My first audiobook in over a decade! ✅
I’m so glad I decided to borrow this from my library on a whim. Listening to the narrator speak with a southern drawl was *chef's kiss*
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Indelible has been the most engrossing Grant County novel for me since the series opener, Blindsighted.
And I think I have a good idea why. First: we spend significantly less time meandering through Lena’s spiralling, self-destructive head in this novel, and I was grateful for it.
Second: it was utterly fascinating getting the chance to delve into Sara and Jeffrey’s backstories.
When we first encountered this coroner-and-police-chief duo in Blindsighted, one big reason I was drawn to them was their already extensive shared history. They’d had enough years together, after all, to date and marry and eventually divorce, too, after he cheats. And it was an unfamiliar feeling for me: not being privy to characters’ history, being plunked into a relationship after it’s ostensibly ended.
Now, we finally get to witness firsthand the origins of their flammable chemistry.
And Karin Slaughter sends us into the fray in such a compulsively readable manner—by interweaving bloody events from Sara and Jeffrey’s past with a violent tragedy in the present day. In this way, the reader slowly gains crucial insight as to what, exactly, led to the hostage situation that has left Jeffrey critically wounded.
Importantly, both storylines—1991 and present day—revolve around compelling and twisty mysteries.
I found myself falling into that rhythm coaxed out by authors who can deftly alternate between chapters/timelines: when I got to the end of a chapter, there was always a cliffhanger waiting for me—a cliffhanger I wouldn’t be able to assuage until two chapters later.
It propelled me to read on.
As with all of the Grant County books I’ve read so far, there’re a not-insignificant number of sexist characters and offhandedly (and openly) homophobic comments. Jeffrey from his younger days—from 1991, even—sounded like such an unapologetic ass sometimes. Especially when he was narrating about the girls he’d been with.
But at this point in the series, I’ve learned to temper my expectations. I wouldn’t recommend reading this book if you don’t want to hear explicit and unabashed misogyny, sexism, and homophobia (including use of the f-word slur).
I will say, though, that Karin Slaughter has become much better at conveying her subversion of such prejudice. Though the characters are constrained by their contexts—both time (1991) and place (small-town, middle-of-nowhere Alabama)—there are still acts of defiance and condemnation of such blatant discrimination.
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BOTTOM LINE:
This book isn’t as bleak as some of earlier Grant County novels, and I’m revved up to dive into the next one!