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Ποιήματα του Τζ.Ρ.Ρ. Τόλκιν
Ο πρώτος και ο δεύτερος τόμος της συλλογής των ποιημάτων του Τζ.Ρ.Ρ. Τόλκιν προέρχεται από το βιβλίο «Ο Χόμπιτ» και ο τρίτος τόμος από το βιβλίο «Οι περιπέτειες Τομ Μπομπαντίλ». Η εικονογράφηση και των τριών τόμων είναι του συγγραφέα.
108 pages, Hardcover
First published January 1, 1980
9 people are currently reading
717 people want to read
About the author
J.R.R. Tolkien
800 books78.1k followersJohn Ronald Reuel Tolkien: writer, artist, scholar, linguist. Known to millions around the world as the author of The Lord of the Rings, Tolkien spent most of his life teaching at the University of Oxford where he was a distinguished academic in the fields of Old and Middle English and Old Norse. His creativity, confined to his spare time, found its outlet in fantasy works, stories for children, poetry, illustration and invented languages and alphabets.
Tolkien’s most popular works, The Hobbit and The Lord of the Rings are set in Middle-earth, an imagined world with strangely familiar settings inhabited by ancient and extraordinary peoples. Through this secondary world Tolkien writes perceptively of universal human concerns – love and loss, courage and betrayal, humility and pride – giving his books a wide and enduring appeal.
Tolkien was an accomplished amateur artist who painted for pleasure and relaxation. He excelled at landscapes and often drew inspiration from his own stories. He illustrated many scenes from The Silmarillion, The Hobbit and The Lord of the Rings, sometimes drawing or painting as he was writing in order to visualize the imagined scene more clearly.
Tolkien was a professor at the Universities of Leeds and Oxford for almost forty years, teaching Old and Middle English, as well as Old Norse and Gothic. His illuminating lectures on works such as the Old English epic poem, Beowulf, illustrate his deep knowledge of ancient languages and at the same time provide new insights into peoples and legends from a remote past.
Tolkien was born in Bloemfontein, South Africa, in 1892 to English parents. He came to England aged three and was brought up in and around Birmingham. He graduated from the University of Oxford in 1915 and saw active service in France during the First World War before being invalided home. After the war he pursued an academic career teaching Old and Middle English. Alongside his professional work, he invented his own languages and began to create what he called a mythology for England; it was this ‘legendarium’ that he would work on throughout his life. But his literary work did not start and end with Middle-earth, he also wrote poetry, children’s stories and fairy tales for adults. He died in 1973 and is buried in Oxford where he spent most of his adult life.
Tolkien’s most popular works, The Hobbit and The Lord of the Rings are set in Middle-earth, an imagined world with strangely familiar settings inhabited by ancient and extraordinary peoples. Through this secondary world Tolkien writes perceptively of universal human concerns – love and loss, courage and betrayal, humility and pride – giving his books a wide and enduring appeal.
Tolkien was an accomplished amateur artist who painted for pleasure and relaxation. He excelled at landscapes and often drew inspiration from his own stories. He illustrated many scenes from The Silmarillion, The Hobbit and The Lord of the Rings, sometimes drawing or painting as he was writing in order to visualize the imagined scene more clearly.
Tolkien was a professor at the Universities of Leeds and Oxford for almost forty years, teaching Old and Middle English, as well as Old Norse and Gothic. His illuminating lectures on works such as the Old English epic poem, Beowulf, illustrate his deep knowledge of ancient languages and at the same time provide new insights into peoples and legends from a remote past.
Tolkien was born in Bloemfontein, South Africa, in 1892 to English parents. He came to England aged three and was brought up in and around Birmingham. He graduated from the University of Oxford in 1915 and saw active service in France during the First World War before being invalided home. After the war he pursued an academic career teaching Old and Middle English. Alongside his professional work, he invented his own languages and began to create what he called a mythology for England; it was this ‘legendarium’ that he would work on throughout his life. But his literary work did not start and end with Middle-earth, he also wrote poetry, children’s stories and fairy tales for adults. He died in 1973 and is buried in Oxford where he spent most of his adult life.
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Displaying 1 - 21 of 21 reviews
April 2, 2021
A very good anthology with pieces I have long loved, especially the Homecoming of Beorhtnoth Beorhthelm’s Son, On Fairy-Stories, and Leaf by Niggle.
February 15, 2019
A collection of Tolkien’s short “fairy tales” and poems. Pauline Baynes' illustrations enhance the stories. I wanted to re-read Tales from the Perilous Realm, but my library doesn't have it. This book has several of the same stories.
Farmer Giles of Ham is about a simple farmer who finds himself fighting a giant and a dragon with luick and wits.
The Adventures of Tom Bombadil is a collection of 16 poems. Disappointingly, only two feature Tom Bombadil (three, if you count The Stone Troll, which mentions a "Tom"). My favorites are The Man in the Moon Stayed Up Too Late, The Stone Troll, and The Hoard.
In The Adventures of Tom Bombadil, Tom encounters Goldberry, Old Man Willow, and a barrow-wight, among others. At the end he catches and marries Goldberry.
In Bombadil Goes Boating, Tom encounters hobbits, and he and Farmer Maggot tell each other about events near the Shire.
I liked The Hoard, which tells of a treasure that passes from elves to a dwarf to a dragon to a king before being lost and forgotten. Many of Tolkien’s works emphasize the value of the enjoyable things in life (friends, food, song, etc.) over treasure.
The Last Ship is about a mortal woman who sees the last elvish ship row towards the Gray Havens on its way to Elvenhome.
The Man in the Moon Stayed Up Too Late, The Stone Troll, and Oliphaunt appear in The Lord of the Rings.
Tom Bombadil's name was probably given to him by Bucklanders.
Smith of Wooton Major is the tale of a smith who on several occasions leaves his village to adventure in Faery. The villagers don’t believe in Faery; they’re oblivious to the influence of its inhabitants and their “magic.” They laugh at Faery as something silly and childish. This was my favorite part of this book; it read like a fairy tale.
Leaf by Niggle is an allegory about the process of creating, the wise use of time, life, death, afterlife, and God’s grace. One can see many of Tolkien’s attributes in Niggle. I really enjoyed it (though I disagree with some of Tolkien's Catholic understanding of the afterlife, specifically the existence of purgatory).
On Fairy-Stories is Tolkien’s essay on reading, evaluating, and writing fairy stories. It was fairly interesting.
Tolkien believes that children shouldn’t be spared the “gruesome” aspects or “horror” of fairy stories, “unless they are spared the whole story until their digestions are stronger.” He says, “...in my opinion fairy-stories should not be specially associated with children.” He says, “If fairy-story as a kind is worth reading at all it is worthy to be written for and read by adults. They will, of course, put more in and get more out than children can.”
Tolkien presents his idea of eucatastrophe: "the joy of the happy ending: or more correctly of the good
catastrophe, the sudden joyous 'turn' (for there is no true end to any fairy-tale)."
Tolkien says that even with the option of reading science, people still like fairy-stories because “there is a part of man which is not ‘Nature’, and which therefore is not obliged to study it, and is, in fact, wholly unsatisfied by it.”
Quotes
On Fairy-Stories
“The realm of fairy-story is wide and deep and high and filled with many things:... shoreless seas and stars uncounted; beauty that is an enchantment, and an ever-present peril; both joy and sorrow as sharp as swords.”
“The time was not one of hurry or bustle. But bustle has very little to do with business. Men did their work without it; and they got through a deal both of work and of talk.” - Narrator
Smith of Wooton Major
"… he soon became wise and understood that the marvels of Faery cannot be approached without danger, and that many of the Evils cannot be challenged without weapons of power too great for any mortal to wield."
Leaf by Niggle
“Things might have been different, but they could not have been better.” - Niggle, to Parish.
Farmer Giles of Ham is about a simple farmer who finds himself fighting a giant and a dragon with luick and wits.
The Adventures of Tom Bombadil is a collection of 16 poems. Disappointingly, only two feature Tom Bombadil (three, if you count The Stone Troll, which mentions a "Tom"). My favorites are The Man in the Moon Stayed Up Too Late, The Stone Troll, and The Hoard.
In The Adventures of Tom Bombadil, Tom encounters Goldberry, Old Man Willow, and a barrow-wight, among others. At the end he catches and marries Goldberry.
In Bombadil Goes Boating, Tom encounters hobbits, and he and Farmer Maggot tell each other about events near the Shire.
I liked The Hoard, which tells of a treasure that passes from elves to a dwarf to a dragon to a king before being lost and forgotten. Many of Tolkien’s works emphasize the value of the enjoyable things in life (friends, food, song, etc.) over treasure.
The Last Ship is about a mortal woman who sees the last elvish ship row towards the Gray Havens on its way to Elvenhome.
The Man in the Moon Stayed Up Too Late, The Stone Troll, and Oliphaunt appear in The Lord of the Rings.
Tom Bombadil's name was probably given to him by Bucklanders.
Smith of Wooton Major is the tale of a smith who on several occasions leaves his village to adventure in Faery. The villagers don’t believe in Faery; they’re oblivious to the influence of its inhabitants and their “magic.” They laugh at Faery as something silly and childish. This was my favorite part of this book; it read like a fairy tale.
Leaf by Niggle is an allegory about the process of creating, the wise use of time, life, death, afterlife, and God’s grace. One can see many of Tolkien’s attributes in Niggle. I really enjoyed it (though I disagree with some of Tolkien's Catholic understanding of the afterlife, specifically the existence of purgatory).
On Fairy-Stories is Tolkien’s essay on reading, evaluating, and writing fairy stories. It was fairly interesting.
Tolkien believes that children shouldn’t be spared the “gruesome” aspects or “horror” of fairy stories, “unless they are spared the whole story until their digestions are stronger.” He says, “...in my opinion fairy-stories should not be specially associated with children.” He says, “If fairy-story as a kind is worth reading at all it is worthy to be written for and read by adults. They will, of course, put more in and get more out than children can.”
Tolkien presents his idea of eucatastrophe: "the joy of the happy ending: or more correctly of the good
catastrophe, the sudden joyous 'turn' (for there is no true end to any fairy-tale)."
Tolkien says that even with the option of reading science, people still like fairy-stories because “there is a part of man which is not ‘Nature’, and which therefore is not obliged to study it, and is, in fact, wholly unsatisfied by it.”
Quotes
On Fairy-Stories
“The realm of fairy-story is wide and deep and high and filled with many things:... shoreless seas and stars uncounted; beauty that is an enchantment, and an ever-present peril; both joy and sorrow as sharp as swords.”
A ‘fairy-story’ is one which touches on or uses Faerie… Faerie itself may perhaps most nearly be translated by Magic — but it is magic of a peculiar mood and power, at the furthest pole from the vulgar devices of the laborious, scientific, magician. There is one proviso: if there is any satire present in the tale, one thing must not be made fun of, the magic itself. That must in that story be taken seriously, neither laughed at nor explained away."But fairy-stories offer also, in a peculiar degree or mode, these things: Fantasy, Recovery, Escape, Consolation, all things which children have, as a rule, less need than older people."
We need a word for this elvish craft, but all the words that have been applied to it have been blurred and confused with other things. Magic is ready to hand, and I have used it above ... but I should not have done so: Magic should be reserved for the operations of the Magician. Art is the human process that produces by the way (it is not its only or ultimate object) Secondary Belief. Art of the same sort, if more skilled and effortless, the elves can also use, or so the reports seem to show; but the more potent and specially elvish craft I will, for lack of a less debatable word, call Enchantment. Enchantment produces a Secondary World into which both designer and spectator can enter, to the satisfaction of their senses while they are inside; but in its purity it is artistic in desire and purpose. Magic produces, or pretends to produce, an alteration in the Primary World. It does not matter by whom it is said to be practised, fay or mortal, it remains distinct from the other two; it is not an art but a technique; its desire is power in this world, domination of things and wills."Fantasy remains a human right: we make in our measure and in our derivative mode, because we are made: and not only made, but made in the image and likeness of a Maker."
The consolation of fairy-stories, the joy of the happy ending: or more correctly of the good catastrophe, the sudden joyous “turn” (for there is no true end to any fairy-tale): this joy, which is one of the things which fairy-stories can produce supremely well, is not essentially 'escapist', nor 'fugitive'. In its fairy-tale—or otherworld—setting, it is a sudden and miraculous grace: never to be counted on to recur. It does not deny the existence of dyscatastrophe, of sorrow and failure: the possibility of these is necessary to the joy of deliverance; it denies (in the face of much evidence, if you will) universal final defeat and in so far is evangelium, giving a fleeting glimpse of Joy, Joy beyond the walls of the world, poignant as grief.
The Birth of Christ is the eucatastrophe of Man's history. … There is no tale ever told that men would rather find was true, and none which so many sceptical men have accepted as true on its own merits. For the Art of it has the supremely convincing tone of Primary Art, that is, of Creation. To reject it leads either to sadness or to wrath. … The Christian joy… is preeminently (infinitely, if our capacity were not finite) high and joyous. But this story is supreme; and it is true.Farmer Giles of Ham
“The time was not one of hurry or bustle. But bustle has very little to do with business. Men did their work without it; and they got through a deal both of work and of talk.” - Narrator
Smith of Wooton Major
"… he soon became wise and understood that the marvels of Faery cannot be approached without danger, and that many of the Evils cannot be challenged without weapons of power too great for any mortal to wield."
In Faery at first he walked for the most part quietly among the lesser folk and the gentler creatures in the woods and meads of fair valleys, and by the bright waters in which at night strange stars shone and at dawn the gleaming peaks of far mountains were mirrored. Some of his briefer visits he spent looking only at one tree or one flower; but later in longer journeys he had seen things of both beauty and terror that he could not clearly remember nor report to his friends, though he knew that they dwelt deep in his heart. But some things he did not forget, and they remained in his mind as wonders and mysteries that he often recalled.“Do not be grieved for me, Starbrow. Nor too much ashamed of your own folk. Better a little doll, maybe, than no memory of Faery at all. For some the only glimpse. For some the awaking.” - The Queen of Faery, to Smith, referring to the dancing figure placed on the Great Cake at the Children’s Feast.
Leaf by Niggle
“Things might have been different, but they could not have been better.” - Niggle, to Parish.
February 7, 2016
A stunning little collection of Tolkien's poems from the "Hobbit" and "Tom Bombadil"!
His drawings in the book are so precious! (...no pun intended!)
I just wish there were more...
Everytime I read something written by J.R.R. Tolkien, I think about how lucky are those people who have met and talked to him...
His drawings in the book are so precious! (...no pun intended!)
I just wish there were more...
Everytime I read something written by J.R.R. Tolkien, I think about how lucky are those people who have met and talked to him...
May 4, 2022
Dat de heer Tolkien schrijftalent heeft, is ook in dit werk overduidelijk. Edoch, zijn de vertellingen en sprookjes van minder hoge kwaliteit in vergelijking met De Hobbit, De Silmarillion De Heer der Ringen en 'De kinderen van Húrin'. Let wel, er is iets wat dit boek uitzonderlijk (goed) maakt, namelijk de analyses uit zijn studies.
Ik citeer een alinea (p130):
"Andrew Lang zei, en wordt daar door sommigen nog om geprezen, dat mythologie en religie (in de strikte zin van het woord) twee verschillende dingen zijn die onlosmakelijk in elkaar verstrikt geraakt zijn, hoewel de mythologie zelf vrijwel geen enkele godsdienstige betekenis heeft. Toch zijn deze dingen verstrengeld geraakt of misschien waren zij lang geleden wel gescheiden en hebben zij sindsdien door een labyrint van vergissingen, door verwarring, langzaam rondgetast naar een hereniging. Zelfs als geheel hebben sprookjesverhalen drie gezichten: het mystieke naar het bovennatuurlijke toe; het magische naar de natuur toe; en de spiegel van verachting en medelijden naar de mens toe. Het wezenlijke gezicht van het sprookjesrijk is de middelste, het magische. Maar, de mate waarin de andere zich voordoen (zo dat al gebeurt) is variabel en kan worden beslist door de individuele verhalenverteller. Het magische, het sprookje, kan worden gebruikt als een mirour de l'omme, en het kan (maar niet zo gemakkelijk) tot een voertuig voor het mysterie worden gemaakt."
Ik citeer een alinea (p130):
"Andrew Lang zei, en wordt daar door sommigen nog om geprezen, dat mythologie en religie (in de strikte zin van het woord) twee verschillende dingen zijn die onlosmakelijk in elkaar verstrikt geraakt zijn, hoewel de mythologie zelf vrijwel geen enkele godsdienstige betekenis heeft. Toch zijn deze dingen verstrengeld geraakt of misschien waren zij lang geleden wel gescheiden en hebben zij sindsdien door een labyrint van vergissingen, door verwarring, langzaam rondgetast naar een hereniging. Zelfs als geheel hebben sprookjesverhalen drie gezichten: het mystieke naar het bovennatuurlijke toe; het magische naar de natuur toe; en de spiegel van verachting en medelijden naar de mens toe. Het wezenlijke gezicht van het sprookjesrijk is de middelste, het magische. Maar, de mate waarin de andere zich voordoen (zo dat al gebeurt) is variabel en kan worden beslist door de individuele verhalenverteller. Het magische, het sprookje, kan worden gebruikt als een mirour de l'omme, en het kan (maar niet zo gemakkelijk) tot een voertuig voor het mysterie worden gemaakt."
September 25, 2024
Μια όμορφη ποιητική συλλογή σε τρίτους μικρούς τόμους. Οι δύο πρώτοι αφορούν την ιστορία του Χόμπιτ και το τρίτο στην αναφορά στον Τομ Μπομπαντίλ. Η πρώτη αναφορά στο συγκεκριμένο χαρακτήρα σε βιβλίο ελληνικής μετάφρασης.
Αυτό που με μάγεψε με το συγκεκριμένο βιβλίο ήταν οι εικονογραφήσεις που δημιουργήθηκαν από τον ίδιο τον Τόλκιν.
Αυτό που με μάγεψε με το συγκεκριμένο βιβλίο ήταν οι εικονογραφήσεις που δημιουργήθηκαν από τον ίδιο τον Τόλκιν.
August 19, 2013
Quite a satisfying read. Not all Tom Bombadil poems were equally to my liking, but the short stories were very entertaining, and show a different side to Tolkiens writing; less high-fantasy, more 'regular' fairy-story. Tom Shippey gave some background to the short stories in 'The Road To Middle Earth', which made reading them more fun, but the stories are good in their own right anyway.
Shippey also warned that 'On Fairy-Stories' was of sub-standard level for Tolkien, especially when compared with texts Tolkien prepared for his lectures on Medieval Literature. Although 'On Fairy-Stories' doesn't contain a lot of information, I found it interesting to be able to follow Tolkien's train of thought on 'genuine' Fairy-tales, and people's general perceptions of Fairy-tales.
Shippey also warned that 'On Fairy-Stories' was of sub-standard level for Tolkien, especially when compared with texts Tolkien prepared for his lectures on Medieval Literature. Although 'On Fairy-Stories' doesn't contain a lot of information, I found it interesting to be able to follow Tolkien's train of thought on 'genuine' Fairy-tales, and people's general perceptions of Fairy-tales.
May 7, 2019
Admittedly, I had read most of these materials before in other works and while I found them perfectly alright, I was unsure if reading them again would be a bit of a letdown. In general, I found that I received as much enjoyment from these works even having read them before, and one of the stories, "Leaf By Niggle," struck me as especially poignant because Niggle is a very Nathanish sort of person, a fussy artist who finds doing his duty to his neighbors to be more than a bit of an annoyance and who finds his creativity to be richly rewarded in the world to come. In general, the latter part of the materials are far to be preferred to the beginning materials, and if you can make it through the initial poems there is a lot to be enjoyed here. In fact, if you want a collection of miscellaneous Tolkien writing, and that is always a good thing, this volume makes a fantastic choice for something on one's library, assuming of course that one likes the shorter writing of Tolkien that is not always connected to the Middle Earth legendarium (although some of this work is so connected, it must be admitted).
The contents of this book fill almost 350 pages and they include both poems and stories as well as some of Tolkien's writing about them. The first work included is a long poem called "The Adventures Of Tom Bombadil," a somewhat slight piece of poetry that I did not find particularly enjoyable. Other people may enjoy it more but I consider it a distinctly minor work. After that comes a much more powerful poem, to me, "The Homecoming Of Beohtnoth Beorhthelm's Son," which is a melancholy look at the aftermath of the battle of Maldon and a reflection of the grim Anglo-Saxon loyalty to their lords as well as their determination to survive in the face of the Viking onslaught. After this comes the spectacular "On Fairy Stories," where Tolkien discusses his love for such stories and his thoughts about how they are presented and preserved. Closing this book are three of the exemplary stories of Tolkien, "Leaf By Niggle," which looks at the life and afterlife of an artist who thought himself a failure only to find his creativity greatly rewarded, "Farmer Giles of Ham," which is an entertaining look at a commoner hero and his cowardly dog and their adventures in fighting a giant and a dragon, and Smith of Wootton Major, which has an interesting element of fairy to it that I will not spoil.
All in all, these books span a fairly wide set of genres. "The Adventures of Tom Bombadil" is clearly comic and lighthearted verse for those who want to read more of the somewhat obscure character from the Lord of the Rings novels. Meanwhile, "The Homecoming Of Beorhnoth..." is an example of poetry that fully belongs with the classics of Old English poetry in its mood and approach. "On Fairy Stories" is an excellent piece of genre criticism. "Leaf By Niggle" is as fine a piece of Christian fantasy as one will ever read, with some definite comparisons to Lewis' "Til We Have Faces." The last two stories demonstrate different aspects of fairy tale literature in ways that are pleasing and accomplished. Tolkien was one of those rare but treasured writers who could not only defend a much-maligned genre but also provide some excellent examples of that genre for the reader to enjoy, and that makes this book a cut of above the miscellaneous character that one might assume here. By and large, this is an excellent volume for those who want to read more of Tolkien beyond The Hobbit and the Lord Of The Rings.
The contents of this book fill almost 350 pages and they include both poems and stories as well as some of Tolkien's writing about them. The first work included is a long poem called "The Adventures Of Tom Bombadil," a somewhat slight piece of poetry that I did not find particularly enjoyable. Other people may enjoy it more but I consider it a distinctly minor work. After that comes a much more powerful poem, to me, "The Homecoming Of Beohtnoth Beorhthelm's Son," which is a melancholy look at the aftermath of the battle of Maldon and a reflection of the grim Anglo-Saxon loyalty to their lords as well as their determination to survive in the face of the Viking onslaught. After this comes the spectacular "On Fairy Stories," where Tolkien discusses his love for such stories and his thoughts about how they are presented and preserved. Closing this book are three of the exemplary stories of Tolkien, "Leaf By Niggle," which looks at the life and afterlife of an artist who thought himself a failure only to find his creativity greatly rewarded, "Farmer Giles of Ham," which is an entertaining look at a commoner hero and his cowardly dog and their adventures in fighting a giant and a dragon, and Smith of Wootton Major, which has an interesting element of fairy to it that I will not spoil.
All in all, these books span a fairly wide set of genres. "The Adventures of Tom Bombadil" is clearly comic and lighthearted verse for those who want to read more of the somewhat obscure character from the Lord of the Rings novels. Meanwhile, "The Homecoming Of Beorhnoth..." is an example of poetry that fully belongs with the classics of Old English poetry in its mood and approach. "On Fairy Stories" is an excellent piece of genre criticism. "Leaf By Niggle" is as fine a piece of Christian fantasy as one will ever read, with some definite comparisons to Lewis' "Til We Have Faces." The last two stories demonstrate different aspects of fairy tale literature in ways that are pleasing and accomplished. Tolkien was one of those rare but treasured writers who could not only defend a much-maligned genre but also provide some excellent examples of that genre for the reader to enjoy, and that makes this book a cut of above the miscellaneous character that one might assume here. By and large, this is an excellent volume for those who want to read more of Tolkien beyond The Hobbit and the Lord Of The Rings.
May 23, 2022
'"Bovennatuurlijk" is een gevaarlijk en moeilijk woord in elk van zijn betekenissen, hetzij ruim of eng. Maar het kan nauwelijks op feeën worden toegepast, tenzij bóven alleen maar als een superlatief voorvoegsel wordt beschouwd. Want het is de mens die, in tegenstelling tot feeën, bovennatuurlijk (en vaak van geringe grootte) is; terwijl zij natuurlijk zijn, veel natuurlijker dan hij. Dat is hun noodlot. De weg naar het feeënrijk is niet de weg naar de hemel, en ook niet naar de hel, denk ik, hoewel sommige mensen hebben geloofd dat hij daar via de tienden van de duivel indirect heen kan leiden.' - Prachtig stukje van J.R.R. Tolkien uit zijn essay over sprookjesverhalen.
Wat ben ik verheugd over het feit dat ik eindelijk met volledig toewijding in het werk van Tolkien ben beginnen duiken! Prachtige parels duiken overal op, telkens wanneer ik besluit een nieuw boek van deze auteur op te pikken. Voor 'Sprookjes en Vertellingen' was dit niet bepaald anders. Het boek bestaat uit een verzameling aan mooie liedjes, originele sprookjes en een volledige essay over sprookjes en hun belang in de maatschappij van de twintigste eeuw. Het is uitermate bijzonder om via dit boek te leren hoe een geleerd man als Tolkien naar sprookjes en Elfen keek. Ook ben ik erg ontroerd over het feit dat Tolkien zijn liefde voor sprookjes als een soort "openbaring" omschrijft. Zo legt hij uit dat hij pas belang kreeg voor het Elfenrijk tijdens zijn gruwelijke tijd in de Eerste Wereldoorlog. Vol sympathie beeld ik mij in dat deze introductie aan de sprookjeswereld als het soort van ontdekken van een religie moet zijn geweest.
Binnenin het werk vond ik het meeste plezier in het lezen van het liedje met de titel: 'Prinses Meij' en het sprookje dat wordt genoemd: 'De Smid van Groot Wolding'. Beiden waren zeer fabelachtige schrijfsels die ik maar moeilijk uit mijn hoofd kan zetten. De essay die Tolkien schreef over het belang van sprookjesverhalen was ook erg boeiend, maar duurde lang en nam het grootste deel van het boek in beslag. Vanwege de titel en de synopsis van dit boek, had ik eerder verwacht om nog meer (of misschien langere) sprookjes aan te treffen. Hierom heeft het boek geen vijf sterren van mij gekregen, hoewel ik een vier ook al erg knap vind! Mocht ik Prinses Meij en de Smid van Groot Wolding apart een score geven, dan zou dit wel een volledige score van vijf sterren zijn geweest.
Wat ben ik verheugd over het feit dat ik eindelijk met volledig toewijding in het werk van Tolkien ben beginnen duiken! Prachtige parels duiken overal op, telkens wanneer ik besluit een nieuw boek van deze auteur op te pikken. Voor 'Sprookjes en Vertellingen' was dit niet bepaald anders. Het boek bestaat uit een verzameling aan mooie liedjes, originele sprookjes en een volledige essay over sprookjes en hun belang in de maatschappij van de twintigste eeuw. Het is uitermate bijzonder om via dit boek te leren hoe een geleerd man als Tolkien naar sprookjes en Elfen keek. Ook ben ik erg ontroerd over het feit dat Tolkien zijn liefde voor sprookjes als een soort "openbaring" omschrijft. Zo legt hij uit dat hij pas belang kreeg voor het Elfenrijk tijdens zijn gruwelijke tijd in de Eerste Wereldoorlog. Vol sympathie beeld ik mij in dat deze introductie aan de sprookjeswereld als het soort van ontdekken van een religie moet zijn geweest.
Binnenin het werk vond ik het meeste plezier in het lezen van het liedje met de titel: 'Prinses Meij' en het sprookje dat wordt genoemd: 'De Smid van Groot Wolding'. Beiden waren zeer fabelachtige schrijfsels die ik maar moeilijk uit mijn hoofd kan zetten. De essay die Tolkien schreef over het belang van sprookjesverhalen was ook erg boeiend, maar duurde lang en nam het grootste deel van het boek in beslag. Vanwege de titel en de synopsis van dit boek, had ik eerder verwacht om nog meer (of misschien langere) sprookjes aan te treffen. Hierom heeft het boek geen vijf sterren van mij gekregen, hoewel ik een vier ook al erg knap vind! Mocht ik Prinses Meij en de Smid van Groot Wolding apart een score geven, dan zou dit wel een volledige score van vijf sterren zijn geweest.
April 20, 2020
***ENGLISH REVIEW BELOW***
Dus ik geloof dat dit de eerste keer is dat ik dit boek heb gelezen. Ik heb het omdat het de gedichten van Tom Bombadil bevat, om mijn Midden-Aarde serie compleet te maken, maar ik heb alles gelezen. De gedichten waren leuk, en de verhalen ook. Ik denk dat ik Boer Gilles van Ham, Smid van Groot-Wolding en Blad van Klein het meest, en daarvan was Boer Gilles van Ham mijn favoriet. De terugkeer van Beorhtnoth was interessant maar de stijl was een beetje te ouderwets voor mijn smaak. Hetzelfde geldt voor Tolkiens Over sprookjesverhalen - het was interessant, maar wat te langdradig voor mij. Niettemin heb ik dit boek vanwege de gedichten, en die waren zeker leuk en gaven me wat meer informatie over het mysterieuze personage Tom Bombadil. Dus alles bij elkaar, een leuk boek met allerlei verschillende verhalen.
***ENGLISH REVIEW***
So I believe this was the first time I read this book. I got it because it had the Tom Bombadil poems to complete my Middle Earth series, but I read all of it. The poems were fun, as were the stories. I think I liked Farmer Giles of Ham, Smith of Woottoon Major and Leaf by Niggle the most, and out of those was Farmer Giles of Ham my favorite. The Homecoming of Beorhtnoth Beorhthelm's Son was interesting but the style was a bit too oldfashioned for my taste. The same goes for Tolkien's essay on fairy tales - it was interesting, but too longwinded for me. Still, I got the book for the poems, and they were definitely fun and gave me some more information about the mysterious character Tom Bombadil. So, all in all, a nice book with all kind of different tales.
Dus ik geloof dat dit de eerste keer is dat ik dit boek heb gelezen. Ik heb het omdat het de gedichten van Tom Bombadil bevat, om mijn Midden-Aarde serie compleet te maken, maar ik heb alles gelezen. De gedichten waren leuk, en de verhalen ook. Ik denk dat ik Boer Gilles van Ham, Smid van Groot-Wolding en Blad van Klein het meest, en daarvan was Boer Gilles van Ham mijn favoriet. De terugkeer van Beorhtnoth was interessant maar de stijl was een beetje te ouderwets voor mijn smaak. Hetzelfde geldt voor Tolkiens Over sprookjesverhalen - het was interessant, maar wat te langdradig voor mij. Niettemin heb ik dit boek vanwege de gedichten, en die waren zeker leuk en gaven me wat meer informatie over het mysterieuze personage Tom Bombadil. Dus alles bij elkaar, een leuk boek met allerlei verschillende verhalen.
***ENGLISH REVIEW***
So I believe this was the first time I read this book. I got it because it had the Tom Bombadil poems to complete my Middle Earth series, but I read all of it. The poems were fun, as were the stories. I think I liked Farmer Giles of Ham, Smith of Woottoon Major and Leaf by Niggle the most, and out of those was Farmer Giles of Ham my favorite. The Homecoming of Beorhtnoth Beorhthelm's Son was interesting but the style was a bit too oldfashioned for my taste. The same goes for Tolkien's essay on fairy tales - it was interesting, but too longwinded for me. Still, I got the book for the poems, and they were definitely fun and gave me some more information about the mysterious character Tom Bombadil. So, all in all, a nice book with all kind of different tales.
June 14, 2018
While it's especially a treat for huge fans of Tolkien's work, there are some tidbits in here worth reading for all audiences. Particularly the last two short stories (Farmer Giles of Ham and Smith of Wooton Major - although these two stories are available as a standalone edition), and some of the poems.
What you will learn about Tolkien if you read this: he is a HUGE nerd. Like, even moreso than you thought before. He has some very interesting thoughts on fairy stories, and while the 80-page essay included herein is a bit of a slog if you don't like reading lengthy treatises on literary criticism, it's a worthy read if you are interested in such things, and gives a deeper understanding of Tolkien's work and its place in literature.
For general audiences, there is a short poem about cats that is delightful!
What you will learn about Tolkien if you read this: he is a HUGE nerd. Like, even moreso than you thought before. He has some very interesting thoughts on fairy stories, and while the 80-page essay included herein is a bit of a slog if you don't like reading lengthy treatises on literary criticism, it's a worthy read if you are interested in such things, and gives a deeper understanding of Tolkien's work and its place in literature.
For general audiences, there is a short poem about cats that is delightful!
November 4, 2023
“If fairy-story as a kind is worth reading at all it is worthy to be written for and read by adults. They will, of course, put more in and get more out than children can. Then, as a branch of genuine art, children may hope to get fairy-stories fit for them to read and yet within their measure; as they may hope to get suitable introductions to poetry, history, and the sciences. Though it may be better for them to read some things, especially fairy stories, that are beyond their measure rather than short of it. Their books like their clothes should allow for growth, and their books at any rate should encourage it.”
Finally took the time to read through Tolkien’s essay/talk “On Fairy-Stories” quoted above. This volume also includes some delightful poetry, a short play, and 3 short stories. An excellent volume.
Finally took the time to read through Tolkien’s essay/talk “On Fairy-Stories” quoted above. This volume also includes some delightful poetry, a short play, and 3 short stories. An excellent volume.
March 29, 2018
This is a collection (and not necessarily a grouping the author intended) of works by Professor Tolkien. As such I must admit my bias for all things from the Tolkien Canon. That being said, this book was marvelous; meaning that it was full of little moments that made me marvel. I especially enjoyed the short poem Errantry included in the Adventures of Tom Bombadil, Farmer Giles of Ham, and Professor Tolkien's essay On Fairy Stories (especially the ending and epilogue).
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July 28, 2021
I read the whole anthology and was not disappointed. This was my 1st read of all but the last 2 short stories.
dnf-24
June 4, 2024Te messy.
January 7, 2025
Ξανά έγινα παιδί και θυμήθηκα τις πρώτες φορές που διάβασα το χομπιτ
March 12, 2017
This has much the same content as a smaller paperback collection The Tolkien Reader, but just if anyone is interested in editions, I love this hardback because of the lovely illustrations by Pauline Baynes (and of course the good paper). As to content, I was once again swept up by the sheer mastery of Tolkien's genius at crafting a good story. Leaf by Niggle, Farmer Giles, Smith of Wooten Major...they all surprised me at how solidly good they were. (This should not have been a surprise, and honestly I don't know why I hadn't read any of these works until now, having read LOTR and the Hobbit so many times over, and also the Silmarillion.) His poetry also delights, but I'd chiefly wandered into this book for the purpose of reading his famous essay on Fairy Stories, which needs another read on my part. I got quite a bit out of the essay on my first read through, but it is slow going (partly because Prof Tolkien didn't seem to believe in paragraphs) and for that reason I warn readers to prepare for a challenge there. A worthy challenge.
July 4, 2025
Fast read for an enjoyable evening.
December 31, 2024
Σε αυτό το box set περιλαμβάνονται 3 μικρά τομάκια με σκληρό εξώφυλλο που περιέχουν τα ποιήματα και τα περίφημα αινίγματα από το “Hobbit” (οι 2 πρώτοι τόμοι) και 2 ποιήματα από τη συλλογή “Οι Περιπέτειες του Tom Bombadil” (ο τρίτος), ντυμένα με έγχρωμες εικονογραφήσεις του ίδιου του Τόλκιν για τον κόσμο του και σε μετάφραση της εξαιρετικής κας. Ευγενίας Χατζηθανάση-Κόλλια που έντυσε με τις λέξεις των μεταφράσεών της τα παιδικά μας χρόνια.
Καθώς είναι περισσότερο μια συλλεκτική έκδοση - ιδανική για δώρο και λιγότερο μια προσθήκη στην εργογραφία του μεγάλου συγγραφέα, τα “Ποιήματα” μας κάνουν να θαυμάσουμε την γλωσσική μαεστρία συγγραφέα και μεταφράστριας και είναι κάτι σαν in-world συλλογή παιχνιδιάρικων λαϊκών στιχουργηματων, κάτι που θα μπορούσες να βρεις ίσως να διαβάζει ένα Χόμπιτ κάτω από ένα δέντρο στο Shire, ρουφώντας την καλύτερη ποικιλία “Γέρο-Τόμπυ”, αμέσως μετά το δεύτερο πρωινό. Δεν γνωρίζω αν κυκλοφορεί ακόμα, όμως αν το βρείτε μεταχειρισμένο, είναι ένα μικρό κόσμημα.
Καθώς είναι περισσότερο μια συλλεκτική έκδοση - ιδανική για δώρο και λιγότερο μια προσθήκη στην εργογραφία του μεγάλου συγγραφέα, τα “Ποιήματα” μας κάνουν να θαυμάσουμε την γλωσσική μαεστρία συγγραφέα και μεταφράστριας και είναι κάτι σαν in-world συλλογή παιχνιδιάρικων λαϊκών στιχουργηματων, κάτι που θα μπορούσες να βρεις ίσως να διαβάζει ένα Χόμπιτ κάτω από ένα δέντρο στο Shire, ρουφώντας την καλύτερη ποικιλία “Γέρο-Τόμπυ”, αμέσως μετά το δεύτερο πρωινό. Δεν γνωρίζω αν κυκλοφορεί ακόμα, όμως αν το βρείτε μεταχειρισμένο, είναι ένα μικρό κόσμημα.
May 31, 2013
" Σ' Ασημένια γιορντάνια καρφώσαν τ' αστέρια
σε κορώνες φυλάκισαν την δρακοφωτιά,
της σελήνης το φως επήραν στα χέρια
και με μάγια το δέσαν με του ήλιου μαλλιά."
ποιηματάκια, σαν μικρά παραμύθια
ωραία μετάφραση, μαζεμένη έκδοση εικονογραφημένη από τον ίδιο τον Τολκιν.
αν είσαι φίλος της φαντασίας του θα το απολαύσεις.
σε κορώνες φυλάκισαν την δρακοφωτιά,
της σελήνης το φως επήραν στα χέρια
και με μάγια το δέσαν με του ήλιου μαλλιά."
ποιηματάκια, σαν μικρά παραμύθια
ωραία μετάφραση, μαζεμένη έκδοση εικονογραφημένη από τον ίδιο τον Τολκιν.
αν είσαι φίλος της φαντασίας του θα το απολαύσεις.
March 22, 2017
Pure wonder and grace. Especially loved the first section of poetry, and the last few stories at end. But all of it was a delight.
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