The first time I read Terrier I thought it was some of Tammy's best writing in years and it quickly became one of my favourite Tortall books. I still feel that way after my latest re-read (in preparation for Bloodhound). Terrier feels fresh, and I attribute this reinvigoration of the Tortall world to several factors:
- Firstly: Terrier is written in first person, which is the first of Tammy's novels to be written thus (Note: Tammy has written short stories in first person).
- Secondly: it is written in a diary/journal style which is, again, a first (this time a total first for Tammy). Tammy writes the diary style well, giving a valid reason for it to be so detailed (to aid Beka’s Dog reports and memory retention) yet still retaining the realism of a diary (days when you skip writing, longer writings some days and less on others, and days where you play catch-up and fill in the events of several days).
- Thirdly: it is set 200 years before any of the other Tortall stories have taken place, which allows for a certain freedom of expression, more than in other recent Tortall books. (A book set some time in the future of Tortall could also have this result, or in a different country – like the ‘Elder Brother’ and ‘Hidden Girl’ short stories.)
- Fourthly: Tammy creates, in Beka, a character who is different from those leads that have come before, yet one who is still tied to the Tortall universe.
- And fifthly: Terrier covers new ground with the exploration of an organisation that has been mentioned, but never explained in detail, and spending time with the every-day folk of Tortall. These people are a reflection of the people we are today.
The combination of these first two points was, I feel, a challenge to Tammy’s writing which help prevent things from possibly become formulaic. And all of these points, combined, allow for a totally new experience in a familiar world.
Beka is a salt of the earth character. She’s another stylistic change, as she’s a commoner who was born and lives in the slums, and works and socialises with other common folk (unlike Daine, who starts out common but quickly rises in status by association). This is a breath of fresh air (even though I’m sure the stench of the lower city is not so fresh!) and allows Tammy to create a whole new linguistic style and a fantastic array of slang and curse words. The vocab is quite easy to pick up as you go along, especially if you’ve read other Tortall universe books as it builds on the cant of those common born supporting folk we’ve met in other books (e.g. Coram from ‘Song of the Lioness’ or Lalasa from ‘Protector of the Small’). The meanings of words are sometimes obvious (pox), clear from the inflection (mot/cove), clear in context (scummer) or an actual word that has just fallen out of everyday use (hobble). If you really need to know the meaning of something, or need a reminder, there is a handy little glossary in the back of the book (a useful feature in Tammy’s books for a long time now). I don’t find the language a hindrance at all, it enriches the text and makes it more real and textured as this is Beka’s own diary and she is writing with her language. I love the language and some of it has fallen into my everyday vocab (sarden), while other words were already there (poxy)!
The detective/mystery feel to the book also provide a new frame work for Tammy’s writing. The plot moves along at a steady pace, giving us clues here and there as Beka slowly pieces the case together through her work with her partners, her friends and her unusual informants. The resolution of the mystery, the ‘whodunit’, when it all falls into place is marvellous. It’s a bit of a surprise, a bit of a shock and a bit of a ‘oh, but I didn’t want it to be that person!’ (which Tammy proved she can pull off fantastically in ‘Cold Fire’, making one empathise with the ‘baddie’ and showing that the world isn’t just blacks and whites, goodies and baddies, heroes and villains).
Along with Beka we get to meet, and grow to love, a varied cast of supporting players. There are her partners, Goodwin and Tunstall; fellow Dogs Ersken, Verene and Phelan; and friends in Tansy, Kora and Aniki. There is also Rosto, the lovable rat, who is clearly on a path to become the Rouge. Yes, Tammy once again makes us fall in love with the Rouge (and Beka too, just a little bit). There is also one familiar and well loved character back – Pounce, also known as ‘Faithful’ in ‘Song of the Lioness’. He was always a favourite of mine and I was filled with glee to know he’d be back in this new trilogy. As Tammy’s books are now considerably longer and more fleshed out than when ‘Alanna: The First Adventure’ was published, Pounce has lots of room to become a more actualised character. Just what and who Pounce is becomes clearer in Terrier as things are alluded to. In other places of the narrative you find familiar family names popping up, which is fun to watch out for.
Terrier also builds on established mythology – George’s excellent memory that he inherited from his father (Beka’s side of the family) is shown here with her recall and observational skills. George’s peculiar magic (referred to as ‘the Sight’ in ‘Song of the Lioness’) is also explained somewhat, although not fully, as Beka has her own magic that proves invaluable for her Dog work (although her magic is apparently different to George’s). However, Beka’s magic is not explained fully either - although it is noted that it is a family gift that her father had too. These are nice touches that show the depth of thought that went into creating Beka and tie Terrier tidily into the larger Tortallan universe.
I’m so thankful that the world of children’s and young adult publishing has changed since ‘Song of the Lioness’ as it now gives us these more complex, and more rewarding, books. Terrier is both a self contained adventure story and a solid foundation for the following two books in the trilogy. The presentation of the book is beautiful – the cover photography by Jonathan Barkat, the Terrier stamped on the front board of the hardback edition, and the little touches and flourishes inside the book that personalise Beka’s diary. A must read for any Tammy fan and an excellent introductory book for anyone new to Tammy’s works.