Can we just say *** PLACEHOLDER *** to all her books now? Um. Quick recollection: apt, echoing title on many levels. Multi-layered plot set in Europe, mostly Berlin. A serial killer whose own suffering might just have been a bit worse than the one he later inflicted. A modern high-flyer criminal who is actually worse, and yet had been done wrong by those supposed to uphold justice. A fate worse than death for one protagonist, and an annoyingly stupid carelessness by T+C that I could only forgive for the way they genuinely suffer (what an ill-used word by now) for the other.
I actually had written more about this somewhere - how McDermid based one of her lesbian cops on the lesbian German TV cop from "Tatort", how Tony rises to adversity in the direst straits, how McDermid (I think!!) purposely subverts the modern romance cliche of what the heroine thinks at the sight of the approaching male's penis. If I'll add that later, I will be more spoilery.
Whoops, I just found an earlier review:
I have yet to input something about her other novels, but right now something in the plot made me unable to go on without letting off some steam! I hope to later outline how this Scottish writer fits with the shows Cracker and Prime Suspect, and how this third Tony Hill/Carol Jordan novel is similar to Killing the Shadows in some respects, but mainly I read (yet another lesbian thriller writer) for the human angle, the characters and relationships. As a friend said, she didn't mind that contrary to blurbs Tony and Carol don't "fully get together", and in a way neither did I, but since there's really nothing that would be changed, my own private disappointment is yet again the very relationships I read her for. She does have the only truly ideal ones I know of, independence and deep affection in various het couples, but - as odd as that might sound for such hardboiled thrillers - I just find it's always too easy. Tony has been considered sexually deviant for ages, but rather than delve into that it seems now nothing than a mostly cured impotence. Their affection/love hasn't really changed and they never had actual problems between them, it's external and situational and when they briefly find a tiny moment of peace or joy or hope I feel a bit disappointed that that's all. I'll have to say more about KtS but right now I'm most upset because something stupid they did was finally really unnecessary and REALLY REALLY stupid and I wonder if McDermid means to show that people make the worst mistakes when in lust or not but I wish she hadn't made them so stupid to get that plot to work. Now poor Tony is once again in awful mortal peril and knowing he'll survive is just not enough, because pain and torture are worse than "the end".
The title though is great, as usual (and unlike Cornwell) it resonates with various characters and actions. She also moved "evil" away from a "simply born evil" person, another thing I appreciate.
*mopes back to last pages of book*
ETA: ah, right, another significant external stumbling block to make T*C impossible but mainly I wanted to add that McDermid obviously knows the German TV Show "Tatort", because her Petra is not only a lesbian DC like Lena Odenthal, she is even described looking and dressing like her and with a seemingly incompetent young boyish sidekick - I didn't see that aluded to in her comprehensive acknowledgements that admitted she took liberties with EU geography (since the Brits won't mind ;P)