THAN ALL THE BUDDHAS AND SAGES?
Of course, the robot.
“Check nearby,” Hagbard said. “If you see the Fnord, tell him.”
IF YOU DON’T SEE THE FNORD, IT CAN’T EAT YOU.
DON’T SEE THE FNORD. DON’T SEE THE FNORD...
Mama Sutra might still be rambling about the Atlanteans, the Cult of the Yellow Sign, and the Illogoir.
And remember the SNAFU Principle:
> Communication is only possible between equals.
> Dogma is the death of intelligence.
(Fun fact: just like Simon Moon, Joe Malik, and Saul Goodman with the Law of Fives and the number 23, I’ve been seeing a unicorn symbol appear in random places including in this book! While reading it, I even saw Stella in my dreams, and once, during a hypnagogic vision while reading Book 1, a voice called me Joe Malik. I know that sounds absurd, but I’ll add it anyway.)
Can’t wait to read Book 3.
ALL HAIL ERIS!