Giles Blunt, Forty Words for Sorrow (Berkeley, 2001)
Giles Blunt first came to the attention of critics everywhere as a staff writer for Law and Order, one of the strongest television series in history. And when reading Blunt's first novel, the reader who is a Law and Order fan is likely to know, even without knowing Blunt's allegiance to the show, that there are similarities. Needless to say, for the Law and Order fan, this means you've pretty much got a free pass on this one; you're going to love it.
John Cardinal is a cop with his career in the toilet and a clinically depressed wife. His usual partner is tied up in court on another case, so Cardinal is assigned another one, Lise Delorme, who's just come to homicide from Special Bureau (Americans, think "internal affairs"). Cardinal, who some folks in the branch suspect of being crooked, immediately suspects she's been paired with him in order to investigate him. But he's got too much on his plate to spend much time worrying about that; first, his wife goes into the hospital with a particularly nasty bout of depression. Second, a body is found in a mineshaft, believed to be that of Katie Pine, a missing girl whom Cardinal always suspected of being murdered; his obsession with her case got him demoted from homicide in the first place. Who can worry about whether you're being investigated by your partner or not?
Perhaps the most intriguing thing about Forty Words for Sorrow is the tension between Cardinal and Delorme, and trying to decide whether a romance is getting underway. The two of them are very deftly handled, and while they seesaw back and forth between being nice to one another and loathing one another, there's never a sense that anything is being exaggerated for the reader; the perils of having a new partner, and one of the opposite sex.
That said, the best-written scenes in the book are those between Cardinal and his wife in the hospital. Cardinal is hopelessly adrift, completely unsure of how to handle himself around her as she struggles in the mire of her depression. Both characters are painted spot-on in these scenes, and they alone are enough to warrant the purchase price of the book.
What's missing from the above two paragraphs is the mystery itself. And, ultimately, the mystery takes a back seat to the characters. This is not a bad thing, as long as the characters can sustain the novel (and they certainly do here). But the end result is that the mystery becomes somewhat predictable, especially for regular watchers of (you knew I'd get round to it sooner or later) Law and Order. The twists and turns in the plot will be easily recognizable to the show's rabid cult following. Again, not that this is a bad thing; in fact, regular Law and Order viewers have come to expect this, and will feel right at home. (Non-regular viewers, or those who have never seen the show, may not find anything here predictable at all.)
A good, solid work, Forty Words for Sorrow, a promising debut from a promising writer. John Cardinal is coming back soon in Blunt's second novel, and if the first one is anything to go on, it will be just as well worth reading. *** ½