I had a _lot_ of resistance to reading this book. The first novella, "V1," is touted on back cover as "Reconnect with Syd, Maddie, and the _Jericho_ gang in...." However, I've never read _Jericho_, and the author does not do the new reader the kindness of providing any sort of précis of that book.
The characters are not described -- _nothing_ is described. There are these witty talking heads who seem to have no bodies, no gestures, no physical presence at all. Maybe if I'd read _Jericho_, I'd love this, but I haven't -- and that makes this a very difficult slog.
Halfway through V1 I'd doped out that one is blonde, and one's a doctor (?) and the other's a librarian, teacher, or both. And they have these gay (?) male friends, one of whom might be the doctor's brother (?). Dunno. I was floundering around and not enjoying the book. Writing was competent otherwise. I found sloppy editing in a couple of places (missing words, mostly).
There was a lot of slapstick in the hilarity that climaxed in Chapter 4 of V1. It was okay, but because I never became engaged emotionally with any of these characters, it didn't work for me. The "smart" doctor came across as exceeding presumptuous and arrogant. I didn't feel for her at all. The ending, I guess, was sweet. Or if I'd read the original book, maybe I'd think so.
They always tell young writers to "write about what they know," but McMan seems to take this to mean that we readers are eager to hear about the imaginary adventures of lesbian authors who live in a parallel universe in which they are extremely successful and talented. I say imaginary because McMan doesn't display the degree of talent and skill that would be required to reach such literary heights.
"Bottle Rocket" seems like an imaginary cathartic aimed at soothing her hurt over previous negative reviews. The world of lesbian publishing pictured in the story is so far from the one that I knew (albeit years ago) that it feels like wishful thinking.
There is some humor in "Bottle Rocket" that made me chuckle. I enjoyed, for example, the repetitive covers and plots of imaginary lesbian novels, until the author just _had_ to include her own first novel. She basically outlines its plot as being as derivative as everyone else, but her heroine pauses to reflect on the less-common (more striking) cover design. This does nothing to move the story forward and should have been cut.
This story (again, WTF with the _chapters_ -- short stories don't have chapters!) is a very predictable story about opposites attracting. A few of the subsidiary characters are amusing, but unsympathetically, drawn. At least this wasn't as hard to read as the first story.
"Falling from Grace" was another terribly predictable romantic story with a slight urge toward the literary at the very end. Terribly unlikely, improbable plot. Only one of the characters was really described. It was okay, but rather slight.
The last story in this collection was another romantic fantasy. This time it was a struggling ABD being courted by the bombshell scion of family that owns the company where she works. Suspense about zero. Plotting utterly predictable. The love interest in the story, BTW, has an alcoholic father, an alcoholic soon-to-be-ex-boyfriend, and has her eye on her alcoholic co-worker. I hope she's got Al-Anon on speed dial, as Ms. McMan might say. Connection to Poe seemed extremely labored.
McMan has talent, but I was unable to connect with any of the stories in this collection.