2009 saw the release of G.I. Joe: The Rise of Cobra, the first live-action film to be spun off from the Hasbro toy franchise. Although I have a weird soft spot for that movie, in which director Stephen Sommers treats the whole thing like one big cartoon, I'm sure it wasn't the G.I. Joe film that fans were hoping for. As much as that movie puts its own spin on the origin story of the terrorist organisation, as the subtitle suggests, Skybound is doing their own version of how Cobra came to be, and it's way more interesting.
As part of the Energon Universe, where we've had Daniel Warren Johnson's current Transformers series, having already written the miniseries Duke, which laid the foundations of the G.I. Joe Team, Joshua Williamson's next venture is to write the solo adventures of Cobra Commander. Born as an outsider who was brought into the ancient civilization of Cobra-La, the future Cobra Commander has plans to utilise the mysterious alien substance known as Energon that will send shockwaves across the globe.
Although there is still a mystery into where the titular lead actually comes from, Williamson does a great job at establishing this character's sinister drive for science and success, even if it means a pile of corpses along the way. Williamson may be repeating a central theme from Duke, which is to showcase one character on a quest that makes him turn on the rest of the world, but Cobra Commander is a darker book, leaning towards horror and bloody violence, which is appropriate for the Darth Vader-like villain.
What has been fun reading these comics as part of the Energon Universe, is that how it combines the lore of both the Transformers and G.I. Joe properties to inform the world-building in this new shared universe, such as Cobra Commander has in his possession a supposedly dead Megatron, which is what sets up the search for Energon. Even outside of the Transformers, Cobra-La is its own world with its organic-based technology, ridding itself of the horrors of anything metallic. There is some frustration as the world-building leads to a number of cliffhangers that will most likely pay off in later storylines.
With a great deal of this book being Cobra Commander versus the Dreadnoks, opens the door for plenty of toy opportunities with not just like the likes of Cobra Commander who frequently changes his look, you also have characters like Buzzer and Ripper, who like to torture their victims with chainsaws and torches. Whilst his art isn't as polished as Tom Reilly's work on Duke, Andrea Milana revels in the bloody spectacle, as well as crafting great action sequences through loose line-work and dynamic panel layouts.
From its compelling villain to the multi-layered world-building, Cobra Commander does a great job of establishing the terrorist organisation Cobra, which no doubt we will see more of in the upcoming Destro miniseries.