Once upon a time, I got curious about the source book for Alfred Hitchcock's PSYCHO. More than anything, I wanted to know how author Robert Bloch had done the infamous shower sequence. He didn't have camera angles and flashy editing or the suggestion of Janet Leigh's naked body, so how was the experience going to be comparable? Don't worry. I'm not going to spoil it for you. All I want to say is that when I got to the end of reading the shower scene in Bloch's PSYCHO, I let out a noise that was something between a laugh and a scream. Folks, I made the same sound while reading "The She-Wolf and Saint Edmund" by Coy Hall.
That's just one of the stories in a book that manages to feel like it could have been written by multiple authors and yet has a single, controlling intelligence. You want genres? We got historical fiction, we got sci fi, we got hardboiled crime, and all of them painted with the tickling brush of Horror. Disturbing images appear and reappear throughout. There's a sense of almost invisible continuity spanning across both time and space. I can't do the experience sufficient justice. Readers familiar with Hall's previous work will not be disappointed. Newcomers are in for a treat.
There are eight stories in all and I want to give each of them their due:
"Night of the Rats' Nest" is a tale of cosmic horror set in the aftermath of the First World War. Hall generates menace like he's supposed to do in a story like this but I also appreciated how fully realized the main character came off in just a scant few pages.
"The She-Wolf and Saint Edmund" has a delicious Brothers Grimm quality to it. Hall can make a folk tale that has a truly timeless feel.
"Hour of the Cat's Eye" put me in mind of Michael Moorcock's THE WARHOUND AND THE WORLD's Pain and the film THE WICKER MAN. Hall's in his comfort zone here. I thought the ending was especially strong. Enjoy the ride.
"A Pantheon of Thieves" deals in telepathy, necromancy, and weird science. As ever, Hall delivers the gory goods. There's also a sense that we're getting closer to a cosmic truth hinted at in the first story in the collection, but do we really want to know?
"Undead Hellcats" is either a crime story dipped in horror tropes or it's a horror story told by a professional crime writer. I'll let someone else figure it out. The narrator's voice is a great performance. Lesson: Never bet against Hall when he feels like spreading his wings.
"The Frost Giant" is the only story in the book that could be dubbed science fiction. I don't say this lightly: In another era, I think it would have been a good fit for an anthology edited by Harlan Ellison. It's akin to Robert Silverberg's work. I liked it a lot and I hope Hall does more in the genre.
"Wasp Wing" is an intriguing story of metamorphosis and trauma. Is it the seed of a larger work to come? Beats me, but it impressed me in a similar way that the first story did with its lush language and vivid characterization.
"Scourge of the Flesh Devil: A Tale of Frankenstein" delivers exactly what the title promises. We get the continuing adventures of the Shelley's Doctor and he hasn't learned a damned thing. It's a fun story and ends the collection on a wicked high note.
I want to close this review with my favorite quote from the book: "God smelled like woodsmoke and rotten meat." I mean, what more could you need, people? Get yourself a copy and start reading now.