Have mercy, I hated this novel. In fairness, I admittedly hate all time travel novels, but I keep giving them a try. I’m officially done.
If there is one good thing to say about it, the author uses some nice vocabulary and has at least some theoretical knowledge of physics.
That being said, UGH. To start, I hated Jonas. The book started off great; nice little speech with the Nobel Laureate, sweet scene with Amanda, and good flashback to how he arrives there. The next 315 pages were terrible.
Jonas is a man obsessed with finding his wife. If he knows (somehow— this was never explained) that the universe doesn’t want them together, then why not leave her in peace? The silly argument that he was compelled to find her as a scientist doesn’t hold weight. That’s like saying a scientist invented a bomb and is therefore compelled to drop it on a city just to see if it works. The man, if he really loved his wife, should just have let her go. But no. His obsession makes him so unlikeable. And good lord— he is always crying in every chapter!
Amanda is very meh. That’s the major problem with the two of them. The way the story was written chronologically made us see a man driven to find his wife, but we know nothing of their love story. They meet, somehow he finds her after he gets hit with a frisbee (that was almost impossible and never explained) and then they meet and have sex in a planetarium on their second date. And then we are supposed to believe they’re soulmates on a different level (literally) across all multiverses, but you never feel their passion. It’s all just… described. I could not read one more “love you too much” but “I love you more” before rolling my eyes. This saccharine love fest was based on nothing! Neither Jonas nor Amanda are particularly funny or endearing or heroic in their real lives. Jonas did kinda steal Viktor’s ideas and Amanda likes painting portraits. And???? They are such a yawn fest that I can’t even root for them because I didn’t care.
Their reunion at the end of the novel also makes no sense. So, the universe (or infinite multiverses) care so much about having Amanda die. Um… why? Stephen King, when he did the whole time travel thing in 11/22/63 at least did it well. You can just understand the consequences if Kennedy did or didn’t die. But a random woman… with no impact on anything… just why is she so important? Follow the logic: the universe somehow created storms, earthquakes, tires blowing out, several deaths, etc. to stop Jonas from reuniting with Amanda. So why are they able to get together in the end? No explanation is ever given.
Also, to that effect, this dude chases his wife across multiverses, only to realize in like 2 minutes that he could love Eva, and probably does, but he rejects her. And that poor lady dies a few times, and then is forgotten. There’s some sort of weird promise on her lips that they will be together in one universe, but nope. At least she’s reunited with her husband in the last chapter. What happens to that figure 8 thing she had to make for Jonas? You’d think that would be important, but no- forgot about that, too.
And I could not read one more scene with doppelgängers. It hurt my brain. It’s such a deus ex machina way to write out of a plot hole, and it killed any verisimilitude the novel MIGHT have been able to pull off. The novel “jumped the shark” when Jonas found his twin’s dead body, and then came into the room only to be attacked by a third twin (triplet? I don’t even know). I can’t.
And I have one burning question that I can’t let go of: it was causally dropped in at the start of the novel that Amanda died. Ok. But then Jonas reveals that apparently in that first universe HE also died in the accident. So I’d imagine reading that correctly, how on earth did he even start this process of finding the multiverse if he is dead?! Can someone explain this to me?
Viktor was a really bad guy. But goodness— he snapped in an epic way because he thought Jonas plagiarized his work. Although Jonas did go “on the shoulder of giants” as the book quotes, and probably did take “inspiration” from Viktor, Viktor literally walked away from Jonas and mocked him for wanting to develop his ideas and work with him. So Viktor should be kicking his own butt, not going after Jonas. I mean, all this is for an award! It’s not like Jonas killed anyone or stole Viktor’s wife or something insidious. Little thought, though: at one point, Jonas says he never even saw Viktor’s work. In another, he admits that he looked at Viktor’s ideas over the years. Which is it?
The whole plot was so egregious. It was some weird mashup of science fiction, fantasy, and romance that had me rolling my eyes. Again, the author is pretty smart as evidenced by his vocab usage, but so many sentences were so forced they made me wince:
“The idea is so big he couldn’t embrace it even if his arms were the diameter of the world.”
“He’s marooned in a desert and just refused an oasis.”
Sigh. The dopey machine Viktor uses is called the “Cray.” I mean, come on now. And I think the author used the word “deadpanned” more times than I rolled my eyes.
Anyway, this was a rough one for me.