The eight stories in L.A. Noire: The Collected Stories are penned by eight different authors: The Girl, by Megan Abbott; See the Woman, by Lawrence Block; Naked Angel, by Joe R. Lansdale; Black Dahlia & White Rose, by Joyce Carol Oates; School for Murder, by Francine Prose; What’s in a Name?, by Jonathan Santlofer; Hell of an Affair, by Duane Swierczynski; and Postwar Boom, by Andrew Vachss.
The book contains ”eight thrilling tales of crime, deception and murder”, if you believe the front cover. I’m not sure I do — in my opinion, only five of the stories are actually any good.
Of the three stories that I didn’t enjoy, two of them (The Girl and Postwar Boom) I simply didn’t find engaging, but would concede that they were at least well written; the third story (Black Dahlia & White Rose), on the other hand, made me want to tear my eyes out.
These stories are the first noir fiction that I’ve read, so it’s possible that the author’s decision to remove almost all punctuation and connect every sentence with an & symbol is a common stylistic choice, but I found that it detracted from the underlying story (which wouldn’t have been half bad if presented differently).
That said, the book’s hit-to-miss ratio is pretty good — and it’s particularly good value for money (I downloaded it for free, but its price has since risen to $0.99). I’d recommend it to anybody that has considered getting into noir fiction at some point; even if, like me, you find that some of the stories are not to your taste, you’ll at least know which authors to avoid.