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Hellraiser #1
Hellraiser
Ο Κύβος...
Όποιος λύσει το αίνιγμά του μεταφέρεται σε μια διάσταση όπου ο υπέρτατος πόνος και η απόλυτη ηδονή γίνονται ένα και βιώνει απολαύσεις πέρα από τη σφαίρα του ανθρώπινου νου.
Μόνο που σε αυτόν τον κόσμο κατοικούν οι Κενοβιάτες, όντα βγαλμένα κατευθείαν μέσα από την Κόλαση και πεινασμένα για τις ψυχές των απερίσκεπτων ταξιδευτών.
Και τώρα η πύλη είναι ανοιχτή - και οι δαιμονικοί Κενοβιάτες αποφασίζουν να τη διαβούν.
Το Hellraiser είναι η νουβέλα της ομώνυμης κινηματογραφικής επιτυχίας του Clive Barker, μιας από τις πιο σημαντικές ταινίες τρόμου που γυρίστηκαν ποτέ. Ερωτική, αιρετική και θεσπέσια νοσηρή, θα χαραχτεί για πάντα στο μυαλό σας.
Το παρόν βιβλίο στο οποίο και βασίστηκε η ταινία Hellraiser είχε τον τίτλο “The Hellbound Heart” και πρωτοεκδόθηκε το 1987.
Όποιος λύσει το αίνιγμά του μεταφέρεται σε μια διάσταση όπου ο υπέρτατος πόνος και η απόλυτη ηδονή γίνονται ένα και βιώνει απολαύσεις πέρα από τη σφαίρα του ανθρώπινου νου.
Μόνο που σε αυτόν τον κόσμο κατοικούν οι Κενοβιάτες, όντα βγαλμένα κατευθείαν μέσα από την Κόλαση και πεινασμένα για τις ψυχές των απερίσκεπτων ταξιδευτών.
Και τώρα η πύλη είναι ανοιχτή - και οι δαιμονικοί Κενοβιάτες αποφασίζουν να τη διαβούν.
Το Hellraiser είναι η νουβέλα της ομώνυμης κινηματογραφικής επιτυχίας του Clive Barker, μιας από τις πιο σημαντικές ταινίες τρόμου που γυρίστηκαν ποτέ. Ερωτική, αιρετική και θεσπέσια νοσηρή, θα χαραχτεί για πάντα στο μυαλό σας.
Το παρόν βιβλίο στο οποίο και βασίστηκε η ταινία Hellraiser είχε τον τίτλο “The Hellbound Heart” και πρωτοεκδόθηκε το 1987.
152 pages, Paperback
First published November 1, 1986
2095 people are currently reading
59893 people want to read
About the author
Clive Barker
706 books15.2k followersClive Barker was born in Liverpool, England, the son of Joan Rubie (née Revill), a painter and school welfare officer, and Leonard Barker, a personnel director for an industrial relations firm. Educated at Dovedale Primary School and Quarry Bank High School, he studied English and Philosophy at Liverpool University and his picture now hangs in the entrance hallway to the Philosophy Department. It was in Liverpool in 1975 that he met his first partner, John Gregson, with whom he lived until 1986. Barker's second long-term relationship, with photographer David Armstrong, ended in 2009.
In 2003, Clive Barker received The Davidson/Valentini Award at the 15th GLAAD Media Awards. This award is presented "to an openly lesbian, gay, bisexual or transgender individual who has made a significant difference in promoting equal rights for any of those communities". While Barker is critical of organized religion, he has stated that he is a believer in both God and the afterlife, and that the Bible influences his work.
Fans have noticed of late that Barker's voice has become gravelly and coarse. He says in a December 2008 online interview that this is due to polyps in his throat which were so severe that a doctor told him he was taking in ten percent of the air he was supposed to have been getting. He has had two surgeries to remove them and believes his resultant voice is an improvement over how it was prior to the surgeries. He said he did not have cancer and has given up cigars. On August 27, 2010, Barker underwent surgery yet again to remove new polyp growths from his throat. In early February 2012 Barker fell into a coma after a dentist visit led to blood poisoning. Barker remained in a coma for eleven days but eventually came out of it. Fans were notified on his Twitter page about some of the experience and that Barker was recovering after the ordeal, but left with many strange visions.
Barker is one of the leading authors of contemporary horror/fantasy, writing in the horror genre early in his career, mostly in the form of short stories (collected in Books of Blood 1 – 6), and the Faustian novel The Damnation Game (1985). Later he moved towards modern-day fantasy and urban fantasy with horror elements in Weaveworld (1987), The Great and Secret Show (1989), the world-spanning Imajica (1991) and Sacrament (1996), bringing in the deeper, richer concepts of reality, the nature of the mind and dreams, and the power of words and memories.
Barker has a keen interest in movie production, although his films have received mixed receptions. He wrote the screenplays for Underworld (aka Transmutations – 1985) and Rawhead Rex (1986), both directed by George Pavlou. Displeased by how his material was handled, he moved to directing with Hellraiser (1987), based on his novella The Hellbound Heart. His early movies, the shorts The Forbidden and Salome, are experimental art movies with surrealist elements, which have been re-released together to moderate critical acclaim. After his film Nightbreed (Cabal), which was widely considered to be a flop, Barker returned to write and direct Lord of Illusions. Barker was an executive producer of the film Gods and Monsters, which received major critical acclaim.
Barker is a prolific visual artist working in a variety of media, often illustrating his own books. His paintings have been seen first on the covers of his official fan club magazine, Dread, published by Fantaco in the early Nineties, as well on the covers of the collections of his plays, Incarnations (1995) and Forms of Heaven (1996), as well as on the second printing of the original UK publications of his Books of Blood series.
A longtime comics fan, Barker achieved his dream of publishing his own superhero books when Marvel Comics launched the Razorline imprint in 1993. Based on detailed premises, titles and lead characters he created specifically for this, the four interrelated titles — set outside the Marvel universe — were Ectokid,
In 2003, Clive Barker received The Davidson/Valentini Award at the 15th GLAAD Media Awards. This award is presented "to an openly lesbian, gay, bisexual or transgender individual who has made a significant difference in promoting equal rights for any of those communities". While Barker is critical of organized religion, he has stated that he is a believer in both God and the afterlife, and that the Bible influences his work.
Fans have noticed of late that Barker's voice has become gravelly and coarse. He says in a December 2008 online interview that this is due to polyps in his throat which were so severe that a doctor told him he was taking in ten percent of the air he was supposed to have been getting. He has had two surgeries to remove them and believes his resultant voice is an improvement over how it was prior to the surgeries. He said he did not have cancer and has given up cigars. On August 27, 2010, Barker underwent surgery yet again to remove new polyp growths from his throat. In early February 2012 Barker fell into a coma after a dentist visit led to blood poisoning. Barker remained in a coma for eleven days but eventually came out of it. Fans were notified on his Twitter page about some of the experience and that Barker was recovering after the ordeal, but left with many strange visions.
Barker is one of the leading authors of contemporary horror/fantasy, writing in the horror genre early in his career, mostly in the form of short stories (collected in Books of Blood 1 – 6), and the Faustian novel The Damnation Game (1985). Later he moved towards modern-day fantasy and urban fantasy with horror elements in Weaveworld (1987), The Great and Secret Show (1989), the world-spanning Imajica (1991) and Sacrament (1996), bringing in the deeper, richer concepts of reality, the nature of the mind and dreams, and the power of words and memories.
Barker has a keen interest in movie production, although his films have received mixed receptions. He wrote the screenplays for Underworld (aka Transmutations – 1985) and Rawhead Rex (1986), both directed by George Pavlou. Displeased by how his material was handled, he moved to directing with Hellraiser (1987), based on his novella The Hellbound Heart. His early movies, the shorts The Forbidden and Salome, are experimental art movies with surrealist elements, which have been re-released together to moderate critical acclaim. After his film Nightbreed (Cabal), which was widely considered to be a flop, Barker returned to write and direct Lord of Illusions. Barker was an executive producer of the film Gods and Monsters, which received major critical acclaim.
Barker is a prolific visual artist working in a variety of media, often illustrating his own books. His paintings have been seen first on the covers of his official fan club magazine, Dread, published by Fantaco in the early Nineties, as well on the covers of the collections of his plays, Incarnations (1995) and Forms of Heaven (1996), as well as on the second printing of the original UK publications of his Books of Blood series.
A longtime comics fan, Barker achieved his dream of publishing his own superhero books when Marvel Comics launched the Razorline imprint in 1993. Based on detailed premises, titles and lead characters he created specifically for this, the four interrelated titles — set outside the Marvel universe — were Ectokid,
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Displaying 1 - 30 of 5,222 reviews
February 9, 2020
"No tears, please. It's a waste of good suffering."
In a quest to satiate his darkest pleasures, Frank Cotton obtains and opens Lemarchand's box, summoning the cenobites who instead of granting him pleasure and entry into this promised new world, torture him and trap him within the box. However, his brother's wife, Julia, who had a previous dalliance with Frank, has found a way to bring him back - and it involves blood.
Well, I had to use that quote, didn't I?! Even though there was literally a plethora of amazing quotes I could have used. Having seen Hellraiser before having read this book, I would not have predicted that Clive Barker was a beautiful writer. When you experience all the guts and gore and disgusting sights and fucked-up ideas in Hellraiser, you just don't expect the creator to have such a wonderful way with words - although I guess the same can be said for Stephen King.
I straight up LOVED this book. It's a relatively small book, a novella in fact, but it packs a PUNCH. There were slight differences from the movie, of course, but nothing too drastic. In the movie, the cenobites are better developed and have more dialogue, but I still think their presence in the novella is effective. These sadomasochistic beings don't differentiate between pleasure and pain - something that Frank learns pretty quickly. The way Barker depicts the cenobites is terrifying and my only real complaint with regards to this story is that I'm left wanting more. I'm literally dying to learn more about the cenobites and what happens in their realm, more specifically what horrifying torture is inflicted upon others. What can I say, I'm a sicko!? There's a substantial amount of violence and sex, mirroring that fine line between pleasure and pain. Frank and Julia seem to suit each other in that they're both pretty unlikeable and selfish individuals, with Julia willing to go to extreme lengths in order to get Frank back.
I can already tell that Clive Barker is a master story-teller. He left me feeling unsettled, intrigued, and most importantly...wanting MORE. I found this to be an addictive read and couldn't put it down, even though I already knew the general story. It's a great introduction to Barker's work as I'm already getting extremely excited for my next venture, which will be the first Books of Blood - highly recommended by every Barker fan on instagram. So, if you're a hardened horror fan and love all things gory and disturbing, this would be a starting place for getting into Barker - maybe you'll start to become obsessed like me! This gets a 5 star rating!
Update: reread in February 2020. Just as amazing. Still 5 stars.
In a quest to satiate his darkest pleasures, Frank Cotton obtains and opens Lemarchand's box, summoning the cenobites who instead of granting him pleasure and entry into this promised new world, torture him and trap him within the box. However, his brother's wife, Julia, who had a previous dalliance with Frank, has found a way to bring him back - and it involves blood.
Well, I had to use that quote, didn't I?! Even though there was literally a plethora of amazing quotes I could have used. Having seen Hellraiser before having read this book, I would not have predicted that Clive Barker was a beautiful writer. When you experience all the guts and gore and disgusting sights and fucked-up ideas in Hellraiser, you just don't expect the creator to have such a wonderful way with words - although I guess the same can be said for Stephen King.
I straight up LOVED this book. It's a relatively small book, a novella in fact, but it packs a PUNCH. There were slight differences from the movie, of course, but nothing too drastic. In the movie, the cenobites are better developed and have more dialogue, but I still think their presence in the novella is effective. These sadomasochistic beings don't differentiate between pleasure and pain - something that Frank learns pretty quickly. The way Barker depicts the cenobites is terrifying and my only real complaint with regards to this story is that I'm left wanting more. I'm literally dying to learn more about the cenobites and what happens in their realm, more specifically what horrifying torture is inflicted upon others. What can I say, I'm a sicko!? There's a substantial amount of violence and sex, mirroring that fine line between pleasure and pain. Frank and Julia seem to suit each other in that they're both pretty unlikeable and selfish individuals, with Julia willing to go to extreme lengths in order to get Frank back.
I can already tell that Clive Barker is a master story-teller. He left me feeling unsettled, intrigued, and most importantly...wanting MORE. I found this to be an addictive read and couldn't put it down, even though I already knew the general story. It's a great introduction to Barker's work as I'm already getting extremely excited for my next venture, which will be the first Books of Blood - highly recommended by every Barker fan on instagram. So, if you're a hardened horror fan and love all things gory and disturbing, this would be a starting place for getting into Barker - maybe you'll start to become obsessed like me! This gets a 5 star rating!
Update: reread in February 2020. Just as amazing. Still 5 stars.
March 24, 2018
This is Frank.
Frank is not having a good time. No, sir, he is not. You see, Frank thought he was signing up for a time of his life when he summoned the gruesome Cenobites, but he made a mistake of not reading the terms and conditions when he summoned them. Now he is stuck in eternal torment in Cenobite world and it's not the figurative eternal torment that poets and lovers feel, but quite literal eternal torment where his flesh is ripped from his body until he is nothing but chunks of meat.
Seriously, don't be like Frank. Read terms and conditions.
Clive Braker's novella, Hellbound heart is a gory masterpiece because it is original, bloody and well crafted. The story introduces one of the distinct horror icons to the world: Pinhead and his lackeys. The human characters are not exactly well fleshed out, but all the parts where our antagonist Frank is literally being fleshed out more than makes up for that sin. Clive Barker has a knack for crossing the line to the disgusting and disturbing imagery side of the horror, and still make the reader keep going with his excellent storytelling skills.
Also, Helluva last act!
Frank is not having a good time. No, sir, he is not. You see, Frank thought he was signing up for a time of his life when he summoned the gruesome Cenobites, but he made a mistake of not reading the terms and conditions when he summoned them. Now he is stuck in eternal torment in Cenobite world and it's not the figurative eternal torment that poets and lovers feel, but quite literal eternal torment where his flesh is ripped from his body until he is nothing but chunks of meat.
Seriously, don't be like Frank. Read terms and conditions.
Clive Braker's novella, Hellbound heart is a gory masterpiece because it is original, bloody and well crafted. The story introduces one of the distinct horror icons to the world: Pinhead and his lackeys. The human characters are not exactly well fleshed out, but all the parts where our antagonist Frank is literally being fleshed out more than makes up for that sin. Clive Barker has a knack for crossing the line to the disgusting and disturbing imagery side of the horror, and still make the reader keep going with his excellent storytelling skills.
Also, Helluva last act!
October 15, 2024
Rare RARE (!) instance in which the movie actually manages to surpass the novel. BUT only barely.
Then again, Barker directed his own creation on celluloid, so there's that. "Hellraiser" is not even included in the sacred list of horror films I adore (the genre which may be the hardest to love, easiest to make fun of, and which for that reason is my favorite), but no one can't say that it isn't mega creepy & creative. The merger of pleasure and pain-- Ahh!
This novella (which can be digested in one sitting) packs quite a punch. This is an important book for the genre, one that showcases Clive Barker's poetics in a compact way. You'll want to read another one of his immediately after!
Then again, Barker directed his own creation on celluloid, so there's that. "Hellraiser" is not even included in the sacred list of horror films I adore (the genre which may be the hardest to love, easiest to make fun of, and which for that reason is my favorite), but no one can't say that it isn't mega creepy & creative. The merger of pleasure and pain-- Ahh!
This novella (which can be digested in one sitting) packs quite a punch. This is an important book for the genre, one that showcases Clive Barker's poetics in a compact way. You'll want to read another one of his immediately after!
January 8, 2025
I grew up being terrified by Pinhead and the cenobites in Hellraiser. They are gruesome and the very things that nightmares are made of. So naturally, I wanted to see what Clive Barker's original story was like. Surprisingly, it was very similar to the original movie, down to the dialogue. I didn't love the writing style, and felt there was a lot of detail and depth missing at various portions of the book, but after the mid-way point, I got the hang of it. The book is disturbing, ugly, and violent. I was genuinely uncomfortable during most of it, and that's how I know it's a well done horror story. Bravo to Clive Barker!
February 26, 2024
“The Hellbound Heart” by Clive Barker is the first book I’ve ever read by this legendary author and I truly regret not reading anything by him sooner. I had no idea what I was getting myself into once I started on this journey with the legendary Hellraiser franchise. Let me tell you, it has been quite some time since I had a thrill like this while reading horror and it often felt to be too good to be true.
Now, before I begin my review of this book, I found a few trigger warnings. They were…
- Violence against animals (doves)
- Rape
- Infidelity
- Suicide
- Drugs
If any of these topics trigger you, please do not read this book. Moving along, this was an exhilarating read that I will never forget until the end of time. The writing skills of Barker are by far some of the best I’ve ever read in my life, up there with Stephen King. It’s beyond excellent and when you throw that in with his exceptional atmospheric writing and all the horror found in this book, this was such a delightful read.
The horror in this book was on a whole other sadistic level that it was such a bloody great time, especially since it’s only 176 pages and once this book puts its hooks into you, you won’t be able to stop. From the unique characters and plot twists to the unbelievable Cenobites, I devoured this book from beginning to end. I was (and still am) intrigued by Lemarchand’s Configuration and the Order of the Gash.
All the brutality, gore, and body horror on top of this wild story were all incredible. This was such a genuine pageturner that I stayed up extra late the first night I started reading because it was that addictive. I got up to 90% and stopped so I wouldn’t break night but was excited to finish this immediately the following day. It's all I could think about.
I now see why many horror enthusiasts consider Barker a master of horror since wow, this was such an adrenaline-fueled read. I had so many jaw-on-the-floor kind of horror moments that I was blown away. Especially with the climactic race to the end which was also so satisfying. Please don’t worry, I would never spoil books for anyone but let’s just say, that bloodbath at the end was so epic that I re-read it several times because it was that delightful.
I give “The Hellbound Heart” by Clive Barker a perfect 5/5 for being a horror masterpiece. This was an astonishing book and I can easily see how talented Barker is as an author. To see Barker achieve so much in just 176 pages was phenomenal, especially in getting a slasher, paranormal, and brutal horror reading experience to be so thrilling. I can’t wait to see what awaits in “Hellraiser: The Toll” and “The Scarlet Gospels” as I will continue my journey and complete this trilogy. I’m starting the second book the minute I’m done writing this because this is all so compelling. I’m also excited to read more about the infamous Pinhead himself, The Hell Priest.
Now, before I begin my review of this book, I found a few trigger warnings. They were…
- Violence against animals (doves)
- Rape
- Infidelity
- Suicide
- Drugs
If any of these topics trigger you, please do not read this book. Moving along, this was an exhilarating read that I will never forget until the end of time. The writing skills of Barker are by far some of the best I’ve ever read in my life, up there with Stephen King. It’s beyond excellent and when you throw that in with his exceptional atmospheric writing and all the horror found in this book, this was such a delightful read.
The horror in this book was on a whole other sadistic level that it was such a bloody great time, especially since it’s only 176 pages and once this book puts its hooks into you, you won’t be able to stop. From the unique characters and plot twists to the unbelievable Cenobites, I devoured this book from beginning to end. I was (and still am) intrigued by Lemarchand’s Configuration and the Order of the Gash.
All the brutality, gore, and body horror on top of this wild story were all incredible. This was such a genuine pageturner that I stayed up extra late the first night I started reading because it was that addictive. I got up to 90% and stopped so I wouldn’t break night but was excited to finish this immediately the following day. It's all I could think about.
I now see why many horror enthusiasts consider Barker a master of horror since wow, this was such an adrenaline-fueled read. I had so many jaw-on-the-floor kind of horror moments that I was blown away. Especially with the climactic race to the end which was also so satisfying. Please don’t worry, I would never spoil books for anyone but let’s just say, that bloodbath at the end was so epic that I re-read it several times because it was that delightful.
I give “The Hellbound Heart” by Clive Barker a perfect 5/5 for being a horror masterpiece. This was an astonishing book and I can easily see how talented Barker is as an author. To see Barker achieve so much in just 176 pages was phenomenal, especially in getting a slasher, paranormal, and brutal horror reading experience to be so thrilling. I can’t wait to see what awaits in “Hellraiser: The Toll” and “The Scarlet Gospels” as I will continue my journey and complete this trilogy. I’m starting the second book the minute I’m done writing this because this is all so compelling. I’m also excited to read more about the infamous Pinhead himself, The Hell Priest.
October 28, 2024
Will You Partake?
There's No Going Back...
THE HELLBOUND HEART
by Clive Barker
No spoilers. 5 stars. Lemarchand's box. A puzzle constructed by a Chinese master craftsman with no apparent entryway into its depths...
Frank...
An unfulfilled, lustful hedonist purchased the box to cure his boredom from dull rounds of desire, seduction, and disappointment...
After leaving his offering of dove's heads, bones, bonbons, needles, and a jug of his urine at the altar, he went about trying to solve the puzzle of the seamless box...
When Frank opened the first wall of the box, little bells tinkled. When he finally opened the last wall, a somber bell tolled and...
Cenobites of the Order of Gash appeared. The walls of the room opened up and swallowed Frank...
There was complete darkness except for the phosphorescent glow from the Cenobites...
One of them asked: What do you want?...
Frank replied: Pleasure. Can you give me pleasure? He had tired of everything the world had to offer...
The Cenobite answered: We can give you pleasure, but not as you understand it. Will you partake? There's no going back...
To this, Frank said: Show me...
5 stars for this short novel. I love a concise story without a lot of backstory bogging it down. Though short, this story was very detailed, and the last 20% had many mind-boggling twists and turns.
I know this author has been around for many years. I should've checked this story out sooner!
There's No Going Back...
THE HELLBOUND HEART
by Clive Barker
No spoilers. 5 stars. Lemarchand's box. A puzzle constructed by a Chinese master craftsman with no apparent entryway into its depths...
Frank...
An unfulfilled, lustful hedonist purchased the box to cure his boredom from dull rounds of desire, seduction, and disappointment...
After leaving his offering of dove's heads, bones, bonbons, needles, and a jug of his urine at the altar, he went about trying to solve the puzzle of the seamless box...
When Frank opened the first wall of the box, little bells tinkled. When he finally opened the last wall, a somber bell tolled and...
Cenobites of the Order of Gash appeared. The walls of the room opened up and swallowed Frank...
There was complete darkness except for the phosphorescent glow from the Cenobites...
One of them asked: What do you want?...
Frank replied: Pleasure. Can you give me pleasure? He had tired of everything the world had to offer...
The Cenobite answered: We can give you pleasure, but not as you understand it. Will you partake? There's no going back...
To this, Frank said: Show me...
5 stars for this short novel. I love a concise story without a lot of backstory bogging it down. Though short, this story was very detailed, and the last 20% had many mind-boggling twists and turns.
I know this author has been around for many years. I should've checked this story out sooner!
June 5, 2020
This book is regarded by many as one of horror's absolute classics. There is also a well know movie series under the Hellraiser title. Well, don't get me wrong, the book has some fine ingredients: the Cenobites (absolute eerie characters from hell or who knows where), the magic dice device that summons them and Frank trying desperately to become human again. And that's the point. The main story about Julia (doesn't love Roy), Rory (unloved husband, brother of Frank) and Frank (son of a gun, daredevil, lost his life to the Cenobites) is a bit too common and predictable. Kristy (a neighbor) sees that Julia brings men into the house she leads to the upper room. What's the reason for doing this? What about Rory in the end? The characters and their behavior are the weak element here. First you don't like them too much and then you don't understand their action. The eeriest and uncanniest elements are the Cenobites. They are absolute cult. The rest is insignificant in my opinion. There are better works out from Clive Barker, e.g. The Books of Blood or Coldhearted Canyon (one of my alltime favorites). Recommended only because it's a classic and because of the Cenobites!
July 11, 2018
Interesting.
Well, it's official. I'm *not* a Clive Barker fan. I love horror. Horror is a precious genre because the stakes are very high--I'm naturally prone to be a timid, fearful person when it comes to adventure or doing risky things. For instance, I would never consider bungee jumping or parachuting from an airplane. I would skip a white water rafting trip or a zipline through the jungle. I don't even like to go inside a haunted house attraction at the carnival.
But I do love reading horror and maybe that's where I get to be adventurous and risky.
I've read a few Barkers before this one.
I didn't finish Mister B Gone. I read part of the Great and Secret Show and loved the Thief of Always. Every time I reviewed, someone would always recommend this one to me.
Barker--he's a great writer, don't get me wrong. But I have his number now. I know what he's all about. He likes to explore this whole pleasure and pain principle. He likes to explore the human body (inside and outside). He enjoys gore and blood...lots and lots of that and blurring the line between what is torture and what is sex.
And none of it really is my thing.
I don't really want a story like this with no character investment. I felt nothing for Rory, Julia, Frank or Kristy.
I felt like all of the people in this story were just puppets, playthings for the sinister, hellish Cenobites
which I guess would be cool, if we knew a little more about them too--like, just some backstory on the Engineer. I'm laughing even as I type this because I'm sure diehard Barker fans are like STFU, Sadie!
The Engineer even says, "I'm the Engineer!" no more than that.
Alright, alright "I get it!" it's whatever. It's not for me. Barker fans, have it *your* way but I want my horror reads *my* way.
This was a no for me.
Well, it's official. I'm *not* a Clive Barker fan. I love horror. Horror is a precious genre because the stakes are very high--I'm naturally prone to be a timid, fearful person when it comes to adventure or doing risky things. For instance, I would never consider bungee jumping or parachuting from an airplane. I would skip a white water rafting trip or a zipline through the jungle. I don't even like to go inside a haunted house attraction at the carnival.
But I do love reading horror and maybe that's where I get to be adventurous and risky.
I've read a few Barkers before this one.
I didn't finish Mister B Gone. I read part of the Great and Secret Show and loved the Thief of Always. Every time I reviewed, someone would always recommend this one to me.
Barker--he's a great writer, don't get me wrong. But I have his number now. I know what he's all about. He likes to explore this whole pleasure and pain principle. He likes to explore the human body (inside and outside). He enjoys gore and blood...lots and lots of that and blurring the line between what is torture and what is sex.
And none of it really is my thing.
I don't really want a story like this with no character investment. I felt nothing for Rory, Julia, Frank or Kristy.
I felt like all of the people in this story were just puppets, playthings for the sinister, hellish Cenobites
which I guess would be cool, if we knew a little more about them too--like, just some backstory on the Engineer. I'm laughing even as I type this because I'm sure diehard Barker fans are like STFU, Sadie!
The Engineer even says, "I'm the Engineer!" no more than that.
Alright, alright "I get it!" it's whatever. It's not for me. Barker fans, have it *your* way but I want my horror reads *my* way.
This was a no for me.
December 19, 2025
“No tears, please. It’s a waste of good suffering.”
My boyfriend made the mistake of allowing me to pick out the movie on one of our earliest dates way back in the late 80’s. I chose Hellraiser which was based upon this novella. I didn’t know he had never seen a horror movie and couldn’t figure out why he was so pale and quiet when we left the theater. The poor boy married me and his movie going experiences have never been the same and I’ll always have fond feelings for Hellraiser. Recently I realized I had never read the novella it was based upon and decided to check it out.
When Frank solves a puzzle box revealing a door to another world promising great pleasure he gets more than he bargained for. He thought he had prepared well, observing every ritual to welcome the Cenobites, experimenters in the higher reaches of pleasure. He was expecting oiled up women, eager for him to use as he wished to slake his lust but instead four scarred beings arrive and alter him in unimaginable ways.
Meanwhile Frank’s brother Rory and his wife Julia are moving into a decrepit old house. The house was willed to both Rory and Frank but since Frank is missing Rory assumes possession. Julia and Frank had something going on way back when, if you know what I mean, and Rory ignores her misgivings about the house and remains blissfully ignorant while reveling in Julia’s beauty. Kirsty, a friend of Rory’s who appears desperately in love with the man, drops by to help with the move and annoy Julia. I see a big, bloody love triangle in the making. I’ve also seen Hellraiser so I think know where some of this is going. Though I don’t remember Kirsty being a love interest, I thought she was the husband’s kid?
Julia starts to settle in but there’s one room with sealed blinds that unnerves but attracts her. She begins to spend time in the room alone. The room seems to demand it. One day Rory has an accident and bleeds on the rooms floorboards and soon after Julia is reunited with Frank and the blood bath begins.
This book is pretty cold and brutal, especially in its portrayal of super-bitch Julia, but there’s a very dark thread of humor running through it too. Imagine a slim beautiful woman chasing a flabby naked man around an empty room, sticking him with a knife as he flails away, refusing to keel over quickly. I don’t know about you but this image struck me as ridiculously humorous.
Kirsty, who is a home-wrecker sort in this book, stumbles upon Julia and Frank doing bad things (that’s what you get Miss Nosey-pants) and takes off running with The Box in her hands. Of course, she can’t leave well enough alone and has to fiddle with it. Now they’re all going to experience their fair share of suffering.
The cenobites are only in the story briefly early on and again at the end. Most of the grisly horror happens at the hands of Julia and Frank which makes it all uglier. I vaguely remember the cenobites being a larger part of the movie but I prefer this version of the story better.
My boyfriend made the mistake of allowing me to pick out the movie on one of our earliest dates way back in the late 80’s. I chose Hellraiser which was based upon this novella. I didn’t know he had never seen a horror movie and couldn’t figure out why he was so pale and quiet when we left the theater. The poor boy married me and his movie going experiences have never been the same and I’ll always have fond feelings for Hellraiser. Recently I realized I had never read the novella it was based upon and decided to check it out.
When Frank solves a puzzle box revealing a door to another world promising great pleasure he gets more than he bargained for. He thought he had prepared well, observing every ritual to welcome the Cenobites, experimenters in the higher reaches of pleasure. He was expecting oiled up women, eager for him to use as he wished to slake his lust but instead four scarred beings arrive and alter him in unimaginable ways.
Meanwhile Frank’s brother Rory and his wife Julia are moving into a decrepit old house. The house was willed to both Rory and Frank but since Frank is missing Rory assumes possession. Julia and Frank had something going on way back when, if you know what I mean, and Rory ignores her misgivings about the house and remains blissfully ignorant while reveling in Julia’s beauty. Kirsty, a friend of Rory’s who appears desperately in love with the man, drops by to help with the move and annoy Julia. I see a big, bloody love triangle in the making. I’ve also seen Hellraiser so I think know where some of this is going. Though I don’t remember Kirsty being a love interest, I thought she was the husband’s kid?
Julia starts to settle in but there’s one room with sealed blinds that unnerves but attracts her. She begins to spend time in the room alone. The room seems to demand it. One day Rory has an accident and bleeds on the rooms floorboards and soon after Julia is reunited with Frank and the blood bath begins.
This book is pretty cold and brutal, especially in its portrayal of super-bitch Julia, but there’s a very dark thread of humor running through it too. Imagine a slim beautiful woman chasing a flabby naked man around an empty room, sticking him with a knife as he flails away, refusing to keel over quickly. I don’t know about you but this image struck me as ridiculously humorous.
Kirsty, who is a home-wrecker sort in this book, stumbles upon Julia and Frank doing bad things (that’s what you get Miss Nosey-pants) and takes off running with The Box in her hands. Of course, she can’t leave well enough alone and has to fiddle with it. Now they’re all going to experience their fair share of suffering.
The cenobites are only in the story briefly early on and again at the end. Most of the grisly horror happens at the hands of Julia and Frank which makes it all uglier. I vaguely remember the cenobites being a larger part of the movie but I prefer this version of the story better.
February 28, 2013
Please allow me to introduce myself.
Actually, let's save the introductions for when I meet up with you later this evening, in the wee hours of the night.
First things first, as an inhabitant of the Dimension of Everlasting Pain I am not exactly a disinterested party when it comes to reviewing this novella. But I do feel I am able to provide a relatively unbiased review of this famous work, despite my intimate knowledge of all of the delightful and inspiring torture tableaux on display.
The Hellbound Heart is well-written, yes. The Hellbound Heart is a seminal modern horror classic, yes. The Hellbound Heart is thoughtful and charming and full of the types of cozy & tender scenarios that can be regularly found in my home dimension... yes, yes, and yes.
But I find that I have fallen prey to an embarrassingly modern predicament: I actually preferred the movie! This is rather shameful to admit. There is so much more potential for ambiguity and cruelty between the pages. However, in this case, I found the movie to be distinctly more visceral, ambiguous, and endearingly disturbing. My Lord and Master Pinhead is also better portrayed in the movie version; on the page he comes across as a quaint deus ex machina. Believe me when i say that in reality he is surely the opposite of both "quaint" and "deus"!
THIS PARAGRAPH IS A SPOILER, FOOLISH MORTAL:
I did find the idea that Frank the Id is literally putting on the respectable, boring, bourgeois skin of his brother Rory to be lovely and amusing. But to be perfectly honest, this entrancing concept did not actually occur to me while reading The Hellbound Heart - but rather when I read about it here on Goodreads on a group thread. Perhaps I am not as subtle as I imagine myself to be.
Overall, despite there being nothing particularly wrong with this novella (and what does "right" and "wrong" mean anyway, in the grand scheme of things?)... I am rather sad to report that I found the writing in Barker's Books of Blood, Vols. 1-3 to be more absorbing, multi-leveled, and intriguing. Ah well, I suppose you can't win 'em all. Unless you are my Lord and Master Pinhead, of course. He always wins.
Actually, let's save the introductions for when I meet up with you later this evening, in the wee hours of the night.
First things first, as an inhabitant of the Dimension of Everlasting Pain I am not exactly a disinterested party when it comes to reviewing this novella. But I do feel I am able to provide a relatively unbiased review of this famous work, despite my intimate knowledge of all of the delightful and inspiring torture tableaux on display.
The Hellbound Heart is well-written, yes. The Hellbound Heart is a seminal modern horror classic, yes. The Hellbound Heart is thoughtful and charming and full of the types of cozy & tender scenarios that can be regularly found in my home dimension... yes, yes, and yes.
But I find that I have fallen prey to an embarrassingly modern predicament: I actually preferred the movie! This is rather shameful to admit. There is so much more potential for ambiguity and cruelty between the pages. However, in this case, I found the movie to be distinctly more visceral, ambiguous, and endearingly disturbing. My Lord and Master Pinhead is also better portrayed in the movie version; on the page he comes across as a quaint deus ex machina. Believe me when i say that in reality he is surely the opposite of both "quaint" and "deus"!
THIS PARAGRAPH IS A SPOILER, FOOLISH MORTAL:
I did find the idea that Frank the Id is literally putting on the respectable, boring, bourgeois skin of his brother Rory to be lovely and amusing. But to be perfectly honest, this entrancing concept did not actually occur to me while reading The Hellbound Heart - but rather when I read about it here on Goodreads on a group thread. Perhaps I am not as subtle as I imagine myself to be.
Overall, despite there being nothing particularly wrong with this novella (and what does "right" and "wrong" mean anyway, in the grand scheme of things?)... I am rather sad to report that I found the writing in Barker's Books of Blood, Vols. 1-3 to be more absorbing, multi-leveled, and intriguing. Ah well, I suppose you can't win 'em all. Unless you are my Lord and Master Pinhead, of course. He always wins.
October 4, 2025
This novella is a great example of a small story that can have a big impact. The biggest surprise is that “Pinhead” isn’t in it. His first appearance was in the film. Yet the main cenobite “The Engineer” offers a unique expanse to the story that makes it enjoyable in a different way then the movie.
November 10, 2016
3.5 stars.
Hellraiser.....
...... it will tear your soul apart.
This wasn't a bad little novella - except some of the sentences seemed to be thrown together; like Frankenstein's monster. I'm not sure if its the authors writing style? - but every so often there would be a sentence that staunched the flow - and some words he used were unnecessary. The dictionary didn't know the meaning.
Frank Cotton gains possession of Lemarchands puzzle box (a box of wonders) - aka Lemarchands Configuration - after doing a few favours for a german man named, Kircher - who knows how to obtain the device.
He spends several hours at a house on Lodovico Street - trying to unlock the mechanical device, which was constructed by a master craftsman. After several hours of looking for a way in - he finally stumbles across the pressure points that need to be pushed in order to unlock the first part of the device: music emanates from within - and when he finds other pressure points, more of the puzzle is unlocked, with a slightly different tune joining the first tune; each time he unlocks a piece. Once he solves the puzzle; he believes he is going to be shown unknown pleasures - that few men have witnessed before - and Frank wants to experience them. Completely unlocking the device will notify the Cenobites that someone has solved the puzzle, which is their cue to make an appearance. The problem is: Franks interpretation of pleasure is very different to that of the Cenobites - which he will soon find out.
It's been a long time since I've seen the movie, Hellraiser - but there were some scenes I remember from the original film. Personally, I preferred the movie, as the book didn't have much Cenobite time; just a brief appearance - I would have liked to have learned more about them - and more about The Gash.
I just hope the other book I bought (Imajica) is easier to read than this one - as that novel is the same length as Stephen King's 'It.'
Hellraiser.....
...... it will tear your soul apart.
This wasn't a bad little novella - except some of the sentences seemed to be thrown together; like Frankenstein's monster. I'm not sure if its the authors writing style? - but every so often there would be a sentence that staunched the flow - and some words he used were unnecessary. The dictionary didn't know the meaning.
Frank Cotton gains possession of Lemarchands puzzle box (a box of wonders) - aka Lemarchands Configuration - after doing a few favours for a german man named, Kircher - who knows how to obtain the device.
He spends several hours at a house on Lodovico Street - trying to unlock the mechanical device, which was constructed by a master craftsman. After several hours of looking for a way in - he finally stumbles across the pressure points that need to be pushed in order to unlock the first part of the device: music emanates from within - and when he finds other pressure points, more of the puzzle is unlocked, with a slightly different tune joining the first tune; each time he unlocks a piece. Once he solves the puzzle; he believes he is going to be shown unknown pleasures - that few men have witnessed before - and Frank wants to experience them. Completely unlocking the device will notify the Cenobites that someone has solved the puzzle, which is their cue to make an appearance. The problem is: Franks interpretation of pleasure is very different to that of the Cenobites - which he will soon find out.
It's been a long time since I've seen the movie, Hellraiser - but there were some scenes I remember from the original film. Personally, I preferred the movie, as the book didn't have much Cenobite time; just a brief appearance - I would have liked to have learned more about them - and more about The Gash.
I just hope the other book I bought (Imajica) is easier to read than this one - as that novel is the same length as Stephen King's 'It.'
September 28, 2022
"Sin lágrimas, por favor. Son un desperdicio de buen sufrimiento"
Considerada la mejor novela de 1986 en el Reino Unido, treinta años después se ha convertido en una obra de culto tras la primera versión cinematográfica que se hizo de ella en 1987.
Clive Barker aborda en sus páginas cuestiones cruciales como el amor y la desesperación, el deseo, la muerte y la sangre mediante metáforas sugerentes, reflejando el hedonismo desenfrenado hasta límites trascendentes.
La misión de los demonios cenobitas es torturar con placer uno que nosotros no llamaríamos placer exactamente a los que acceden a ese nivel mediante la manipulación de un cubo cuya resolución da derecho a "tener las sensaciones más intensas". El resultado de la ceguera de quienes buscan el placer de forma vertiginosa, malinterpretando el mensaje de los cenobitas, no es otro que la llegada al mismo infierno.
Mi gran consejo, no hagáis como hizo Frank. Si os encontráis una caja misteriosa y compleja, no vayáis de listos a abrirla. Leer términos y condiciones. La letra pequeña..
Los cenobitas han inspirado películas de diversa calidad, pero incluso en las películas, no logran hacer pasad y transmitir lo que en estas páginas consigue.
Es mítico lo de las películas, sí, y Hellraiser fue muy alabada, pero lo que transmite Clive Barker en el papel, con cada palabra, situación, es otro mundo. Gratamente soprendido la verdad.
Es muy buena la ambientación y tensión que logra, si por buena entendemos que cuando un personaje empieza a sentir esa presión, cada olor y ápice de solor y diversas cosas más, como lector logras padecerlas. Y eso es básicamente porque Barker escribe de lujo.
Los Cenobitas aparecen como una especie de seres superiores del sadomasoquismo, el dolor y el castigo. Emiten amenazas siniestras a partir de frases, como la cita del principio, que son básicamente sentencias que te dejan acojonado sin nada que decir y se llevan a las víctimas para sus experimentos. Hay de todo y las descripciones de los Cenobitas no dejan a uno indiferente..
Leí la primera aparición de los Cenobitas antes de dormir, y joder.. lo consigue..
En lugar de zombis, vampiros o monstruos en general, los cenobitas funcionan mejor como idea, es difícil de expresar, pero causan pavor y dejan huella en uno. Básicamente, acojonan. Una prosa poética y macabra.
La novela de Barker muestra sus deliciosas y perturbadas ideas, entiendo que sea llamado el rey. Un escenario que tú mismo vives, padeces y respiras, si puedes..
Crea y va incubando el ambiente para algo horrible y expande la imaginación en formas que disfruté para bien y para mal.
Y es que el mejor terror no es que un individuo con mascara y cuchillo te persiga, si, acojona si te pasa de verdad, pero este terror es otro, uno más puro, y humano. El dolor. Un terror entre la belleza y la fealdad.
Los cenobitas solo aparecen brevemente en la historia al principio y nuevamente al final. Eso sí, dejan huella. Quiero leer el siguiente y saber más de Pinhead.
La mayor parte del horror espeluznante ocurre a manos de Julia y Frank, lo que hace que todo sea más feo, son personas con sus problemas y sobretodo sus deseos.
Impecable, un maestro este caballero. Sin duda Barker me ha impactado. Lo suficiente para alterar mi lista de próximas lecturas. Voy a por el siguiente, ya. Más Pinhead, por favor.
El 4 de octubre estrenan un nuevo remake. Con lo que me ha gustado, además de la pintaza que tiene, voy a ver la película originale. Sí, no las he visto. Seamos sinceros, de pequeño mire sin querer un cacho de Chucky, el muñeco diabólico. Y me acojonaba..
Dónde voy yo a ver Hellraiser. Pero bueno, hoy veré la primera y empezaré "Los Evangelios Escarlata"..✍️
Considerada la mejor novela de 1986 en el Reino Unido, treinta años después se ha convertido en una obra de culto tras la primera versión cinematográfica que se hizo de ella en 1987.
Clive Barker aborda en sus páginas cuestiones cruciales como el amor y la desesperación, el deseo, la muerte y la sangre mediante metáforas sugerentes, reflejando el hedonismo desenfrenado hasta límites trascendentes.
La misión de los demonios cenobitas es torturar con placer uno que nosotros no llamaríamos placer exactamente a los que acceden a ese nivel mediante la manipulación de un cubo cuya resolución da derecho a "tener las sensaciones más intensas". El resultado de la ceguera de quienes buscan el placer de forma vertiginosa, malinterpretando el mensaje de los cenobitas, no es otro que la llegada al mismo infierno.
Mi gran consejo, no hagáis como hizo Frank. Si os encontráis una caja misteriosa y compleja, no vayáis de listos a abrirla. Leer términos y condiciones. La letra pequeña..
Los cenobitas han inspirado películas de diversa calidad, pero incluso en las películas, no logran hacer pasad y transmitir lo que en estas páginas consigue.
Es mítico lo de las películas, sí, y Hellraiser fue muy alabada, pero lo que transmite Clive Barker en el papel, con cada palabra, situación, es otro mundo. Gratamente soprendido la verdad.
Es muy buena la ambientación y tensión que logra, si por buena entendemos que cuando un personaje empieza a sentir esa presión, cada olor y ápice de solor y diversas cosas más, como lector logras padecerlas. Y eso es básicamente porque Barker escribe de lujo.
Los Cenobitas aparecen como una especie de seres superiores del sadomasoquismo, el dolor y el castigo. Emiten amenazas siniestras a partir de frases, como la cita del principio, que son básicamente sentencias que te dejan acojonado sin nada que decir y se llevan a las víctimas para sus experimentos. Hay de todo y las descripciones de los Cenobitas no dejan a uno indiferente..
Leí la primera aparición de los Cenobitas antes de dormir, y joder.. lo consigue..
En lugar de zombis, vampiros o monstruos en general, los cenobitas funcionan mejor como idea, es difícil de expresar, pero causan pavor y dejan huella en uno. Básicamente, acojonan. Una prosa poética y macabra.
La novela de Barker muestra sus deliciosas y perturbadas ideas, entiendo que sea llamado el rey. Un escenario que tú mismo vives, padeces y respiras, si puedes..
Crea y va incubando el ambiente para algo horrible y expande la imaginación en formas que disfruté para bien y para mal.
Y es que el mejor terror no es que un individuo con mascara y cuchillo te persiga, si, acojona si te pasa de verdad, pero este terror es otro, uno más puro, y humano. El dolor. Un terror entre la belleza y la fealdad.
Los cenobitas solo aparecen brevemente en la historia al principio y nuevamente al final. Eso sí, dejan huella. Quiero leer el siguiente y saber más de Pinhead.
La mayor parte del horror espeluznante ocurre a manos de Julia y Frank, lo que hace que todo sea más feo, son personas con sus problemas y sobretodo sus deseos.
Impecable, un maestro este caballero. Sin duda Barker me ha impactado. Lo suficiente para alterar mi lista de próximas lecturas. Voy a por el siguiente, ya. Más Pinhead, por favor.
El 4 de octubre estrenan un nuevo remake. Con lo que me ha gustado, además de la pintaza que tiene, voy a ver la película originale. Sí, no las he visto. Seamos sinceros, de pequeño mire sin querer un cacho de Chucky, el muñeco diabólico. Y me acojonaba..
Dónde voy yo a ver Hellraiser. Pero bueno, hoy veré la primera y empezaré "Los Evangelios Escarlata"..✍️
February 2, 2024
The violence in Barker's writing is so bleak, so concentrated, there's seriously nothing unnecessary to the story he writes. I was struck by how much the Cenobites are merely background, and all the spotlight is put on the human villains. I forget that in the movies too they are mere setting. But in the films the image of them, especially Pinhead, is so striking that they have no choice but become the focus. I love everything about this story, movie and book.
'Come to daddy', it said.
In her twenty-six years she had never heard an easier invitation to refuse.
Read for the Horror Aficionados February read.
'Come to daddy', it said.
In her twenty-six years she had never heard an easier invitation to refuse.
Read for the Horror Aficionados February read.
November 10, 2019
My introduction to the fiction of Clive Barker is The Hellbound Heart, a compulsively readable and horribly tasteful novella soaked in blood, sex and magic. It's a fast read but abounds in small delights. Published in 1986 as the third volume of the anthology Night Visions edited by George R.R. Martin and a stand-alone with the release of a film adaptation written and directed by Barker as Hellraiser, this piece excels as storytelling and prose. Character and detail fall further down the list, but my interest to read more of Barker is piqued. Is it Halloween yet?
The story begins with such wonderful opening paragraphs that I'm going to let Barker write my review for me.
So intent was Frank upon solving the puzzle of Lemarchand's box that he didn't hear the great bell begin to ring. The device had been constructed by a master craftsman, and the riddle was this--that though he'd been told the box contained wonders, there simply seemed to be no way into it, no clue on any of its six black lacquered faces as to the whereabouts of the pressure points that would disengage one piece of this three-dimensional jigsaw from another.
Frank had seen similar puzzles--mostly in Hong Kong, products of the Chinese taste for making metaphysics of hard wood--but to the acuity and technical genius of the Chinese the Frenchman had brought a perverse logic that was entirely his own. If there was a system to the puzzle, Frank had failed to find it. Only after several hours of trial and error did a chance juxtaposition of thumbs, middle and last fingers bear fruit: an almost imperceptible click and then--victory!--a segment of the box slid out from beside its neighbors.
There were two revelations.
"Frank" is Frank Cotton. On his hedonistic travels, he's bought a puzzle box that promises to summon interdimensional beings called Cenobites, an order devoted to experiments in the higher states of pleasure. Working on the puzzle box in the seclusion of his childhood home, Frank is "successful" in summoning four Cenobites, horribly dismembered and reassembled beings who warn Frank that if they give him what he came for, there will be no going back. He agrees, realizing too late that heightened sensitivity to pleasure opens the door to an endless agony of pain from which there is no escape.
Sometime later, Frank's younger brother Rory moves into the family home on 55 Lodovico Street with his posh wife, Julia. Sullen and more gloomy every day of her four-year marriage to her guileless and boring husband, Julia often entertains herself with thoughts of a frantic coupling she allowed herself with Frank a week before her wedding to Rory. Exploring her new home, Julia finds the largest of the three upper floor rooms to be chilly and uncomfortably stagnant. She also hears a bell ringing somewhere but thinks nothing of it at the time, needing to entertain a mousy co-worker of Rory's named Kirsty who's paid them a social call.
While Rory is out of the house, Julia finds herself drawn to the damp room. Chiseling paint from around the hinges of the kitchen door, Rory cuts his hand and spills his blood on the floor of the room, blood which later disappears without either one of them cleaning it. Escaping to the damp room the night of their housewarming party, Julia discovers a thing on the floor that seems to have once been human but whose flesh has been horribly stripped and corrupted. It's her ex-lover Frank and he to become whole again, begs Julia to bring him more blood. Living in the wall of the damp room somewhere between our world and one much darker, Frank dreams of escape from the Cenobites.
As it was, they had brought incalculable suffering. They had overdosed him on sensuality, until his mind had teetered on madness, then they'd initiated him into experiences that his nerves still convulsed to recall. They had called it pleasure, and perhaps they'd meant it. Perhaps not. It was impossible to know with these minds; they were so hopelessly, flawlessly ambiguous. They recognized no principles of reward and punishment by which he could hope to win some respite from their tortures, not were they touched by any appeal for mercy. He'd tried that, over the weeks and months that separated the solving of the box from today.
There was no compassion to be had on this side of the Schism; there was only the weeping and the laughter. Tears of joy sometimes (for an hour without dread, a breath's length even), laughter coming just as paradoxically in the face of some new horror, fashioned by the Engineer for the provision of grief.
There's a lot of things The Hellbound Heart is not. It doesn't have characters who are remotely compelling. Unlike the film series, the Cenobites don't even play a central role in the novella (Pinhead was created for the movie, perhaps at the request of a producer who felt the project needed a Freddy Kruger). Kirsty, Julia and Rory are three of the most boring people you could be cornered by at an office party. Maybe to Barker's credit, there's no sense of place, with the story able to take place anywhere in North America or Europe. There is a vagueness to the story that might frustrate readers like me who crave detail. When it comes to imagination and prose, though, Barker thrives.
How had he first heard about Lemarchand's box? He couldn't remember. In a bar maybe, or a gutter, from the lips of a fellow derelict. At the time it was merely a rumor--this dream of a pleasure dome where those who had exhausted the trivial delights of the human condition might discover a fresh definition of joy. And the route to this paradise? There were several, he was told, charts of the interface between the real and the realer still, made by travelers whose bones had long since gone to dust. One such chart was in the vaults of the Vatican, hidden in code in a theological work unread since the Reformation. Another--in the form of an origami exercise was reported to have been in the possession of the Marquis de Sade, who used it, while imprisoned in the Bastille, to barter with a guard for paper on which to write The 120 Days of Sodom. Yet another was made by a craftsman--a maker of singing birds--called Lemarchand, in the form of a musical box of such elaborate design a man might toy with it half a lifetime and never get inside.
Stories. Stories. Yet since he had come to believe in nothing at all it was not so difficult to put the tyranny of verifiable truth out of his head. And it passed the time, musing drunkenly on such fantasies.
The Cenobites have inspired ten movies of varying quality, but even in the films, don't get around to doing much. They appear like S&M genies, issue some very ominous threats and haul victims off for their experiments. A garden variety zombie lurching around and muttering "brains!" is more compelling to me. Rather than monsters, the Cenobites work best as ideas, and Barker's novella with its delicious ambiguities is their best venue. He sets the mood for something horrible and stretched my imagination in ways I enjoyed. The best horror swirls between beauty and ugliness, light and darkness, and Barker taps into those contrasts.
Word count: 35,344 words
The story begins with such wonderful opening paragraphs that I'm going to let Barker write my review for me.
So intent was Frank upon solving the puzzle of Lemarchand's box that he didn't hear the great bell begin to ring. The device had been constructed by a master craftsman, and the riddle was this--that though he'd been told the box contained wonders, there simply seemed to be no way into it, no clue on any of its six black lacquered faces as to the whereabouts of the pressure points that would disengage one piece of this three-dimensional jigsaw from another.
Frank had seen similar puzzles--mostly in Hong Kong, products of the Chinese taste for making metaphysics of hard wood--but to the acuity and technical genius of the Chinese the Frenchman had brought a perverse logic that was entirely his own. If there was a system to the puzzle, Frank had failed to find it. Only after several hours of trial and error did a chance juxtaposition of thumbs, middle and last fingers bear fruit: an almost imperceptible click and then--victory!--a segment of the box slid out from beside its neighbors.
There were two revelations.
"Frank" is Frank Cotton. On his hedonistic travels, he's bought a puzzle box that promises to summon interdimensional beings called Cenobites, an order devoted to experiments in the higher states of pleasure. Working on the puzzle box in the seclusion of his childhood home, Frank is "successful" in summoning four Cenobites, horribly dismembered and reassembled beings who warn Frank that if they give him what he came for, there will be no going back. He agrees, realizing too late that heightened sensitivity to pleasure opens the door to an endless agony of pain from which there is no escape.
Sometime later, Frank's younger brother Rory moves into the family home on 55 Lodovico Street with his posh wife, Julia. Sullen and more gloomy every day of her four-year marriage to her guileless and boring husband, Julia often entertains herself with thoughts of a frantic coupling she allowed herself with Frank a week before her wedding to Rory. Exploring her new home, Julia finds the largest of the three upper floor rooms to be chilly and uncomfortably stagnant. She also hears a bell ringing somewhere but thinks nothing of it at the time, needing to entertain a mousy co-worker of Rory's named Kirsty who's paid them a social call.
While Rory is out of the house, Julia finds herself drawn to the damp room. Chiseling paint from around the hinges of the kitchen door, Rory cuts his hand and spills his blood on the floor of the room, blood which later disappears without either one of them cleaning it. Escaping to the damp room the night of their housewarming party, Julia discovers a thing on the floor that seems to have once been human but whose flesh has been horribly stripped and corrupted. It's her ex-lover Frank and he to become whole again, begs Julia to bring him more blood. Living in the wall of the damp room somewhere between our world and one much darker, Frank dreams of escape from the Cenobites.
As it was, they had brought incalculable suffering. They had overdosed him on sensuality, until his mind had teetered on madness, then they'd initiated him into experiences that his nerves still convulsed to recall. They had called it pleasure, and perhaps they'd meant it. Perhaps not. It was impossible to know with these minds; they were so hopelessly, flawlessly ambiguous. They recognized no principles of reward and punishment by which he could hope to win some respite from their tortures, not were they touched by any appeal for mercy. He'd tried that, over the weeks and months that separated the solving of the box from today.
There was no compassion to be had on this side of the Schism; there was only the weeping and the laughter. Tears of joy sometimes (for an hour without dread, a breath's length even), laughter coming just as paradoxically in the face of some new horror, fashioned by the Engineer for the provision of grief.
There's a lot of things The Hellbound Heart is not. It doesn't have characters who are remotely compelling. Unlike the film series, the Cenobites don't even play a central role in the novella (Pinhead was created for the movie, perhaps at the request of a producer who felt the project needed a Freddy Kruger). Kirsty, Julia and Rory are three of the most boring people you could be cornered by at an office party. Maybe to Barker's credit, there's no sense of place, with the story able to take place anywhere in North America or Europe. There is a vagueness to the story that might frustrate readers like me who crave detail. When it comes to imagination and prose, though, Barker thrives.
How had he first heard about Lemarchand's box? He couldn't remember. In a bar maybe, or a gutter, from the lips of a fellow derelict. At the time it was merely a rumor--this dream of a pleasure dome where those who had exhausted the trivial delights of the human condition might discover a fresh definition of joy. And the route to this paradise? There were several, he was told, charts of the interface between the real and the realer still, made by travelers whose bones had long since gone to dust. One such chart was in the vaults of the Vatican, hidden in code in a theological work unread since the Reformation. Another--in the form of an origami exercise was reported to have been in the possession of the Marquis de Sade, who used it, while imprisoned in the Bastille, to barter with a guard for paper on which to write The 120 Days of Sodom. Yet another was made by a craftsman--a maker of singing birds--called Lemarchand, in the form of a musical box of such elaborate design a man might toy with it half a lifetime and never get inside.
Stories. Stories. Yet since he had come to believe in nothing at all it was not so difficult to put the tyranny of verifiable truth out of his head. And it passed the time, musing drunkenly on such fantasies.
The Cenobites have inspired ten movies of varying quality, but even in the films, don't get around to doing much. They appear like S&M genies, issue some very ominous threats and haul victims off for their experiments. A garden variety zombie lurching around and muttering "brains!" is more compelling to me. Rather than monsters, the Cenobites work best as ideas, and Barker's novella with its delicious ambiguities is their best venue. He sets the mood for something horrible and stretched my imagination in ways I enjoyed. The best horror swirls between beauty and ugliness, light and darkness, and Barker taps into those contrasts.
Word count: 35,344 words
October 13, 2023
The most unique vision in horror fiction in the last fifty years. I am very tempted to 'shelf' it as a classic. I wonder if this book is studied in abnormal psychology; there seems to be many layered meanings as far as why the intense pain that is encountered is tolerated; almost a spiritual rending of the flesh to get to the soul - a very intense book!
May 13, 2020
"No tears, please. It's a waste of good suffering."
The Hellbound Heart is, in my humble opinion, Clive Barker's finest work of horror. I know most people give that to The Books of Blood, and while I found them enjoyable, I've never really found the need to return them. In contrast, I find that I reread this one every couple of years.
What makes The Hellbound Heart work? For one thing, it's short. Often if I'm enjoying a book, I want it to go on longer, but here Barker finds pretty much the perfect length. It's short enough to be read in a single sitting, the pace is quick, yet still it manages to build a mythology about the puzzle box and the entities inside. Fans of the movie may be disappointed in how the Cenobites are presented as they are in it very little and are different from the iconic designs of the film.
Where Barker always excels is mixing the erotic with horror. Now, with that said, the actual erotic material of the book is fairly tame (with one or two exceptions), certainly not the most extreme of his work... but it's on pretty much every page in some way.
Now I do love the Hellraiser films (well, at least the first two and one or two of the later ones are guilty pleasures), but something the films lost sight of, and always was one of the more fascinating aspects of the story to me, is that the Cenobites did not actively seek to create hell on earth. They let people come to them. You had to WORK for their damnation damn it, and that feels like the point of the book. You are at least partially responsible for your own hell (even if it is unwittingly), be it a loveless marriage, a troubled relationship with your family or... you know... torture demons getting off on peeling your skin.
*Shrug*
It's all a matter of perspective.
The Hellbound Heart is, in my humble opinion, Clive Barker's finest work of horror. I know most people give that to The Books of Blood, and while I found them enjoyable, I've never really found the need to return them. In contrast, I find that I reread this one every couple of years.
What makes The Hellbound Heart work? For one thing, it's short. Often if I'm enjoying a book, I want it to go on longer, but here Barker finds pretty much the perfect length. It's short enough to be read in a single sitting, the pace is quick, yet still it manages to build a mythology about the puzzle box and the entities inside. Fans of the movie may be disappointed in how the Cenobites are presented as they are in it very little and are different from the iconic designs of the film.
Where Barker always excels is mixing the erotic with horror. Now, with that said, the actual erotic material of the book is fairly tame (with one or two exceptions), certainly not the most extreme of his work... but it's on pretty much every page in some way.
Now I do love the Hellraiser films (well, at least the first two and one or two of the later ones are guilty pleasures), but something the films lost sight of, and always was one of the more fascinating aspects of the story to me, is that the Cenobites did not actively seek to create hell on earth. They let people come to them. You had to WORK for their damnation damn it, and that feels like the point of the book. You are at least partially responsible for your own hell (even if it is unwittingly), be it a loveless marriage, a troubled relationship with your family or... you know... torture demons getting off on peeling your skin.
*Shrug*
It's all a matter of perspective.
November 2, 2024
“She had opened a door... and now she was walking with demons. And at the end of her travels, she would have her revenge. Pain had made a sadist of her.”
I cannot officially review this book for Barker and I are currently amidst a lovers quarrel. Why must he vex me on Halloween weekend to dabble in fuckery? He took me out to the finest, to wine and dine me. To make my blood hot for him. Just to take me home and disappoint me with a cold shower. What a tease!
Barker, your brilliant mind came up with LeMarchand's Box, a mystical/mechanical device that acts as a key to a door to another dimension. A gateway to the Hell-like realm of the Cenobite lifeforms. These sadomasochistic entities live by a doctrine of pain and pleasure. In their eyes, suffering is an art form. They harvest human souls to torture. Right? Okay. Stay with me here… yet you wrote about none of that in The Hellbound Heart. You wrote mostly about walls-n-floors (shut up Frank, stay out of this) Julia and Kirsty. That’s not the story. That was an intro to the story. Where is the story, you bastard? You’re going to leave me WANTING like this? And if I yearn for more? If I seek it out?
My lover laughs at my fait accompli. For you only left me with one book, The Scarlet Gospels. Or a comic/graphic novel series, or a movie series. Perhaps I should practice patience here. Maybe the sequel book will be fulfilling enough.
“For the moment all discipline seems painful rather than pleasant, but later yields the peaceful fruit of righteousness to those who have been trained by it." -Hebrews 12:11
Still, I’m pouty with disappointment. You left me unsatisfied, lover. Remember that the next time you call, “Come to Daddy.”
“No tears, please. It's a waste of good suffering.”
I cannot officially review this book for Barker and I are currently amidst a lovers quarrel. Why must he vex me on Halloween weekend to dabble in fuckery? He took me out to the finest, to wine and dine me. To make my blood hot for him. Just to take me home and disappoint me with a cold shower. What a tease!
Barker, your brilliant mind came up with LeMarchand's Box, a mystical/mechanical device that acts as a key to a door to another dimension. A gateway to the Hell-like realm of the Cenobite lifeforms. These sadomasochistic entities live by a doctrine of pain and pleasure. In their eyes, suffering is an art form. They harvest human souls to torture. Right? Okay. Stay with me here… yet you wrote about none of that in The Hellbound Heart. You wrote mostly about walls-n-floors (shut up Frank, stay out of this) Julia and Kirsty. That’s not the story. That was an intro to the story. Where is the story, you bastard? You’re going to leave me WANTING like this? And if I yearn for more? If I seek it out?
My lover laughs at my fait accompli. For you only left me with one book, The Scarlet Gospels. Or a comic/graphic novel series, or a movie series. Perhaps I should practice patience here. Maybe the sequel book will be fulfilling enough.
“For the moment all discipline seems painful rather than pleasant, but later yields the peaceful fruit of righteousness to those who have been trained by it." -Hebrews 12:11
Still, I’m pouty with disappointment. You left me unsatisfied, lover. Remember that the next time you call, “Come to Daddy.”
“No tears, please. It's a waste of good suffering.”
February 27, 2024
Puzzle Box Scandal! False Advertising Rips Customer's Soul Apart! "Well, the wrapper on the box read, 'Satisfaction of every desire guaranteed. - Cenobites Inc.' But do you think that's what happened? Hell, no! Next time, I'm buying a Rubik's Cube!" - Frank Cotton - The Villain's Almanac
One of the better (possibly the best) books of Clive Barker's that I've read. I like the sparse structure with a clean straight through narrative.
Extraordinary idea and well executed. Will suit horror fans. While there is some gore, it's never gratuitous or over done.
The imagery in this book is remarkable for me in that it stays with me. It's moved into 'iconic,' status.
Strongly Recommended. 5 'Beware the Puzzle Box,' stars.
One of the better (possibly the best) books of Clive Barker's that I've read. I like the sparse structure with a clean straight through narrative.
Extraordinary idea and well executed. Will suit horror fans. While there is some gore, it's never gratuitous or over done.
The imagery in this book is remarkable for me in that it stays with me. It's moved into 'iconic,' status.
Strongly Recommended. 5 'Beware the Puzzle Box,' stars.
March 1, 2024
THE HELLBOUND HEART [1986] By CLIVE BARKER
My Review 5.0 Stars Out Of 5
“The Hellbound Heart” was the designated “Book Read” for the month of February in one of the horror book clubs I enjoy so much (Horror Aficionados). This novella was originally published in 1986 and I remember that the cult classic horror film “Hellraiser” was derived from the book. Barker wrote and directed “Hellraiser” and the successful franchise which was to follow.
I can still recall Julia’s manic efforts to put some skin and flesh back on undeserving Frank’s bones in the movie. I believe that I read the book at some point, but it was refreshing to read it again now.
First, I would hasten to say that most lovers of scary movies and horror novels know all about the cautionary tale of Frank Cotton. He learned the hard way the truth in the old saying “Be Careful What You Wish For” … Frank was a hedonist who sincerely believed that he had enjoyed and/or engaged in every excess or guilty pleasure that existed on earth. One might say that Frank was jaded and bored. That made it all the more exciting when he learned about the puzzle box said to open a portal to an extradimensional realm of unfathomable pleasure. It was ruled by beings called Cenobites.
Frank manages to acquire the “Lemarchand Configuration,” but he had fits trying to solve the puzzle box. Ultimately, he is successful only to learn that he is in store for “extremes” all right, but not of the pleasurable variety.
Frank’s sister-in-law had lusted after him before he had disappeared. The big bedroom of his was always vacant now. It so happens that her husband Rory bleeds rather profusely in the room after an injury, and this opens a schism whereby the desiccated corpsickle of Frank somehow oozes through and escapes from the Cenobites.
It seems he needs Julia to put him back together again. Several bloody sacrifices later there is trouble in paradise. Kristy, a friend of Rory’s, has romantic feelings for him and is playing Nancy Drew to find evidence that Julia is playing around on poor Rory. She’s playing around all right, seducing men in bars, killing them in Frank’s bedroom and likely cringes when she sees and hears Frank descending on their dead bodies, sucking up flesh, blood, and everything else like a giant Hoover Sweeper.
Kristy goes to Rory, and pretty much all Hell breaks loose. That is enough of the plot to regurgitate, I think. Horror fans know that everything works out for the best. Well, not for Rory, I guess. The evil ones reap their just rewards, and Kristy dodges something worse than a bullet.
It was a “novel” experience to read this cult classic again after all these years. I will tell the truth and shame the Devil. I did not remember the fine points of the book after all these years. Specifically, the shenanigans with Kristy, Frank, and Julia at the conclusion.
Thanks to Horror Aficionados for prompting me to reread this genuine cult classic in the horror genre.
BE CAREFUL WHAT YOU WISH FOR….
My Review 5.0 Stars Out Of 5
“The Hellbound Heart” was the designated “Book Read” for the month of February in one of the horror book clubs I enjoy so much (Horror Aficionados). This novella was originally published in 1986 and I remember that the cult classic horror film “Hellraiser” was derived from the book. Barker wrote and directed “Hellraiser” and the successful franchise which was to follow.
I can still recall Julia’s manic efforts to put some skin and flesh back on undeserving Frank’s bones in the movie. I believe that I read the book at some point, but it was refreshing to read it again now.
First, I would hasten to say that most lovers of scary movies and horror novels know all about the cautionary tale of Frank Cotton. He learned the hard way the truth in the old saying “Be Careful What You Wish For” … Frank was a hedonist who sincerely believed that he had enjoyed and/or engaged in every excess or guilty pleasure that existed on earth. One might say that Frank was jaded and bored. That made it all the more exciting when he learned about the puzzle box said to open a portal to an extradimensional realm of unfathomable pleasure. It was ruled by beings called Cenobites.
Frank manages to acquire the “Lemarchand Configuration,” but he had fits trying to solve the puzzle box. Ultimately, he is successful only to learn that he is in store for “extremes” all right, but not of the pleasurable variety.
Frank’s sister-in-law had lusted after him before he had disappeared. The big bedroom of his was always vacant now. It so happens that her husband Rory bleeds rather profusely in the room after an injury, and this opens a schism whereby the desiccated corpsickle of Frank somehow oozes through and escapes from the Cenobites.
It seems he needs Julia to put him back together again. Several bloody sacrifices later there is trouble in paradise. Kristy, a friend of Rory’s, has romantic feelings for him and is playing Nancy Drew to find evidence that Julia is playing around on poor Rory. She’s playing around all right, seducing men in bars, killing them in Frank’s bedroom and likely cringes when she sees and hears Frank descending on their dead bodies, sucking up flesh, blood, and everything else like a giant Hoover Sweeper.
Kristy goes to Rory, and pretty much all Hell breaks loose. That is enough of the plot to regurgitate, I think. Horror fans know that everything works out for the best. Well, not for Rory, I guess. The evil ones reap their just rewards, and Kristy dodges something worse than a bullet.
It was a “novel” experience to read this cult classic again after all these years. I will tell the truth and shame the Devil. I did not remember the fine points of the book after all these years. Specifically, the shenanigans with Kristy, Frank, and Julia at the conclusion.
Thanks to Horror Aficionados for prompting me to reread this genuine cult classic in the horror genre.
BE CAREFUL WHAT YOU WISH FOR….
February 9, 2024
Brutal, gory, and often cruel.
The Hellbound Heart pushes the limits on what a reader can experience in a book without going straight into splatterpunk.
I struggle with splatterpunk or extreme horror, but I was fine with reading The Hellbound Heart.
I think this is a perfect example of what horror should look like in a book. It's not just for shock value and makes sense in regards to the plot and characters intentions.
It doesn’t pull any punches and brings all the sadism and evil upfront and center with our main character of Frank Cotton.
I’m in the minority with not seeing Hellraiser, the movie from this book and will rectify this soon.
Besides having excellent villains as humans, I’m curious about the Cenobites and their background.
Not curious enough to open a puzzle box though!! 😉 hahaha
This is my first Clive Barker book to read, and I was impressed with his writing, characters and descriptive atmosphere.
Thank you to the Horror Aficionados group for picking this for our February group read!
You pushed me to get to this sooner and I'm excited to pick up more books by Barker!
The Hellbound Heart pushes the limits on what a reader can experience in a book without going straight into splatterpunk.
I struggle with splatterpunk or extreme horror, but I was fine with reading The Hellbound Heart.
I think this is a perfect example of what horror should look like in a book. It's not just for shock value and makes sense in regards to the plot and characters intentions.
It doesn’t pull any punches and brings all the sadism and evil upfront and center with our main character of Frank Cotton.
I’m in the minority with not seeing Hellraiser, the movie from this book and will rectify this soon.
Besides having excellent villains as humans, I’m curious about the Cenobites and their background.
Not curious enough to open a puzzle box though!! 😉 hahaha
This is my first Clive Barker book to read, and I was impressed with his writing, characters and descriptive atmosphere.
Thank you to the Horror Aficionados group for picking this for our February group read!
You pushed me to get to this sooner and I'm excited to pick up more books by Barker!
March 1, 2014
Frank Cotton activated the Lemarchand Configuration and was whisked away by the Cenobites to experience "pleasure" no mortal has ever felt. Now, Frank's brother Rory and his wife Julie live in the house where his experiment occurred. Frank's looking to return to the fields we know and the price is blood...
As part of my continuing horror education, I had to give Clive Barker a shot, thus The Hellbound Heart.
This novella is pretty memorable but I wouldn't say I was scared by it. More creeped out than anything. Clive Barker has a pretty twisted imagination. The Cenobites and their idea of pleasure was pretty horrible. I really liked the idea of a wooden puzzle box that opens a gateway to another dimension.
Julie gradually falling under the spell of what was left of Frank was pretty cool. I had a pretty good idea of where the story would go and how it would end after she made contact with Frank but it was a fun, gore-strewn ride.
Aside from the short length, my only gripe with the book would be that Clive Barker's style seemed overly ornate at times.
Three things I learned from The Hellbound Heart:
1. If you find a wooden puzzle box, don't mess with it.
2. If there's a chance you'll encounter extradimensional beings, be sure you masturbate on the floor. It'll help you rebuild your body later.
3. If you go home with a woman you meet in a bar and she wants to have sex in a room devoid of furniture, make sure she doesn't have a knife.
3.5 out of 5 stars.
As part of my continuing horror education, I had to give Clive Barker a shot, thus The Hellbound Heart.
This novella is pretty memorable but I wouldn't say I was scared by it. More creeped out than anything. Clive Barker has a pretty twisted imagination. The Cenobites and their idea of pleasure was pretty horrible. I really liked the idea of a wooden puzzle box that opens a gateway to another dimension.
Julie gradually falling under the spell of what was left of Frank was pretty cool. I had a pretty good idea of where the story would go and how it would end after she made contact with Frank but it was a fun, gore-strewn ride.
Aside from the short length, my only gripe with the book would be that Clive Barker's style seemed overly ornate at times.
Three things I learned from The Hellbound Heart:
1. If you find a wooden puzzle box, don't mess with it.
2. If there's a chance you'll encounter extradimensional beings, be sure you masturbate on the floor. It'll help you rebuild your body later.
3. If you go home with a woman you meet in a bar and she wants to have sex in a room devoid of furniture, make sure she doesn't have a knife.
3.5 out of 5 stars.
This entire review has been hidden because of spoilers.
July 12, 2023
"Sin lágrimas, por favor. Es un desperdicio de buen sufrimiento."
¡¡Cómo me ha gustado y qué corto se me ha hecho!! 🔝🔝🔝🔝🔝
Esta obra tan reconocida de Clive Barker llevaba muchísimo tiempo en la montaña de pendientes. Ya era hora de ponerle remedio 😈 De lo único que me arrepiento es de no haberlo hecho antes.
Y a pesar de las incógnitas que deja y con esa sensación de que podrían haber pasado más cosas, es una novela de corta extensión que no puedo dudar en recomendar a todo amante del buen terror.
Ese terror ochentero, gore y con sus buenas dosis de situaciones macabras.
Si por algo destaca Barker es por su originalidad, con una prosa directa y sencilla, Barker te mete de lleno en esa imaginación repleta de sangre, vísceras y desmembramientos varios, y lo mejor de todo es que en medio de toda esa barbarie hay espacio para párrafos de una belleza que te dejan sin habla.
Una simbiosis perfecta.
En uno de sus numerosos viajes, Frank descubre una misteriosa caja.
La caja de Lemarchand es capaz de hacerte sentir el mayor de los placeres, ¿o no? Porque justamente eso es lo que andaba buscando este odioso personaje, inconformista donde los haya que nunca se sacia y siempre quiere más, más experiencias que le sumerjan en un mundo de nuevas sensaciones.
Está cansado de la rutina diaria y ya no encuentra un placer duradero en nada de lo que lleva a cabo.
Tras muchos intentos ya se imaginan lo de descubre tras los intrincados mecanismos de la caja.
Esos seres salidos de otra dimensión, los llamados cenobitas, y que vienen reclamando lo que es suyo, quienes han sido capaces de invocarlos tendrán que atenerse a sus reglas.
Se oyen repiqueteos de campanas, la realidad empieza a transformarse delante de sus ojos, y no, no se trata de un sueño.
Frank no se imagina lo que acaba de destapar y las consecuencias que tendrá. Tanto para él como para los actuales habitantes de la casa; su hermano Rory y su mujer, Julia.
Poco a poco seremos testigos de los horribles sucesos que tendrán lugar en esa habitación donde nadie quiere dormir, la oscuridad y la humedad impregnan cada resquicio.
Conoceremos a los verdaderos monstruos; la codicia y maldad humanas no tienen límites.
Y todo disfrazado del poder enfermizo, obsesivo y engatusador del amor.
La habitación húmeda te espera, con su ambiente opresivo e inmundo, y ese olor peculiar tras las paredes...
A todo amante del buen terror, ¿a qué esperan para leerla? Es una novela de culto que no puedo dejar de recomendar.
No sean como yo y no la dejen escapar más.
¿Oyen las campanas?
Los cenobitas les esperan.
😈 "A medida que el sonido de la campana se hacía más alto y ahogaba el tintineo de la caja de música, tuvo miedo."
😈 "Su auténtico error había sido la ingenua creencia de que su definición del placer coincidiría de forma significativa con la de los cenobitas."
https://www.facebook.com/LaLocadelosL... 📚
¡¡Cómo me ha gustado y qué corto se me ha hecho!! 🔝🔝🔝🔝🔝
Esta obra tan reconocida de Clive Barker llevaba muchísimo tiempo en la montaña de pendientes. Ya era hora de ponerle remedio 😈 De lo único que me arrepiento es de no haberlo hecho antes.
Y a pesar de las incógnitas que deja y con esa sensación de que podrían haber pasado más cosas, es una novela de corta extensión que no puedo dudar en recomendar a todo amante del buen terror.
Ese terror ochentero, gore y con sus buenas dosis de situaciones macabras.
Si por algo destaca Barker es por su originalidad, con una prosa directa y sencilla, Barker te mete de lleno en esa imaginación repleta de sangre, vísceras y desmembramientos varios, y lo mejor de todo es que en medio de toda esa barbarie hay espacio para párrafos de una belleza que te dejan sin habla.
Una simbiosis perfecta.
En uno de sus numerosos viajes, Frank descubre una misteriosa caja.
La caja de Lemarchand es capaz de hacerte sentir el mayor de los placeres, ¿o no? Porque justamente eso es lo que andaba buscando este odioso personaje, inconformista donde los haya que nunca se sacia y siempre quiere más, más experiencias que le sumerjan en un mundo de nuevas sensaciones.
Está cansado de la rutina diaria y ya no encuentra un placer duradero en nada de lo que lleva a cabo.
Tras muchos intentos ya se imaginan lo de descubre tras los intrincados mecanismos de la caja.
Esos seres salidos de otra dimensión, los llamados cenobitas, y que vienen reclamando lo que es suyo, quienes han sido capaces de invocarlos tendrán que atenerse a sus reglas.
Se oyen repiqueteos de campanas, la realidad empieza a transformarse delante de sus ojos, y no, no se trata de un sueño.
Frank no se imagina lo que acaba de destapar y las consecuencias que tendrá. Tanto para él como para los actuales habitantes de la casa; su hermano Rory y su mujer, Julia.
Poco a poco seremos testigos de los horribles sucesos que tendrán lugar en esa habitación donde nadie quiere dormir, la oscuridad y la humedad impregnan cada resquicio.
Conoceremos a los verdaderos monstruos; la codicia y maldad humanas no tienen límites.
Y todo disfrazado del poder enfermizo, obsesivo y engatusador del amor.
La habitación húmeda te espera, con su ambiente opresivo e inmundo, y ese olor peculiar tras las paredes...
A todo amante del buen terror, ¿a qué esperan para leerla? Es una novela de culto que no puedo dejar de recomendar.
No sean como yo y no la dejen escapar más.
¿Oyen las campanas?
Los cenobitas les esperan.
😈 "A medida que el sonido de la campana se hacía más alto y ahogaba el tintineo de la caja de música, tuvo miedo."
😈 "Su auténtico error había sido la ingenua creencia de que su definición del placer coincidiría de forma significativa con la de los cenobitas."
https://www.facebook.com/LaLocadelosL... 📚
December 29, 2020
4.5*
"Con el tiempo, todas las cosas se cansan y comienzan a buscar algún oponente que las salve de sí mismas"
"Allí el placer era dolor, y viceversa. Y él lo conocía tan bien que era como sentirse en casa"
frank, es un hombre totalmente despreciable e inescrupuloso. Hastiado de la vida mundana, y en busca de nuevos placeres, busca y obtiene una caja "La Caja de Lemarchand, también conocida como La Configuración del Lamento". luego de lograr desbloquearla, resulta ser ni mas ni menos que la llave de un portal. Por medio de este ingresan a nuestro plano unos seres llamados "cenobitas". ¿Son ángeles o demonios ? ¿imparten placer o dolor y sufrimiento?
Tiene un poder descriptivo impresionante esta obra. Por poco te transporta a la denominada "habitación húmeda" con ese ambiente opresivo, lúgubre, sucio, inmundo. Donde transcurren prácticamente todos los acontecimientos.
Son eje: el egoísmo, el desprecio por la vida ajena. y una relación de lo mas enfermiza, repulsiva, y nunca mejor dicho "carnal"
También aplica este concepto, bastante recurrente en Barker, de que la naturaleza humana puede ser hasta peor que la de cualquier ser del inframundo, o por lo menos no distar demasiado.
"Con el tiempo, todas las cosas se cansan y comienzan a buscar algún oponente que las salve de sí mismas"
"Allí el placer era dolor, y viceversa. Y él lo conocía tan bien que era como sentirse en casa"
frank, es un hombre totalmente despreciable e inescrupuloso. Hastiado de la vida mundana, y en busca de nuevos placeres, busca y obtiene una caja "La Caja de Lemarchand, también conocida como La Configuración del Lamento". luego de lograr desbloquearla, resulta ser ni mas ni menos que la llave de un portal. Por medio de este ingresan a nuestro plano unos seres llamados "cenobitas". ¿Son ángeles o demonios ? ¿imparten placer o dolor y sufrimiento?
Tiene un poder descriptivo impresionante esta obra. Por poco te transporta a la denominada "habitación húmeda" con ese ambiente opresivo, lúgubre, sucio, inmundo. Donde transcurren prácticamente todos los acontecimientos.
Son eje: el egoísmo, el desprecio por la vida ajena. y una relación de lo mas enfermiza, repulsiva, y nunca mejor dicho "carnal"
También aplica este concepto, bastante recurrente en Barker, de que la naturaleza humana puede ser hasta peor que la de cualquier ser del inframundo, o por lo menos no distar demasiado.
May 16, 2021
I'm a big fan of Clive Barker and Hellraiser is one of my favourite horror films so I was fairly certain I would enjoy this one. And enjoy it I did. There are definitely some differences between the book and the film so it was interesting to see the changes but I think both work fantastically well. The opening chapter alone is so goddamn strong it's mind-blowing. The ideas and the imagery are grotesque and fascinating, the writing is evocative and really works on all the senses making for an intense reading experience.
Read
October 14, 2022Source of book: Bought by me
Relevant disclaimers: None
Please note: This review may not be reproduced or quoted, in whole or in part, without explicit consent from the author.
And remember: I am not here to judge your drag, I mean your book. Books are art and art is subjective. These are just my personal thoughts. They are not meant to be taken as broader commentary on the general quality of the work. Believe me, I have not enjoyed many an excellent book, and my individual lack of enjoyment has not made any of those books less excellent or (more relevantly) less successful.
Further disclaimer: Readers, please stop accusing me of trying to take down “my competition” because I wrote a review you didn’t like. This is complete nonsense. Firstly, writing isn’t a competitive sport. Secondly, I only publish reviews of books in the subgenre where I’m best known (queer romcom) if they’re glowing. And finally: taking time out of my life to read an entire book, then write a detailed review about it that some people on GR will look at would be a profoundly inefficient and ineffective way to damage the careers of other authors. If you can’t credit me with simply being a person who loves books and likes talking about them, at least credit me with enough common sense to be a better villain.
*******************************************
Well, this was incredibly camp.
Basically, an amoral, ennui-consumed hedonist called Frank finds a puzzlebox he believes will introduce to him to a world of overwhelming sensuality. On opening the box, a set of heavily scarified sadomasochists emerge, and Frank is like, yep, I’m definitely still in, nothing can possibly go wrong here. Whereupon the sadomasochists—who have evolved beyond the capacity to distinguish between pleasure and pain—sweep him away for an eternity of torture.
Flashforward to Frank’s staid brother, Rory, and his hot new wife Julia moving into the house where Frank failed to discuss safe words before committing himself to an in-perpetuity type deal with sadomasochists from beyond space and time. Julia, it transpires, is unhappy with Rory and had slept with Frank (an unpleasant though consensual encounter that, for some reason, she was super into?) prior to the wedding. Typical horror things happen like blood falls incidentally on a floor, partially returning Frank—now barely a skinless shadow of a person—from his prison. From here, he convinces Julia to murder a couple of people (you can tell I’ve just come off The Books of Blood, with this casual mention of multiple homicide) so he can have more blood, and eventually offs Rory so he can steal his skin. Muddle into this Kirsty, Julia’s frumpy friend, who Frank is bizarrely obsessed with and, err, that’s The Hellbound Heart.
I didn’t … not like it. But I don’t think it end up hitting me quite the way it was supposed to? I haven’t actually seen Hellraiser but maybe the movie is steeped so deeply in our cultural consciousness that nothing in the book ended up being shocking or even all that interesting to me. Of course it’s beautifully written, especially the sections about the allure of the puzzlebox itself, but the characters are all kind of opaque and difficult to either care about or be interested in or even want to see ripped into pieces. Like, I had way more emotional investment in a random accountant getting on the wrong subway train, you know? This may be a disadvantage of THH being a novella rather than a short story: a certain opaqueness is expected when it comes to short story and can often be part of its impact. Here, I just didn’t understand what Julia wanted in Frank, what Frank wanted in Kirsty, what Kirsty wanted in Rory, and why anyone would not read the terms and conditions more carefully when bartering their soul with a bunch of sadomasochists from beyond space and time. And, I mean, I know to some degree that’s the point. It’s a book about destructive, irrational, wanting. But I guess I was looking for a touch more characterisation to underpin it all.
Also I’d have loved to hear more about the sadomasochists from beyond space and time. Again, I know mystery was kind of the whole thing, but like … how does their society even work? How do they eat and buy milk from shops? Have they evolved beyond shops? Frank himself reflects that he was immensely daft not to consider the possibility that sensuality might mean something very different to a bunch of trans dimensional beings summoned via the medium of puzzlebox. Like, I didn’t even feel like they were bad or scary, just that Frank was expecting SSC and he got RACK … kinda. I don’t even know where I’m going with this. Only that the Cenobites seemed mostly reasonable, even if their kink was very much not my kink. Except maybe that was part of point too. A kind of “who are the monsters here” thing. Or else I’m just waaaay too relaxed about alternative lifestyles.
Anyway. Glad I read this as part of my Clive Barker Whatevering, even though it did none of the things for me I understand horror is supposed to do. I might bounce around and read some of his fantasy because I think I’m still somewhat horror desensitised post three volumes of The Books of Blood. Right now, if a yattering came for me, I’d rock that shit.
PS - the head of a dick is described herein as a "boastful plum" which was a bit of a highlight. Romance has given me a deep fondness for emotionally expressive genitals. Boastful plum is definitely a step up from "fur divide" which popped up a couple of times in The Books of Blood, and left me genuinely confused for a moment or two before I realised it was supposed to be someone's vulva. I'd been thinking .... fijord? Like the forested ones?
Relevant disclaimers: None
Please note: This review may not be reproduced or quoted, in whole or in part, without explicit consent from the author.
And remember: I am not here to judge your drag, I mean your book. Books are art and art is subjective. These are just my personal thoughts. They are not meant to be taken as broader commentary on the general quality of the work. Believe me, I have not enjoyed many an excellent book, and my individual lack of enjoyment has not made any of those books less excellent or (more relevantly) less successful.
Further disclaimer: Readers, please stop accusing me of trying to take down “my competition” because I wrote a review you didn’t like. This is complete nonsense. Firstly, writing isn’t a competitive sport. Secondly, I only publish reviews of books in the subgenre where I’m best known (queer romcom) if they’re glowing. And finally: taking time out of my life to read an entire book, then write a detailed review about it that some people on GR will look at would be a profoundly inefficient and ineffective way to damage the careers of other authors. If you can’t credit me with simply being a person who loves books and likes talking about them, at least credit me with enough common sense to be a better villain.
*******************************************
Well, this was incredibly camp.
Basically, an amoral, ennui-consumed hedonist called Frank finds a puzzlebox he believes will introduce to him to a world of overwhelming sensuality. On opening the box, a set of heavily scarified sadomasochists emerge, and Frank is like, yep, I’m definitely still in, nothing can possibly go wrong here. Whereupon the sadomasochists—who have evolved beyond the capacity to distinguish between pleasure and pain—sweep him away for an eternity of torture.
Flashforward to Frank’s staid brother, Rory, and his hot new wife Julia moving into the house where Frank failed to discuss safe words before committing himself to an in-perpetuity type deal with sadomasochists from beyond space and time. Julia, it transpires, is unhappy with Rory and had slept with Frank (an unpleasant though consensual encounter that, for some reason, she was super into?) prior to the wedding. Typical horror things happen like blood falls incidentally on a floor, partially returning Frank—now barely a skinless shadow of a person—from his prison. From here, he convinces Julia to murder a couple of people (you can tell I’ve just come off The Books of Blood, with this casual mention of multiple homicide) so he can have more blood, and eventually offs Rory so he can steal his skin. Muddle into this Kirsty, Julia’s frumpy friend, who Frank is bizarrely obsessed with and, err, that’s The Hellbound Heart.
I didn’t … not like it. But I don’t think it end up hitting me quite the way it was supposed to? I haven’t actually seen Hellraiser but maybe the movie is steeped so deeply in our cultural consciousness that nothing in the book ended up being shocking or even all that interesting to me. Of course it’s beautifully written, especially the sections about the allure of the puzzlebox itself, but the characters are all kind of opaque and difficult to either care about or be interested in or even want to see ripped into pieces. Like, I had way more emotional investment in a random accountant getting on the wrong subway train, you know? This may be a disadvantage of THH being a novella rather than a short story: a certain opaqueness is expected when it comes to short story and can often be part of its impact. Here, I just didn’t understand what Julia wanted in Frank, what Frank wanted in Kirsty, what Kirsty wanted in Rory, and why anyone would not read the terms and conditions more carefully when bartering their soul with a bunch of sadomasochists from beyond space and time. And, I mean, I know to some degree that’s the point. It’s a book about destructive, irrational, wanting. But I guess I was looking for a touch more characterisation to underpin it all.
Also I’d have loved to hear more about the sadomasochists from beyond space and time. Again, I know mystery was kind of the whole thing, but like … how does their society even work? How do they eat and buy milk from shops? Have they evolved beyond shops? Frank himself reflects that he was immensely daft not to consider the possibility that sensuality might mean something very different to a bunch of trans dimensional beings summoned via the medium of puzzlebox. Like, I didn’t even feel like they were bad or scary, just that Frank was expecting SSC and he got RACK … kinda. I don’t even know where I’m going with this. Only that the Cenobites seemed mostly reasonable, even if their kink was very much not my kink. Except maybe that was part of point too. A kind of “who are the monsters here” thing. Or else I’m just waaaay too relaxed about alternative lifestyles.
Anyway. Glad I read this as part of my Clive Barker Whatevering, even though it did none of the things for me I understand horror is supposed to do. I might bounce around and read some of his fantasy because I think I’m still somewhat horror desensitised post three volumes of The Books of Blood. Right now, if a yattering came for me, I’d rock that shit.
PS - the head of a dick is described herein as a "boastful plum" which was a bit of a highlight. Romance has given me a deep fondness for emotionally expressive genitals. Boastful plum is definitely a step up from "fur divide" which popped up a couple of times in The Books of Blood, and left me genuinely confused for a moment or two before I realised it was supposed to be someone's vulva. I'd been thinking .... fijord? Like the forested ones?
March 7, 2017
Although I enjoyed the book, The Hellbound Heart, the movie version, Hellraiser - with the awesomely cheesy blue and yellow 80's FX - is a bit better and mainly because it was more fully realized.
And, as a fun note, John Kozak, the singer of my band, Of The Arcane, had his head sculpted by our friend, Mitch Gonzales, into the likeness of Pinhead, and was presented to Clive at the very first signing we attended of his at The Dark Carnival bookstore, in Berkeley, CA.
Clive liked it so much, Mitch gave it to him as a gift.
A few years later I met up with Clive who said he had the head encased in glass and on display in his home.
:)
And, as a fun note, John Kozak, the singer of my band, Of The Arcane, had his head sculpted by our friend, Mitch Gonzales, into the likeness of Pinhead, and was presented to Clive at the very first signing we attended of his at The Dark Carnival bookstore, in Berkeley, CA.
Clive liked it so much, Mitch gave it to him as a gift.
A few years later I met up with Clive who said he had the head encased in glass and on display in his home.
John Kozak Pinhead
:)
November 10, 2025
I was in 8th grade in 1987, which was the same year that I saw “Hellraiser” in theaters. Apparently, back in those more innocent days, an “R” rating didn’t mean much, as I was not with a parent or adult guardian when I saw it. I distinctly remember seeing it with about four other guys in my class. Our parents literally dropped us off in front of the theater, gave us $10 (because in those days, one could buy a movie ticket AND popcorn and candy and a drink for $10), and sent us on our merry way. We could have been buying crack cocaine in the alleyway behind the theater for all they cared, but whatever.
Anyway, I don’t think any of us knew what to expect with “Hellraiser”. I remember digging the poster, showing some pale dude with pins sticking in his face. I remember us laughing going in, probably thinking how bad can this be…
Holy mother of God. We were unprepared.
“Hellraiser”, I remember, set me on a path of loving horror movies. To be fair, I loved horror movies before seeing “Hellraiser”, but to be honest: there was never a horror movie quite like “Hellraiser” before “Hellraiser”. It set the standard for that holyshitholyshitholyshit-makeitstopmakeitstop kind of horror.
It also introduced me to a horror writer that I have admired ever since: Clive Barker.
Barker wrote and directed the movie, but it was based on a novella that he wrote called “The Hellbound Heart”, and I’m ashamed to say that I just recently read it for the first time now. I have no excuses, really.
In any case, the novella wasn’t bad. It is pretty typical Barker fare: extremely well-written, beautiful prose, gory as all get-out, and disturbing as fuck.
I do have to say that this may be a case in which the movie was actually better than the book, for a few reasons.
Ashley Laurence played Kristy Cotton
One reason is that, since Barker wrote and directed the film, he had the freedom and the ability to tweak and improve upon his own story, which he did. Little things, like changing Kristy’s character from a family friend to the daughter of Rory (Larry in the film). Kristy’s character in the book was sort of one-dimensional and acted simply as a foil, whereas she was a more developed character in the film.
Another reason is the practical f/x in the film were phenomenal. This is a case in which the gore straddled the fine line between gratuitous and necessary. We needed to be horrified by the blood and guts to show how truly horrifying and desperate Frank’s search for pleasures beyond our world was. Frank is an evil guy, but he isn’t a capital “E” evil. He’s a lower-case “e” evil, the evil of the banal and everyday, the evil of selfishly always wanting more and never being satisfied with what one has. It’s the evil of boredom. It’s a perfect contrast to the truly bad-ass Evil of the Cenobites, the priests of Hell, who come to collect their pound of flesh.
The book’s good, and I’d recommend it for Barker fans, but the movie is awesome, if you can stomach it.
Anyway, I don’t think any of us knew what to expect with “Hellraiser”. I remember digging the poster, showing some pale dude with pins sticking in his face. I remember us laughing going in, probably thinking how bad can this be…
Holy mother of God. We were unprepared.
“Hellraiser”, I remember, set me on a path of loving horror movies. To be fair, I loved horror movies before seeing “Hellraiser”, but to be honest: there was never a horror movie quite like “Hellraiser” before “Hellraiser”. It set the standard for that holyshitholyshitholyshit-makeitstopmakeitstop kind of horror.
It also introduced me to a horror writer that I have admired ever since: Clive Barker.
Barker wrote and directed the movie, but it was based on a novella that he wrote called “The Hellbound Heart”, and I’m ashamed to say that I just recently read it for the first time now. I have no excuses, really.
In any case, the novella wasn’t bad. It is pretty typical Barker fare: extremely well-written, beautiful prose, gory as all get-out, and disturbing as fuck.
I do have to say that this may be a case in which the movie was actually better than the book, for a few reasons.
Ashley Laurence played Kristy Cotton
One reason is that, since Barker wrote and directed the film, he had the freedom and the ability to tweak and improve upon his own story, which he did. Little things, like changing Kristy’s character from a family friend to the daughter of Rory (Larry in the film). Kristy’s character in the book was sort of one-dimensional and acted simply as a foil, whereas she was a more developed character in the film.
Another reason is the practical f/x in the film were phenomenal. This is a case in which the gore straddled the fine line between gratuitous and necessary. We needed to be horrified by the blood and guts to show how truly horrifying and desperate Frank’s search for pleasures beyond our world was. Frank is an evil guy, but he isn’t a capital “E” evil. He’s a lower-case “e” evil, the evil of the banal and everyday, the evil of selfishly always wanting more and never being satisfied with what one has. It’s the evil of boredom. It’s a perfect contrast to the truly bad-ass Evil of the Cenobites, the priests of Hell, who come to collect their pound of flesh.
The book’s good, and I’d recommend it for Barker fans, but the movie is awesome, if you can stomach it.
September 11, 2020
Ah, Hellraiser! One of the first *proper* horror movies I ever watched, on VHS tape at a sleepover when I was around 8/9 years old (probably wholly inappropriate oops). But by God, did the cenobites make an impression on me.
Finally got around to reading the novella, which inspired this classic horror movie (it was adapted into a movie by Clive Barker himself) and felt throughly impressed! And I have to say, this is one of the rare instances that I prefer the movie adaptation over the book, but nevertheless I still enjoyed it.
The writing style was close to perfection throughout. It is a tale of both fear and lust.
The story revolves around the protagonist Frank, who longs for a different type of pleasure, beyond what the world can currently offer him. He uses a wooden puzzle box (the Lemmarchand’s Box) which summons the Cenobites upon being solved.
Frank subsequently finds himself trapped within the Cenobites’ realm, receiving the pleasure he so richly desires. Until he finds a way back out through Julia, the wife of his brother, Rory. She begins to lust after Frank, desiring him, as her interest in Rory is wavering.
So, the main question is will Julia’s infatuation with Frank make her willing to give him the one things that he needs to remain in the mortal world; blood?
“He was mystery, he was darkness, he was all she had dreamt of. And if she would only free him he would service her - oh yes - until her pleasure reached that threshold that, like all thresholds, was a place where the strong grew stronger, and the weak perished.”
There are some character changes between the movie and the book, Larry is now called Rory and Kirsty is not Rory’s daughter, but instead a friend (who appears to be utterly jealous of Julia) but this doesn’t impact the story much at all.
Short; but well-written overall and plenty of true horror moments that made it worthy of being genre defining at the time of its release, and well worth the read. 4.5 stars, rounded up to a 5.
Finally got around to reading the novella, which inspired this classic horror movie (it was adapted into a movie by Clive Barker himself) and felt throughly impressed! And I have to say, this is one of the rare instances that I prefer the movie adaptation over the book, but nevertheless I still enjoyed it.
The writing style was close to perfection throughout. It is a tale of both fear and lust.
The story revolves around the protagonist Frank, who longs for a different type of pleasure, beyond what the world can currently offer him. He uses a wooden puzzle box (the Lemmarchand’s Box) which summons the Cenobites upon being solved.
Frank subsequently finds himself trapped within the Cenobites’ realm, receiving the pleasure he so richly desires. Until he finds a way back out through Julia, the wife of his brother, Rory. She begins to lust after Frank, desiring him, as her interest in Rory is wavering.
So, the main question is will Julia’s infatuation with Frank make her willing to give him the one things that he needs to remain in the mortal world; blood?
“He was mystery, he was darkness, he was all she had dreamt of. And if she would only free him he would service her - oh yes - until her pleasure reached that threshold that, like all thresholds, was a place where the strong grew stronger, and the weak perished.”
There are some character changes between the movie and the book, Larry is now called Rory and Kirsty is not Rory’s daughter, but instead a friend (who appears to be utterly jealous of Julia) but this doesn’t impact the story much at all.
Short; but well-written overall and plenty of true horror moments that made it worthy of being genre defining at the time of its release, and well worth the read. 4.5 stars, rounded up to a 5.
July 2, 2019
Sin lágrimas, por favor. Son un desperdicio de buen sufrimiento.
4,5
Este libro me sorprendió gratamente de principio a fin. Ya el hecho de haberlo encontrado fue un golazo, porque no es un libro fácil de conseguir. Fue mi primer Barker, y seguramente no será el último. Quedé totalmente hipnotizada con esta historia. Me gustó porque no solo domina un tipo de terror gore, algo sadomasoquista, sino que también interviene de por medio un conflicto matrimonial que le agrega drama a la trama. Mi única queja: NO TUVO SUFICIENTES CENOBITAS. Eso para mí era importantísimo, porque yo pienso en Hellraiser y automáticamente se me viene a la cabeza toda la banda de criaturas demoníacas encueradas, con cadenas, ganchos y todo tipo de cosas peligrosas. Verlos en menor medida en la novela me desalentó un poco, ya que esperaba que fuera tan gráfico y épico como en la primera película. Quizá el error fue mío por haber tenido la expectativa por los cielos. De igual forma, creo que el libro es ideal para cualquiera que ame el terror, para los que quieran iniciar con el autor, ya que es un libro de lo más sencillo de leer, tanto en inglés como en español.
Si quieren saber más detalles sobre mi opinión, los invito a visitar mi videoreseña: https://www.youtube.com/watch?v=cx66O...
4,5
Este libro me sorprendió gratamente de principio a fin. Ya el hecho de haberlo encontrado fue un golazo, porque no es un libro fácil de conseguir. Fue mi primer Barker, y seguramente no será el último. Quedé totalmente hipnotizada con esta historia. Me gustó porque no solo domina un tipo de terror gore, algo sadomasoquista, sino que también interviene de por medio un conflicto matrimonial que le agrega drama a la trama. Mi única queja: NO TUVO SUFICIENTES CENOBITAS. Eso para mí era importantísimo, porque yo pienso en Hellraiser y automáticamente se me viene a la cabeza toda la banda de criaturas demoníacas encueradas, con cadenas, ganchos y todo tipo de cosas peligrosas. Verlos en menor medida en la novela me desalentó un poco, ya que esperaba que fuera tan gráfico y épico como en la primera película. Quizá el error fue mío por haber tenido la expectativa por los cielos. De igual forma, creo que el libro es ideal para cualquiera que ame el terror, para los que quieran iniciar con el autor, ya que es un libro de lo más sencillo de leer, tanto en inglés como en español.
Si quieren saber más detalles sobre mi opinión, los invito a visitar mi videoreseña: https://www.youtube.com/watch?v=cx66O...
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