I am not a writer (far from it!). But, as an avid reader, I suspect that the creation of short stories is not as easy as it seems. And, in the case of crime writing, I imagine that it is very much more difficult than the writing of a full-length novel. By and large, good crime stories require three things: an ingenious plot; skilful characterisation; and an opportunity for the accumulation of suspense or terror and (in the case of whodunits) for a battle of wits between author and reader. It is surely much more easy to achieve those things in 200-300 pages than in the cramped confines of 15-40 pages. While Agatha Christie's short stories aren't bad, they are nothing like as good as her novels. The longer form gave her the space to develop her very ingenious plots, to switch attention from one character to another, to insert red herrings and generally to misdirect the reader. Sir Arthur Conan Doyle (with his wonderful Sherlock Holmes tales) is undoubtedly the pre-eminent writer of crime short stories. Two much less well-known writers, Edward D Hoch and Jack Ritchie (both American), are also masters of the form. And so, on the evidence of this book, is Stanley Ellin (who is also American). "The Specialty of the House and Other Stories" is a wonderful collection of gripping, chilling tales.
The first story, which gives the collection its name, is an unsettling tale about an employer, Laffler, who dines regularly with one of his employees, Costain, at a decidedly bizarre restaurant, Sbirro's. The restaurant has only 8-10 tables; the customers are all male; no alcohol is served (only water); and the speciality is a dish known as 'lamb Amirstan'. It would be unfair to say more than that. Suffice it to say that this is a wonderfully offbeat tale that sets the tone for the remainder of the collection. Nothing is spelled out. The characterisation is beautifully done. And the reader has to use their imagination. Like the other nine stories in the collection, "The Specialty of the House" is not a puzzle story. The reader is not invited to guess the identity of a murderer. It's a chilling story of psychological suspense in which the reader has to wait until the last two lines to receive confirmation of what has been going on. Even then, Ellin reveals his hand in a beautifully oblique way. It's a wonderfully imaginative, darkly humorous story. Yes, it may be slightly implausible. But that really does not matter.
None of the other stories is quite as good as the opening one. It would be impossible for Ellin to maintain such a high standard. And, of course, some are better than others. But they are all wonderful tales that play on the reader's sensitivities. My other favourite stories are "The Cat's-Paw", "The Orderly World of Mr Appleby" and "The Moment of Decision", the last of which is almost as good as the eponymous tale.
The writer whom Ellin most reminds me of is Roald Dahl, whose brilliant short story collections "Kiss Kiss" and "Someone Like You" are reminiscent of the wonderfully entertaining and macabre tales in "The Specialty of the House and Other Stories". Highly recommended. 10/10.