I liked Razo in previous books, but I suspect that was because he only played a small part. A whole book from his point of view felt like a bit much. But I liked that he had a Journey and that he didn't wallow in self pity and uselessness for the entire book (although there was a lot of that in the first third). He gradually realised (or was told) that he has good qualities: observance, slinging, etc.
I could have done without all the imagery. I know the similes and stuff were what made the writing so Bayern-ish in Enna Burning (I think it's a forest-born thing) but Razo used them TO DEATH. All that stuff about eyeballs itching or sweating. So annoying! There were some good lines, though, like, "Loafing is just a hobby of mine," or when Enna tells Razo, "You'd eat a plate and call it pleasantly crunchy." Oh, and I did like the descriptions of Ingridan! I found myself wishing it was a real place, because it would be a beautiful city to visit.
The mystery wasn't done particularly well? It just seemed like random people were named as suspects for doing the least suspicious of things, then of course it turned out to be the first person Razo had ruled out, simply because he thought Ledel liked to do things by the book and so would never start a war dishonestly. (What kind of logic is that, anyway?) I also didn't like how easy it was for anyone to learn fire. I mean, seriously? ANYONE can be taught it? It makes Enna's talents less special.
All the Dasha stuff was annoying -- the is-she-good-is-she-bad stuff, I mean. It was so obvious she was good, so Razo's dilemma (I love her but she might be trying to kill me!) felt completely ridiculous. And while we're on the topic of romance, how awkward was all the Finn/Enna drama? I cringed at the harp scene. Don't get me wrong, I love Finn and Enna together, but I don't think publically serenading your girlfriend magically erases all the issues in your relationship...