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224 pages, Hardcover
First published January 30, 2014
Collections of short stories are often variations on a common theme, and in This Is Not an Accident April Wilder seems to have chosen the theme of chaos, disaster, their effects on relationships, and maintaining a sense of purpose through it all. Let's examine that theory shall we? In "This is not an accident" (the short story, not the collection), Kat is enrolled in a remedial driver's training course for adults d/t her apparent inability to control and/or maintain her vehicle at a safe speed. She also happens to be obsessed with the possibility that she fatally hit someone with her vehicle without remembering that she did. Her musings seem to support the theory. "The main thing was that she'd made it through a night that was over now and could never happen again, unless the doctrine of eternal return was right, which was unthinkable when the aim was to somehow trust that the worst thing you could think of wasn't always about to happen just as a matter of course. She had to learn to make room for an average day."
"Butcher Shop" describes Jack meeting up with a long-time friend and his girlfriend at a steakhouse. Jack's also in the process of a divorce (and doesn't seem to be handling it well). As he watches the couple across the table from him, he ponders..."Already Jack couldn't remember how people got together, how you walked up and imposed yourself on someone so completely." Later, on the phone with his wife, he struggles with his desire to vent about his hellish day--"but he knows he has to start not telling her things or he'll never make it out of this. He'll start small, is what he'll do, and work his way up." This passage made me a bit sad...probably because my husband is my confidant/vent board/best friend and I can't imagine living life without being able to *tell* him about it. This is just one small example of how Wilder hits the nail of life on the head.
"We Were Champions" is probably one of the darker short stories in the collection. It starts off with a bang. "Stephanie called and told me Bob had shot himself in the foot, then in the gut...I guess I was surprised he'd used a shotgun, and that he took his foot off first, because I didn't see the need for that, unless he was trying to keep himself from getting away." Stephanie is a childhood friend, and Bob was their softball coach in high school. I won't go into much detail because I don't want to spoil the story, but suffice it to say past events make the relationship between our narrator and her boyfriend Mack difficult, and then impossible. "I tried to envision one man finding a little of another man in himself, and hating what he saw, and deciding to hate the girl who was the link, only to find loathing and self-loathing aren't that different in the end."
"It's a Long Dang Life" is an odd story about a grandmother whose high school crush gets sent off to war, her parent's convince her he died, and then she marries a "good match" who ends up abusing her. She divorces the scumbag, finds out her high school crush didn't really die, but is now a semi-functional alcoholic, and tries to decide if she wants to take another go at marriage.
"Me Me Me" involves the lives of two dysfunctional (possibly mentally ill) sisters. The younger, Fawn, has emerged from her drug-haze years, and decided she wants to adopt a child. She asks her sister for advice. "I suggested she get a dog instead, one of those big, lazy hounds you can use as an ottoman. 'Maybe a St. Bernard with a terminal disease?'" Fawn reliably ignores her advice, starts adoption proceedings, and ends up with a girl with destructive tendencies and a colorful vocabulary.
"Christiania" involves a young lady and her long-time (male) friend vacationing in Europe together. Their relationship is platonic, however they fight like a romantic couple. "She told him she resented his thinking that he could say whatever he wanted as long as he couched it in his stupid I format, and he said calling the I statements stupid wasn't useful. She said she was trying to be truthful, not useful...She saw he didn't understand that this was the part where lazy or greedy fighters (she was both) started trying on theatrics...All she had to do was stop talking--swallow the next line, the line she had ready to go...as with shopping, you could only gauge want versus desire versus need versus temporary need by your willingness to let a thing go."
"Three Men" is named for the three men in Jess's life--her husband, father, and brother. Her husband is about to leave her, her father is a veteran of war, and her brother is an alcoholic (this theme has also emerged over the collection). At dinner with all three, Jess observes "She doesn't remember when her brother made the leap from bullshit artist to mythomaniac. She knew you could drink yourself useless, but she didn't know you could drink yourself delusional."
Finally, in "You're That Guy", Eckhart is trying to make a life for himself in the outskirts of LA. He's still recovering from the shock of his father's death, and deciding whether life should be more than house sitting for a deployed marine while eating pot brownies. His friend Russ scoops Eckhart out of his funk, and brings him to Salt Lake City to live with him and his girlfriend (a reformed Morman). Much weirdness, poetry readings, following a homeless guy around who meticulously cares for a doll, and a Halloween party ensue. The end contains the moral for the whole collection though. "his father used to say that simple awareness was the only freedom any of us really had...He saw now what his father had meant, he saw that it was beautiful to not turn way from your life at any cost or for any reason, no matter what a mess you'd made of it all."
Embrace the mess of this collection. Given 3.5 stars or "Very good".