"Alex never fails to be amused by the coded language people use for suicide. As if choosing to die can be regretted the way one regrets having another margarita."
TWs for lengthy discussions and depictions of suicide and suicide attempts, domestic/relationship abuse, mental and physical health stigmas, racism, physical violence, and harassment.
A solid 3.5 rounded down to a 3.
Despite McDaniel being an absolutely incredible writer, I think what really tripped me up with All Things Seen and Unseen is that it's really not a horror book. Maybe that's my fault for assuming it would lean more towards the latter half of literary fiction horror, but I would really just describe this as a dark-tinted lit fic book rather than anything particularly scary - which is unfortunate, because I wholeheartedly believe that McDaniel would be an amazing horror writer.
Some of the scenes in this book were absolutely spine-chilling (I absolutely loved the deer walking into the water and the distorted voice on the phone), but they never went anywhere, and never lasted terribly long. Even the climax of the book, when Alex is at their most undone and unreal, just seemed more psychological and character-driven than scary - so, TL;DR, don't go into All Things Seen and Unseen expecting a horror book, because it's really not. What it is, however, is an incredibly well-written character piece on identity.
I tend to find characters with a lot going on to be a little overwhelming, and in Alex Ngyuen's case, they're dealing with untreated and undiagnosable chronic illness, severe mental health issues, sexuality and body image issues, as well as a past filled with familial and relationship trauma. That's just a lot to shove into one character in a 250 page book, but McDaniel writes Alex so well that it never feels messy or overdone. As someone who has struggled simultaneously with physical health, mental health, and gender identity - particularly in my early 20s, like Alex - I found Alex to be almost painfully relatable, and so much of what they go through in All Things Seen and Unseen is a familiar experience for me. I think that's also, quite honestly, where some of my dislikes with this book came from: it has nothing to do with the book itself, but rather, the personal unpleasant memories it brought up for me on occasion because I saw so much of myself in Alex.
One of my favourite things about All Things Seen and Unseen, and about how McDaniel wrote this book, was that while it's written in third-person, it's very much Alex's story, from Alex's POV - and even in Alex's own POV, their trauma with their identity has forced them to use incorrect pronouns in their own mind, when telling their own story. The way McDaniel switches between 'she' and 'they' for Alex on a page-by-page, moment-by-moment basis was so interesting, and gives you an immediate insight into where Alex is at at any given moment. It's almost like the book is giving a sigh of relief whenever Alex is referred to as 'they,' and whenever it switches back to 'she', you can feel the narrative tensing up. Such an amazing way to demonstrate Alex's internal thought process while still keeping a distant, third-person narrative.
Really, if I had gone into this book knowing it was more of a lit-fic character piece than a queer horror novel, I probably would have had a different reaction to it, and felt a little bit less disappointed. As it stand, All Things Seen and Unseen is a genuinely moving, heartwrenching, hopeful read, but it's definitely geared more towards fiction than a genre work, which just isn't my cup of tea.