I love anything with sentient horses, but the story was ultimately shallow and a bit clumsily written at times. Like another reviewer mentioned, some mistakes cause a bird to be referred to as a hawk in one sentence and a crow in the next several times. The word choices were occasionally awkward, as when the author chose to use “mouthed” frequently, which confused me until I realized she meant it as “thought”. There was too much repetition in each character’s POV, and continuous heavy-handed messaging about how humanity is Fallen and needs the Finest Creations to guide them. The concept of guiding isn’t practical, however, because the Finest can’t speak at all to their human charges, so it’s impossible for what ends up being a regular horse to direct a human’s actions. The villains, initially mysterious dark assassins, turned out to be … a flock of birds. Led by an evil mastermind who is … an owl.
The world Rabe has created is “traditionally” medieval and sexist, as the story makes sure to repeat throughout, but without anything meaningful to say about it other than some vague, brief regrets that maybe women should be able to do something less traditional with their lives. I also found the many references to the main female character’s weight excessive, as when her brother labels her as “pudgy” and “chubby” at first, then the author makes sure all the characters notice and bring up her being “thin” multiple times after she loses weight, even though the body weight commentary could have been left out entirely and not changed the story at all.
It’s too bad because the cover art, particularly the horse, is beautiful.