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Peanuts Coronet #7
You're My Hero, Charlie Brown!
You're My Hero, Charlie Brown (Coronet Books) Schulz, Charles M.
128 pages, Paperback
Published April 1, 1968
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About the author
Charles M. Schulz
3,036 books1,644 followersCharles Monroe Schulz was an American cartoonist, whose comic strip Peanuts proved one of the most popular and influential in the history of the medium, and is still widely reprinted on a daily basis.
Schulz's first regular cartoons, Li'l Folks, were published from 1947 to 1950 by the St. Paul Pioneer Press; he first used the name Charlie Brown for a character there, although he applied the name in four gags to three different boys and one buried in sand. The series also had a dog that looked much like Snoopy. In 1948, Schulz sold a cartoon to The Saturday Evening Post; the first of 17 single-panel cartoons by Schulz that would be published there. In 1948, Schulz tried to have Li'l Folks syndicated through the Newspaper Enterprise Association. Schulz would have been an independent contractor for the syndicate, unheard of in the 1940s, but the deal fell through. Li'l Folks was dropped from the Pioneer Press in January, 1950.
Later that year, Schulz approached the United Feature Syndicate with his best strips from Li'l Folks, and Peanuts made its first appearance on October 2, 1950. The strip became one of the most popular comic strips of all time. He also had a short-lived sports-oriented comic strip called It's Only a Game (1957–1959), but he abandoned it due to the demands of the successful Peanuts. From 1956 to 1965 he contributed a single-panel strip ("Young Pillars") featuring teenagers to Youth, a publication associated with the Church of God.
Peanuts ran for nearly 50 years, almost without interruption; during the life of the strip, Schulz took only one vacation, a five-week break in late 1997. At its peak, Peanuts appeared in more than 2,600 newspapers in 75 countries. Schulz stated that his routine every morning consisted of eating a jelly donut and sitting down to write the day's strip. After coming up with an idea (which he said could take anywhere from a few minutes to a few hours), he began drawing it, which took about an hour for dailies and three hours for Sunday strips. He stubbornly refused to hire an inker or letterer, saying that "it would be equivalent to a golfer hiring a man to make his putts for him." In November 1999 Schulz suffered a stroke, and later it was discovered that he had colon cancer that had metastasized. Because of the chemotherapy and the fact he could not read or see clearly, he announced his retirement on December 14, 1999.
Schulz often touched on religious themes in his work, including the classic television cartoon, A Charlie Brown Christmas (1965), which features the character Linus van Pelt quoting the King James Version of the Bible Luke 2:8-14 to explain "what Christmas is all about." In personal interviews Schulz mentioned that Linus represented his spiritual side. Schulz, reared in the Lutheran faith, had been active in the Church of God as a young adult and then later taught Sunday school at a United Methodist Church. In the 1960s, Robert L. Short interpreted certain themes and conversations in Peanuts as being consistent with parts of Christian theology, and used them as illustrations during his lectures about the gospel, as he explained in his bestselling paperback book, The Gospel According to Peanuts, the first of several books he wrote on religion and Peanuts, and other popular culture items. From the late 1980s, however, Schulz described himself in interviews as a "secular humanist": “I do not go to church anymore... I guess you might say I've come around to secular humanism, an obligation I believe all humans have to others and the world we live in.”
Schulz's first regular cartoons, Li'l Folks, were published from 1947 to 1950 by the St. Paul Pioneer Press; he first used the name Charlie Brown for a character there, although he applied the name in four gags to three different boys and one buried in sand. The series also had a dog that looked much like Snoopy. In 1948, Schulz sold a cartoon to The Saturday Evening Post; the first of 17 single-panel cartoons by Schulz that would be published there. In 1948, Schulz tried to have Li'l Folks syndicated through the Newspaper Enterprise Association. Schulz would have been an independent contractor for the syndicate, unheard of in the 1940s, but the deal fell through. Li'l Folks was dropped from the Pioneer Press in January, 1950.
Later that year, Schulz approached the United Feature Syndicate with his best strips from Li'l Folks, and Peanuts made its first appearance on October 2, 1950. The strip became one of the most popular comic strips of all time. He also had a short-lived sports-oriented comic strip called It's Only a Game (1957–1959), but he abandoned it due to the demands of the successful Peanuts. From 1956 to 1965 he contributed a single-panel strip ("Young Pillars") featuring teenagers to Youth, a publication associated with the Church of God.
Peanuts ran for nearly 50 years, almost without interruption; during the life of the strip, Schulz took only one vacation, a five-week break in late 1997. At its peak, Peanuts appeared in more than 2,600 newspapers in 75 countries. Schulz stated that his routine every morning consisted of eating a jelly donut and sitting down to write the day's strip. After coming up with an idea (which he said could take anywhere from a few minutes to a few hours), he began drawing it, which took about an hour for dailies and three hours for Sunday strips. He stubbornly refused to hire an inker or letterer, saying that "it would be equivalent to a golfer hiring a man to make his putts for him." In November 1999 Schulz suffered a stroke, and later it was discovered that he had colon cancer that had metastasized. Because of the chemotherapy and the fact he could not read or see clearly, he announced his retirement on December 14, 1999.
Schulz often touched on religious themes in his work, including the classic television cartoon, A Charlie Brown Christmas (1965), which features the character Linus van Pelt quoting the King James Version of the Bible Luke 2:8-14 to explain "what Christmas is all about." In personal interviews Schulz mentioned that Linus represented his spiritual side. Schulz, reared in the Lutheran faith, had been active in the Church of God as a young adult and then later taught Sunday school at a United Methodist Church. In the 1960s, Robert L. Short interpreted certain themes and conversations in Peanuts as being consistent with parts of Christian theology, and used them as illustrations during his lectures about the gospel, as he explained in his bestselling paperback book, The Gospel According to Peanuts, the first of several books he wrote on religion and Peanuts, and other popular culture items. From the late 1980s, however, Schulz described himself in interviews as a "secular humanist": “I do not go to church anymore... I guess you might say I've come around to secular humanism, an obligation I believe all humans have to others and the world we live in.”
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Displaying 1 - 14 of 14 reviews
May 14, 2022
Mi padre leía pocos tebeos, pero de los peanuts tenía por lo menos quince libros en sus estanterías. En el proceso natural de absorción y descarte de las estanterías de mi padre descubrí a Charlie Brown, el antihéroe, y a Snoopy y a Woodstock, héroes peculiares, y a Linus y su manta, y a Schroeder y su piano, y a Lucy, enamorada de Schroeder, y a Patty y a Sally, y a todos los demás. De trazo simple, con líneas argumentales que oscilaban entre una y doscientas tiras, Charles Schulz creó durante 50 años (solo Ibáñez ha sido más prolífico durante más tiempo) un pequeño universo al que he vuelto alguna vez, para comprobar con gusto que, si bien ya no me llama como antes, no ha envejecido mal.
Hay tantas tiras (más de 18.000 en 50 años, se dice pronto) que, como dicen de los Simpson, toda cosa que pase ha salido ya probablemente en una tira de Charlie Brown. Las leí sobre todo entre mis 10 y mis 15 años, pero cuando me he cruzado con alguna en años posteriores ha seguido aguantando el tipo y, por supuesto, se aprecian má mensajes destinados al adulto. La maravilla de las cosas bien hechas, que apelan a todos los públicos. Altamente recomendable.
Hay tantas tiras (más de 18.000 en 50 años, se dice pronto) que, como dicen de los Simpson, toda cosa que pase ha salido ya probablemente en una tira de Charlie Brown. Las leí sobre todo entre mis 10 y mis 15 años, pero cuando me he cruzado con alguna en años posteriores ha seguido aguantando el tipo y, por supuesto, se aprecian má mensajes destinados al adulto. La maravilla de las cosas bien hechas, que apelan a todos los públicos. Altamente recomendable.
September 4, 2018
I got some good chuckles out of this book. Days gone by for me. I grew up on Charlie Brown, though alas! it's a different world we live in today.
October 2, 2023
Una de las mejores recopilaciones de Carlitos y su pandilla. Incluso me hizo pensar ¿de verdad se trata de Schulz?
November 23, 2023
Funny, good pictures, very quick read. Surprisingly relatable. Love Snoopy!!
January 27, 2024
This is the good stuff. Peak Peanuts.
August 21, 2025
charlie brown does not deserve the hate he gets in this book
November 10, 2025
He's not my hero, but I like him a lot.
September 19, 2023
This one has the strips with Snoopy as a boxer with the glove on his nose. Some of the strips have not been well edited in their transition from newspaper panel to book format. One in particular has frames in the wrong order which surely the editor should have noticed as that particular strip was purely visual humour. Strange.
March 15, 2016
Cuteeeeeeee, hahaha Scroeder reminds me of J.S Bach.
This book contain new vocabularies, even if I'm not sure this words are common, medieval or middle aged English.
What a blockhead, Charlie!
This book contain new vocabularies, even if I'm not sure this words are common, medieval or middle aged English.
What a blockhead, Charlie!
August 3, 2020
#agostoaoquadrado
January 4, 2023
3.5 stars
December 20, 2024
what’s the matter? don’t you LIKE christmas carols?
March 21, 2010
Timeless humour for kids and adults.
Displaying 1 - 14 of 14 reviews