Far in the distant, post-human future, the Cater-Zimmermann community set out to refute the theory that the universe is created exclusively for mankind by cloning themselves a thousand times over and sending each copy to a different star within the galaxy. One of the copies of Cater-Zimmermann, Paolo Venetti, arrives at Orpheus; a water-world inhabited by floating mats that perform as a Turing machine.
Greg Egan specialises in hard science fiction stories with mathematical and quantum ontology themes, including the nature of consciousness. Other themes include genetics, simulated reality, posthumanism, mind transfer, sexuality, artificial intelligence, and the superiority of rational naturalism over religion.
He is a Hugo Award winner (and has been shortlisted for the Hugos three other times), and has also won the John W Campbell Memorial Award for Best Novel. Some of his earlier short stories feature strong elements of supernatural horror, while due to his more popular science fiction he is known within the genre for his tendency to deal with complex and highly technical material (including inventive new physics and epistemology) in an unapologetically thorough manner.
Egan is a famously reclusive author when it comes to public appearances, he doesn't attend science fiction conventions, doesn't sign books and there are no photos available of him on the web.
Synopsis: Humans are now virtualized, and can materialize in any wished form. One suche colony sends out their clones on a mission to find life in the galaxy and to proof their understatement that the universe was NOT created solely for mankind. The main protagonist’s voyage leads to planet Orpheus, circling the star Vega, finding life in form of large carpets in the ocean. A longer discussion between “wait for a couple millenia” or “risk the danger of contamination for a closer analysis” leads to the vote for researching those carpets using nanobots. First finding is that they happen to be a single long carbohydrate molecule which doesn’t qualify as intelligent life. But then, one of the scientists finds out, that those carpets build an equivalent to Turing machines using the theory of Wang’s tiles (with each carpet being one tile) building effectively a kind of computer or brain.
Review: The author included the novelette as part of his novel Diaspora. It is a brillant piece of Hard SF in a posthuman universe that might be categorized as MathFiction. The philosophical and mathematical debates are probably hard to get for people outside of theoretical computer science (and would be worth one or two stars less). As my specialized field of study once was exactly that theory, I just felt at home and found it mind-blowing how the author applied the theory to a first contact story. I praise it just for the genius application of the idea and its discussion in posthuman communities, disregarding its lack of action or character evolvement.
2019 reread. I liked it much better this time. And I was just struck, reading an article in SciAm on the Ediacaran fauna, that Egan likely modeled his alien critters on Dickinsonia, https://en.wikipedia.org/wiki/Dickins... , first found in the Flinders Ranges in South Australia. They got pretty big, up to a meter in diameter, and are still enigmatic. SFAIK they aren't thought to be Turing machines! But their bodies show fractal architecture, and they are among the first well-preserved fossil animals.
Greg's review, https://www.goodreads.com/review/show... will give you an idea about the story. You may find, as I did, that you will need to read the thing 2 or 3 times before you get it. Worth the extra effort, I think.
Read in an anthology. Excellent short story on the existential despair of a transhumanist future devolving in to solipsism. Also fun speculative hard sci-fi.
Classic Egan - come up with a profoundly bizarre and fascinating idea and then wrap a not bad or better story around it. Tempted to take on Diaspora again now.
An interesting and provocative read. Egan creates a world that interrogates questions of humanity and perception through his depiction of a posthuman society looking for alien life.
Good short story but far better as the novel Diaspora
This is a great short story -- some of the most extreme sci fi ("hard sf") written, and interesting both as tech and story. However, it packs too many concepts into a short story -- works far better as the novel Diaspora which Egan then wrote. If you've read Diaspora there is little reason to read this short story separately.
I'm not smart enough to really have understood this short story, but I found it interesting and staggering and sad and lovely anyway. It seemed strangely lonely and desperate too, somehow. I'm definitely not going to write an essay or my exam on it, but it was something different to read that I'm glad I did.