Another Modesitt re-read bites the dust and loses its place on my favorites shelf.
So many irritations with this book.
1. Nylan is a whiney-ass Gary-Sue. He is good -- no, brilliant, genius in fact -- at everything he attempts despite having no knowledge of or training in low-tech tradeskills. It absolutely makes no sense. Who the hell knows how to make charcoal in even our comparative-to-"angel"-society low-tech society, let alone a society so technologically advanced as to have advanced space travel and combat? One example of many. And I don't think they would have taught that sort of thing in engineering school, because those sorts of skills and technologies would have been irrelevant to their society.
Then, everyone loves Nylan. Despite the fact that he has the emotional awareness and social skills of someone on the Asperger's spectrum. He rarely talks to anyone (and when he does, his conversation is short and to the point), makes no efforts to form friendships or bonds, and yet somehow everyone adores him, except, of course, the "bad guys." If you don't like Nylan, you turn out to be a chaos-ridden bad-guy.
2. Nylan blames Ryba for the state of the world, and for stepping up and dealing with what the world and circumstances throw at them. He pretty much makes her his scape-goat, focusing all his frustrations onto her. If Nylan had his way, they'd have surrendered early on and the whole group of women would have wound up as sex-slaves or dead. He acknowledges this, yet he keeps on whining and blaming Ryba and making her into the bad guy.
Although I did think for a while that she should have talked to him first about donating sperm. However, by the end of the book I had observed that with him being such a mule-headed dumb-ass about the basic need for self-defense, refusing to see reason, or come to terms with reality, I can understand why she did what she did. I don't think talking to him would have helped.
2. These people need therapy, like whoa. I find it really really hard to believe that such an advanced civilization as the "angels" have no accommodations for psychological counseling, and that pretty much everyone have absolutely no Emotional IQ. I mean even Star Trek TNG had an on-board counselor. Nylan is especially bad, but I think the only people with any normal amounts of emotional IQ or empathy were Ayrlyn and Istril. (although of course Ayrlyn is almost as whiny and out of touch as Nylan, I think she was a bit more realistic)
So many bad things could have been avoided if these people's emotional and psychological needs were being met. Like that marine that Ryba murders at the beginning. Any normal person would have a hard time adjusting to those circumstances. Send the woman to therapy, don't murder her! Even Nylan's whiny dumb-assery was probably a result of extreme emotional stress and ptsd. Therapy for everyone!!!
3. Somehow I missed this in my previous readings of this book in my younger years. The "angels" from "Heaven," who bring order-use to this world -- order-use being almost exclusively synonymous in this series with goodness, creation, and rightness -- are originally from an advanced society known as...The United Faith Alliance. Who, in the very early part of this book, are battling against....The Rationalists (also referred to as Rats, demons, and devils). Who are likewise associated with chaos-magic, likewise almost exclusively synonymous with destruction, corruption, and evil. And of course, it is the "Rats" who in some other book, similar to the "angels" in this book, originally brought chaos-magic to this world in previous years/centuries/whatever. Folks, rational thinking is the source of ALL EVIL.
Subtle, Modesitt. Subtle. My agnostic self gives you a serious side-eye.
4. Again, as in the first book in the series, Modesitt, with the subtlety of a sledge-hammer, occasionally brings up some feminist themes and immediately has the main character (who happens to be male, again) mansplain them away -- also with the subtlety of a sledge-hammer. Sadly this confirms the suspicion I formed while reading the first book -- which is that it is the author who has bigoted tendencies, and it's not merely the narrating character being written that way.
The author also gave Nylan the tendency to sweep in and rescue the poor helpless wiminz -- the birth scene in particular comes to mind. He sweeps in with absolutely no experience in the healing aspect of order-magic, jumps right in without any idea what he's doing, despite having an experienced and competent order-magic-healer present (who of course, states that she was too afraid to try to do anything), and saves the day -- and the baby and the mother. Derp. Modesitt is one of those obnoxious and subtle bigots, who claims to respect women and be all for equality etc; all the while thinking that all feminists are femi-nazis that need to be moderated and taken down a notch, acting as though he is the only level-headed person on the planet, while having no clue about feminism given his own privilege, and in reality still undermines women and real equality in nasty insidious ways.
5. Another self-indulgence of the author includes a 1-page bitter tirade of Nylan oh-so-subtly complaining/whining/ranting that in novels and movies the fighters get all the attention and glory, while the people who support the fighters are unsung heroes (completely disregarding the fact that Ryba ordered a whole freaking ballad to be written about Nylan and his building and smithing, glorifying the ungrateful bastard and ensuring him a place in history for centuries to come).
There is truth to this in general. However, given Modesitt's propensity to focus on the day-to-day details and crafting (both of which I do enjoy reading about -- I think you have to in order to get through any of these books), and the bitter sour grapes tone of this tirade, this begins to feel like Modesitt has a giant chip on his shoulder. Did he serve in the army as a craftsman or supply officer, and resent the glory the combat soldiers received while getting no recognition himself? (newsflash Modesitt, my father served as a supply officer in the Navy and never had any problems with serving in a role behind the scenes)
6. I found there were some inconsistencies again. There were some that were similar to the ones in the first book -- sloppy and lazy inconsistencies, resulting from bad editing and lazy writing -- but also there were some inconsistencies with character's actions not making sense in the context of their background. "Heaven," for instance, seemed represented as a largely equal-between-the-sexes society, or even leaning toward the feminist or matriarchal side. Yet, a lot of what the "angels" said or did, still seemed more representative of a background in a less-than-equal patriarchal society.
There were a couple more issues, such as some problems with Gerlich and Sillek (and not to mention the obnoxious naming scheme in which almost all the names sound/look like each other), but this review is already insanely long as it is, and I'm still not done writing lol.
Modesitt has a talent for world-building, and I greatly enjoyed the sci-fi origin of the "angels" (this was something I enjoyed about McCaffrey's Dragonrider books as well), and I still greatly enjoy reading about the day-to-day details as well as the descriptions of crafting.
However, Modesitt also has a bias and a chip on his shoulder that leak into his writing, interfering with the stories, and I have to question whatever agenda or self-indulgence he's addressing in these books. The subtle (and often not-so-subtle) bigotry and sexism is obnoxious to slog through.
For example -- As with Tamra in the first book, he created a strong, capable female character in Ryba, only to turn around and represent her as a cold-hearted bully or almost-villain. Whereas Sillek, in the very same book, employs tactics of the same nature as Ryba (and is forced into them against what he would ideally prefer, but sucks it up and does what has to be done in the circumstances -- again, just like Ryba), but who is represented as a good, level-headed, likable guy (and who gets plenty of support, emotional and otherwise, from his romantic partner, instead of endless whining, guilt, and nonconstructive criticism -- yes Nylan, I'm looking at you).
Speaking of Nylan. Nylan felt like a re-hash of Lerris, except he was a million times more whiny and unlikeable and socially dumb-headed. He crossed the line into the Gary-Sue category IMO, whereas Lerris felt like a more balanced and relatable character. Lerris also had some character development (although it was a bit sudden and felt forced by the plot), and generally moved in a more positive direction as a human being. Nylan on the other hand, started out as a generally likable character with good potential, but got more and more intolerable, unbearable, and annoying as the story progressed. He completely regressed as a human being. Was this intentional? It was like watching a train-wreck. In super slow-motion.
ALL THAT SAID, Modesitt does succeed with his world-building, and the ability to connect historical events through time over an array of numerous novels. The combination of those, together with my enjoyment of his descriptions of the day-to-day and the details of manual crafting, as well as the way chaos and order magics work (although I don't agree with the moral bias associated with each), still makes my brain itch for more of this series.
Modesitt succeeds in continuing to pique my interest, despite his many negatives, in spite of myself and what I would term my own better judgment (I feel a bit like Mr. Darcy in writing that!). For all the negatives, I want to give this book 1 or 2 stars, yet there is still just enough good in it to not warrant so few. I'd give it 2.5 if I could, but I'll round up to 3.
Currently trying to decide if that's motivation enough, and if I'm feeling masochistic enough, to dig up one of my other old books of this series and slog through another 600 pages, mentally battling the issues I have with this author.