I picked up this book at a library book sale, expecting it to be at least half decent given the reviews. I'm glad I didn't pay anywhere close to list price. It was disappointing to say the least. The writing was pretty awful, but I slogged through anyways, hoping it would redeem itself in the end. Spoiler alert: it didn't.
The underlying idea behind the story has the potential to be compelling, but the way it was written I found it to be anything but. There is nearly no prose whatsoever. The book is comprised almost entirely of dialog between various characters, much of which is pointless prattle made to fill pages since the authors don't know how to describe anything in interesting ways. So much of the dialog is completely pointless and repetitive, it comes off like the novelist's equivalent of cellulose filler in store brand parmesan cheese. Actually, that is an affront to parmesan cheese, since this book contains far more filler by volume than any mediocre dairy product I know of.
What small amount of prose there is outside of the constant and unnecessary dialog is simply bad. Take this example, from the start of chapter 5: "Kendra followed Marlee inside her pleasant two-story home, which was decorated with pictures and objects that showed a fondness for European travel."
You might expect the author to elucidate said "pictures and objects" in more detail, but they do not. This is the quality of prose you will find throughout the entirety of this novel. No, it does not get better.
The answer to the "mystery" itself is pretty obvious by about half way through the book, so there's no surprise waiting for you in the end. The action isn't compelling, and there are no "aha" moments. Just a very convenient string of happenstances, "wow I'm really good at computers so when my phone came near their phone it magically downloaded everything" and "I used to be blind so I now have a dog's sense of smell and hearing" isms. The way the authors play to this characature is NOT subtle. It seems the lead character has no investigative skills other than their purported heightened senses due to their childhood blindness?
This is the first book I've read in the series, so I'm coming in cold. Maybe other books in the series are better, but I did not find the characters in this story nor the clues that took them from beginning to end to be in any way believable.
If that doesn't turn you off, then the way the main female character is written should. It has heavy "this female character was written by a man" vibes. Even if this book was co-authored by a woman, the lead character comes off as weak and codependent on her male, skilled at literally everything, lover swooping in to rescue her throughout the story. The authors attempt, feebily, to feign the lead character's desired independence from her lover, which is itself the subject of A GREAT DEAL of unnecessary dialog between the two, which in the end has no tangible effect on said relationship. The relationship itself has no compelling grounding in reality for anyone who has ever been in an actual relationship. It reads more like trashy romance than anything else, but without the good bits.
I cannot stress enough just how much of the dialog in this book is completely pointless. If you took out all the dialog that does not actually advance the story or character development, this would be a short story - not a novel.
This book is not good, ya'll. Save your time and spend it reading or doing literally anything else. You will benefit more by relaxing and watching grass flutter in a cool breeze than you will by wasting precious time reading this book.