All 24 of the stories in this collection read quickly, so even during the very few that didn't work for me, I knew it wouldn't be long before the next would be up, and most often that next would take me somewhere completely different. In her intro, McCrumb says that if she had to pick one common thread that links all two dozen tales it would be this: "in every single story, there is someone who feels like a stranger." That's probably true, but it seems like all of them also share a common theme of revenge, some more than others. She saves the title story for the very last, and the revenge in that one is probably the most gruesomely presented of all. My favorites of the lot, though, were "Happiness Is a Dead Poet," which struck me as the funniest; "Nine Lives to Live," which was probably the most inventive (and also funny); "Gentle Reader," which to me had the best ending, and that's saying something because McCrumb clearly has a flair for those final lines and made many of these contenders in that category; and "An Autumn Migration," because it's a ghost story of sorts (without any element of horror whatsoever) but also with, once again, the satisfying revenge element. McCrumb says upfront that some of the selections are serious character studies, some deliberately sort of sad, others whimsical: "The difference in styles reflects the duality in my nature: Mountain versus Southern, Daddy's side versus Mothers's side. I like to think that both of them win." I think they do. Her take on people, sense of humor, and general wit are also threaded through all these, even the ones she calls the sad ones, making this an overall fun and, for sure, worthwhile collection.
First line [from the first story, "Precious Jewel"]:
"Dying cost nothing and could be done alone--otherwise, Addie Hemrick might have lived forever."