June-ish? 2022:
OH MY GOD I CAN’T BELIEVE I CAN FINALLY RATE THIS BOOK ON GOODREADS AND GIVE IT THE FIVE STARS IT SO DESPERATELY DESERVES 😭😭
I did a sensitivity read on this just over two years ago and I’ve NEVER STOPPED THINKING ABOUT IT. I’ll write a proper review after I buy a finished copy (who am I kidding, several, to force upon my loved ones), hold it in my hands, scream, do a reread, scream again, take 5-7 business days to process my feelings, scream some more, then collect my brain cells and get on goodreads. For now, suffice to say, YALL ARE IN FOR A TREAT WITH THIS BOOK.
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September 2022:
This is one of my favourite books EVER. I was lucky enough to be a sensitivity reader for Sixteen Souls back in 2020 and ever since then I've been waiting, hoping, and praying to the benevolent gods of bookishness that some wise publisher would see what a game-changer this was destined to be. Even before it existed as an actual book I was waxing lyrical about it to my friends, family, and all the kids at my queer youth groups, so I am THRILLED that I now get to forcibly press it into peoples hands and make uncomfortable eye contact as I tell them I will not leave them alone until they read and love it. There is SO MUCH to love about this book so if you don't want to read me rambling on for ages, I will just say:
beautiful queer rep; perfect, down-to-earth approach to disability; heaps of dry British humour; fascinating, imaginative magic system; action-packed, unputdownable plot; gorgeous setting; and characters you will want to lay down your life for.
If you want an *actual* review...
Rosie Talbot is an astonishing writer. Her narrative pulled me in with the wonderful sensory description and command of metaphor and personification that I love so much in writers like Maggie Stiefvater. Her skill with words is matched only by her passion; I can feel the blood, sweat, and tears she's poured into crafting this story rolling off every page. I absolutely knew while reading that she loved and respected these characters, and she was telling this story because she *needed* to. I get the sense that nothing could have stopped her giving Charlie, Sam, and their ghosts a voice, and I'm once again so proud and grateful that Scholastic saw the potential in her and gave these boys their chance to reach more readers.
I was completely in the palm of Talbot's hand throughout both my first read and (now, two years later) my second, feeling every single emotion across the course of the story - sometimes all at once! It's action-packed and perilous, full of unexpected twists and shocking reveals, keeping the reader on the edge of their proverbial seat right up until the end. The action is perfectly balanced though, by the romantic tension, beautiful character development, and heaps of dry humour. It's exquisitely paced; the author seems to know exactly what the reader needs at any given moment to ensure putting it down is never even a possibility, with every chapter ending in a 'oh go on then, just one more'.
A huge part of what had me so invested, alongside the fantastically imaginative plot, was the characters. There's not a single character in this book, no matter how minor, that doesn't feel like there could be a whole book dedicated to them. There's clearly been so much thought invested into building this cast, and everyone feels so distinct and developed. I just want this world to keep stretching out and I would DEVOUR novellas on what Heather got up to while Charlie was in Normandy, or fleshing out the backstories of the Mouldy Oldies, or - I don't know - Villiers and Reid smut fic, I'll frankly take anything!
But as much as I was hooked by the supporting players, I cannot put into words just how much I love Charlie and Sam. I want to scoop them both up into a giant hug and smother them with my care and protection. The budding relationship between them is written so tenderly and it made me ACHE watching them be stupid little chaos gays with their stupid miscommunication and stupid self-esteem issues and I wanted to bash their stupid heads together but also I wouldn't change a thing and I was literally reading it with tears streaming down my cheeks and a grin on my face most of the time.
At every turn it just felt so real. This wasn't a romance book where the author had gone 'I need to make this more interesting, let's set it in space' or a fantasy book where they'd added inexplicable kissing while the world is crashing down around them, it was just *natural*. You could take any one of my kids from youth group, give them the ability to see ghosts, and this book would be what happens; they get on with it. Friendships, crushes, family shit, fuck ups, insecurities, GCSEs, etc all still happen, they just save the world as well. I honestly think this is one of the most powerful books I've read, and it achieves that through its subtle touch and refusal to treat its MCs as anything other than exactly who they are. They're not 'chosen ones', they're flawed, messy teenagers who are unique and special and completely ordinary all at the same time. THIS is exactly the representation queer kids need. Not another coming out story, or queerphobia-ridden 'issues' novel, but a contemporary ghost story that's equal parts soft and chaotic, starring people that look exactly like them.
That comment goes for the approach to disability rep as well. We don’t see disabled MCs nearly enough, and disabled MCs done well are even rarer, so the minute Charlie is introduced with the main thing bothering him about his prostheses being the glitter polish his little sisters had taken to them, my heart sang. Reading little things like Charlie’s opposition to push handles on his wheelchair told me how much Talbot got it, and was so affirming. Just like his queerness, his disability is not a plot-point in itself, something he has to overcome, something that makes him special or gifted, something that’s forgotten about as soon as the action gets going, or any other kind of trope, it’s simply a consistent part of who he is. Again, the power in this character just boldly existing, and NOT feeling the weight of representation, blew me away. It feels like this book has the ability to teach people so much without them even realising it’s happening, which is something truly special.
There was so much about the book that was really close to my heart - the gorgeous queerness and fantastic disability representation at the top of the list - and something else I was particularly happy to see was the sheer Britishness - and specifically northernness. It feels like a real triumph for UKYA to read all those Yorkshire colloquialisms and descriptions of narrow ginnels and trip-hazardous cobblestones in a book that feels so accessible and well-placed within the mainstream. Learning so much about York and all the rich history that goes along with it will be fascinating for the uninitiated, and give northern readers a rare chance to see something approaching their lives spotlighted.
While I maintain that it can't be compared to anything else, because it's *just that good*, Sixteen Souls would be perfect for fans of William Hussey, Christine Lynn Herman, Patrick Ness, or Maggie Stiefvater. Overall it’s a well-rounded, downright good book that I can see sitting firmly in the mainstream YA market and receiving five star reviews from all sorts of readers. If you haven't already rushed off to get yourself a copy, WHAT ARE YOU STILL DOING HERE?
(Note: I’m aware I probably sound super biased here, but I swear I’d never met Rosie before she approached me to sensitivity read, we’re not mates or anything, I honestly do just love it that much 😂)