Reading this Wilbur Smith novel, three decades after I read the last one, The Dark of the Sun, I quickly realized how far I have strayed from reading popular fiction: like hero Sean Courtney, once you leave home, you can never come back.
This book is still a page turner despite its age. Short chapters, each with incidents of dramatic consequence, thread about 20 years of the hero’s life, from his days on the family farm in Natal to his intention of returning home to visit his alcoholic twin brother; the typical hero’s journey: escaping home, adventures abroad and regaining home.
Sean is the opposite of his twin Garrick. His ebullience and impulsiveness leaves Garrick a cripple. His lustful impetuousness lands damsels in distress and Garrick has to clean up after him. He fights in the Zulu uprising, sires bastards, makes and loses a fortune in the Witwatersrand, goes elephant hunting in the Limpopo, loses friends, wives, children and, while still in his early thirties, decides to cut his losses and return home with a stash of ivory. That is, if the home he has known can ever be regained. In a nutshell, that is the story, but there are far too many twists and turns in this plot to record or remember everything in between. Smith leaves the book well poised for a sequel, and for many more featuring the Courtney family.
The culture of the times is pretty clear: the white man is king, the black man follows and puts his life on hold for his fair master, women are chattels, greed is fuelled by gold, racketeering is rife in frontier towns and “In order to live, man must occasionally kill.” Hunting is a possessive love. Scenes of the South African Veldt, and its flora and fauna are authoritatively drawn.
All that said, there is a lot of awkward writing. The characters and their emotions run shallow unlike the deep gold veins that they mine in Johannesburg. Sean bounces back from his many tragedies like a bird shaking off water from its feathers. Some scenes are glossed over for there is too much happening anyway. The foreshadowing is clumsy, almost like an omniscient narrator intruding to alert us to what lies ahead, even reminding us of what is to come during the Boer War, which is outside the time span of this book. The sudden shift in POV, especially when it is carried by a minor or newly arrived character, is jarring. And the melodrama...oh the melodrama... Part three of the book is the best section as it portrays a deeper character investment, as if Smith is maturing in his craft just as Sean is maturing with his many losses.
This is a good adventure story and a great debut novel for Smith at the time. My travels will however be into other lands and other books and I will bid the Courtneys “totsiens.”