Well.... this was her first book, I believe, so some consideration should be given for that. And yes, it's all right, but not mind blowing and honestly, very predictable. And it falls into that category which my other half calls grannie porn. * How Kind*. Historical family saga/melodrama/cheesey romance. Perhaps I am a little disappointed given where I got the recommendation from I was expecting a lot more from this. I wanted to read it, as said, as it had been recommended and also as it's set in East Yorkshire. I've just been on holiday there so the setting was relevant (although the actual places a lot of it takes place at have since washed into the sea!) and I'm curious about that corner of the county, as one of my favourite writers set her books there (Winifred Holtby). Let's not get into a competition here, but Holtby is a far superior writer.
Anyhoo. Set in the second half of the 1700s, starting in the slums in Hull, this follows two generations of the Foster family. There's Maria and Will and their kiddies. He works on the whaling ships but is forced to give it up when an accident at work means he loses a leg. Back in the days before "where there's blame there's a claim" the family has to figure out another way to earn their crust. Lucky for Will Foster, he'd been saving the ship owner's nephew at the time, and so the family are offered jobs on the Masterton's new estate out in the countryside on the Holderness Coast. Will is some kind of farmer/land agent, and Maria works as a housekeeper. Ma Scravyn, one of the most interesting characters in the book, is the head of the housekeepers, and a herbal wise woman of the district. On arrival Maria gives birth to another daughter, Sarah, and shortly afterwards Masterton's wife Isobel has a daughter, so these two girls grow up together, although the older they get the more the social hierarchy of the times come between them. Which is a particular problem for Sarah, who is educated alongside Lucy, and ends up finding she doesn't really fit in with either class.
The cheesey romance element doesn't come in till the end of the book, so you've got to be here for the history and the saga. And honestly, it's a bit lukewarm, there's no real build up or passion. And for me there was something a touch creepy about it. I know there were big age gaps in marriage back in the day and that farm girls married young, but we're talking a young teenage girl and a man in his thirties, and the creepy bit... well, he was there at Sarah's birth so he's almost fawning over her from word go. He feels more like he should be older brother/father figure, and for her to suddenly "love" him.... I don't know.
The characters are all the stereotypes you'd expect, with the poor being a mix of cheeky rogues and thieves, and very earnest, honest hard working folk. The rich are benevelant (surprising to read of sympathy for the French Revolution from that class) and the women are emotionally immature, materialistic and cold... A lot of the dialogue is written in local dialect which I am always ambivilant about. I get that it shows a class difference between the rich, whose speech is written as plain English, and the uneducated working class who speak in dialect. But still, personally I am not a fan of it.
It's a domestic drama in a lot of ways with a lot of joy in having babies and keeping house. Which doesn't make for exciting reading. There's moments of thievery and scoundrals, but they're all neatly dispatched so that you never feel much of a sense of injustice or seeing much bad or unfair happen to anyone. Not that I want to read about people having a bad life and a miserable life. I suppose I'm saying this hasn't really been my cup of tea. But if you're wanting something nice and bland, a quick read with no nasty shocks hiding, it's fine.