Escaping the port city of Vritannis is no easy task, for even the finest ship is useless if it can't be reached, and a horde of Kushan monsters stalks the city's docks. Led by a powerful necromancer who has mastered both the elements and the monsters of the deep, this hideous brigade may be too much for Guts the Black Swordsman and his companions to handle, even if Guts and Schierke are able to join forces and control the awful wrath of the Berserker armor. And will it even matter, if the Kushan emperor makes Guts an offer he can't refuse?
Kentarou Miura (三浦建太郎) was born in Chiba City, Chiba Prefecture, Japan, in 1966. He is left-handed. In 1976, at the early age of 10, Miura made his first Manga, entitled "Miuranger", that was published for his classmates in a school publication; the manga ended up spanning 40 volumes. In 1977, Miura created his second manga called Ken e no michi (剣への道 The Way to the Sword), using Indian ink for the first time. When he was in middle school in 1979, Miura's drawing techniques improved greatly as he started using professional drawing techniques. His first dōjinshi was published, with the help of friends, in a magazine in 1982.
That same year, in 1982, Miura enrolled in an artistic curriculum in high school, where he and his classmates started publishing their works in school booklets, as well as having his first dōjinshi published in a fan-produced magazine. In 1985, Miura applied for the entrance examination of an art college in Nihon University. He submitted Futanabi for examination and was granted admission. This project was later nominated Best New Author work in Weekly Shōnen Magazine. Another Miura manga Noa was published in Weekly Shōnen Magazine the very same year. Due to a disagreement with one of the editors, the manga was stalled and eventually dropped altogether. This is approximately where Miura's career hit a slump.
In 1988, Miura bounced back with a 48-page manga known as Berserk Prototype, as an introduction to the current Berserk fantasy world. It went on to win Miura a prize from the Comi Manga School. In 1989, after receiving a doctorate degree, Kentarou started a project titled King of Wolves (王狼, ōrō?) based on a script by Buronson, writer of Hokuto no Ken. It was published in the monthly Japanese Animal House magazine in issues 5 and 7 of that year.
In 1990, a sequel is made to Ourou entitled Ourou Den (王狼伝 ōrō den, The Legend of the Wolf King) that was published as a prequel to the original in Young Animal Magazine. In the same year, the 10th issue of Animal House witnesses the first volume of the solo project Berserk was released with a relatively limited success. Miura again collaborated with Buronson on manga titled Japan, that was published in Young Animal House from the 1st issue to the 8th of 1992, and was later released as a stand-alone tankōbon. Miura's fame grew after Berserk was serialized in Young Animal in 1992 with the release of "The Golden Age" story arc and the huge success of his masterpiece made of him one of the most prominent contemporary mangakas. At this time Miura dedicates himself solely to be working on Berserk. He has indicated, however, that he intends to publish more manga in the future.
In 1997, Miura supervised the production of 25 anime episodes of Berserk that aired in the same year on NTV. Various art books and supplemental materials by Miura based on Berserk are also released. In 1999, Miura made minor contributions to the Dreamcast video game Sword of the Berserk: Guts' Rage. 2004 saw the release of yet another video game adaptation entitled Berserk Millennium Falcon Arc: Chapter of the Record of the Holy Demon War.
Since that time, the Berserk manga has spanned 34 tankōbon with no end in sight. The series has also spawned a whole host of merchandise, both official and fan-made, ranging from statues, action figures to key rings, video games, and a trading card game. In 2002, Kentarou Miura received the second place in the Osamu Tezuka Culture Award of Excellence for Berserk.[1]
Miura provided the design for the Vocaloid Kamui Gakupo, whose voice is taken from the Japanese singer and actor, Gackt.
Miura passed away on May 6, 2021 at 2:48 p.m. due to acute aortic dissection.
This volume was packed with epic battles, but what's really getting on my nerves, the fact that, aren't we fighting the wrong enemy? aren't we wasting time with all these side fights? Most of the volume, they are just fighting the top wizard in the empire of the Kushan. The rest they are running away from another fight with Gashinka the apostle. The best thing that happened in this issue, is the fight between the demon army, and the emperor it was epic, and the fact that zodd crumbled down to his demise is extra satisfactory. He is not that good not against Gashinka anyway. Which begs the question how strong is Gashinka? Will it take Griffith himself to finish him off? I guess future volumes will shed more light on some of my questions. On to the next...
Guts kind of looks like a Paul Pope Batman on the cover.
Continuing the Falconia Chapter
More monsters show up to the docks in huge boats giving Guts the opportunity to cut down dozens. Guts goes Berserker mode to fight a huge leviathan. Next a wizard general shows up floating in the sails of a huge boat. His name is Paramarisha Sen'an'i Daiba a Kushan Pishaca Gana Leader (Daiba). He uses the power of Yoga!
After his defeat by Guts the Emperor Ganishka in the form of a giant flame face comes back and ridicules him. Ganishka offers Guts a role in his army to hunt down Griffith - but Guts refuses. Ganishka tries to shoot down Guts with lightning but fails. Zodd shows up and starts chewing down the Kushan forces which takes Ganishka attention off of Guts.
This entire review has been hidden because of spoilers.
I like the Daiba fight as much as ever, but one can no longer deny that things are dragging on quite a bit. Would've been nice if they'd gotten the rest of Zodd to this volume as well, but, alas.
Guts vs the Kundalini is an engaging battle with fantastic art. Unlike much of the previous volumes, the action in this book feels consequential and unique. Additionally, the plot actually develops during the action scenes, with Schierke learning how to control the beast and Guts rejecting Ganishka's offer.
واقعن یه سری وقت ها اینجا خوبه که یادآوری کنه هر کتابی رو کجاش بودی و نظرت چی بوده و ... ولی یه سری وقت ها برا آپدیت کردن سخت میشه. کاش میشد یهو چندتا رو سلکت کرد و یهو نوشت براشون.
Un des points culminants de l'arc du Faucon Millénaire, on y observe la lutte sans merci entre la bande de Guts, Farnèse, Serpico, Isidro, Shierke, Casca et les elfes Puck, Evarella d'une part et les forces kushanes innombrables, galvanisées par un général ascète redoutable. L'empereur kushan Ganishka y fait également une apparition remarquée...
Pour ma part, ce qui m'a de loin le plus marqué, c'est le travail en binôme de Guts et de Schierke, la jeune sorcière vaillante qui seule semble capable de faire revenir Guts de l'emprise totale qu'exerce l'armure sur lui, et de le maintenir en état de conscience. À cette occasion, ce tome 31 offre des planches sublimes, parmi les plus frappantes de Berserk jusqu'à présent, série qui en offre pourtant légion...
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"La colère... les sentiments violents... mettent l'armure en mouvement ! Mais tu ne dois pas entièrement la laisser faire. Le pivot de ta force, c'est la volonté.'
This was one of those "bridge" books, just getting us from one place to another. Wish Guts and his little band would either get to elfhelm or have more contact with Griffith.
برخلاف فارنیز که اوایل حضورش نچسب بود و طول کشید تا باهاش اوکی بشم، شیرک از همون اول خوب بود و حضورش دوست داشتنیه برام. شخصیتپردازی خیلی خاصی هم نداره ولی خوبه و کمککننده. نمیخوام غر بزنم ولی کاش بخشهای پاک کمتر بشه توی داستان. حضورهای ترولش حس اکشن داستان رو خراب میکنه.