NO GENTLE GAME
"I had four or five love affairs, like most people – but only one that really mattered, and that ended in death, unfortunately." - Daphne Park, UK Secret Intelligence Service Officer.
Female protagonists in spy thrillers are now all the range in the Post 9/11 World. In a world of progressive values and what not, authors in the genre are now giving us some tough customers who look pretty and can cap a fool in the face with 5.56mm lead. In the past, it was very, very rare to have a female hero in a spy novel. The boys got all the fun and the women were either the arm candy or backroom support. And the ones who had a chance to pick up a gun usually almost all the time cracked under pressure and hysteria the minute the first bullet flew. The general male centric focus in espionage fiction at times has translated to portrayals of spying. James Bond didn’t quite help in this regard, not did the George Smiley series. However, actual espionage has always had prominent female intelligence officers even before the recent appointment of Gina Haspel, the first female CIA DCI and the first professional intel – officer in more than half a century to reach the top of the Company.
In Britain during the Cold War, the legendary Daphne Park, a woman born to poverty and considered the lowest of the low amongst a class-conscious establishment distinguished herself as one of the most brilliant case officers of the entire war and ended her career as one of the seven operational comptrollers at the SIS, the group of people only answerable to “C”, the director general. Her counterparts, Remington and Buller in MI5 became director generals in quick succession. And of course, from the USSR, we have the legendary Ursula Hamburger who dodged Chinese KMT and Japanese operatives in Shanghai. Long before the sexist misogynist dinosaur got his first bollocking from the new “M” in 1995, the spying business has long since stopped being a “Gentleman’s Game.”
Two British thriller characters helped pave the way for the current wave of badass female protagonists in spy novels. Both were forgotten by writers and should be given their due. The first, was Modesty Blaise, the mysterious European gun for hire who danced across the criminal underworld of the swinging sixties and cynical seventies. Badass, independent and defiant in outraging the social and cultural norms of her time, Blaise was the origin point for the modern, contemporary female thriller hero. But it’s the second Englishwoman which today’s review focuses on, the one who more than any, is a true unsung hero to the genre and deserves far more attention and prestige than she got in her run.
Meet Tara Chace. Created by the American comic book artist, Greg Rucka, Tara Chace was the first badass Post 9/11 spy fiction protagonist and the star of the first great espionage comic book series, Queen and Country. A paramilitary officer of the Secret Intelligence Service, Chace worked for a section of D – Ops known as “The Minders”, a trio of killers who were capable of fighting small armies single handily if need be as unlike the CIA, D – Ops was no Special Activities Division and the minders had to resort to quality over quantity due to the danger of their work. Chace was no different, being supremely trained and equipped with all the skills needed to lie, steal and kill her way across a hostile environment while gathering intelligence for her majesty’s government. As the comic book series ended, Rucka wrote a trilogy covering the conclusion of Chace’s career as a British spy. Now to the review. What happens when the spy has to run, not into the cold, but the heat of death?
A Gentleman’s game begins with a dramatic terrorist attack. At rush hour in London from the eyes of an Islamic jihadist, several tube trains are set on fire in a synchronized act of arson. While not initially devastating like a bomb would be, the smoke takes advantage of the long-standing security vulnerability in the London Tube’s natural ventilation system and proceeds to spread across ¾ of the entire network. Hundreds die in the proceeding hours and a Whitehall Mandarin who refused to have safety measures implemented has his career cut short as punishment.
Across London, Tara Chace, former SIS officer goes about her Lunchtime routine. Not on assignment, she’s reflects on the hobbies that Minders eventually pick up to keep themselves from going insane in the spying business. In her case, it’s painting. Called into the office in the middle of some messy pastels, Chace heads over to Vauxhall Cross where she meets her boss Paul Crocker, the director of operations at the SIS. After the blame game dies down retribution is agreed upon and Chace is tasked with uncovering and hunting down the plotters of the attack.
In Saudi Arabia, a group of Western Jihadists including an Englishman meet up with the plotters of the attack in question. The English Islamic terrorist is singled out for special attention. In Israel, two of the most powerful men at Mossad discuss an ongoing concern, namely an assassination that even their service would be unable to complete. They decide to phone a friend and Chace soon finds herself on a plane to Yemen. Meanwhile “C” the SIS chief begins having one of his bad moods and soon The Minders find themselves in peril. All these threads come together in a great betrayal that rocks the heart of British intelligence. From London to Yemen to Tel Aviv and the terrorist land of Saudi Arabia, Chace and one man she can trust go on a suicidal hunt for the terrorists who need to die so they can live. But as the odds in their favour shrink, only one question remains. How can one female spy survive the ultimate rigged Gentleman’s Game?
In terms of plot, “A Gentleman’s Game” is a fine Post 9/11 thriller. Written in the first decade of the war on terror, the story was a harbinger of things to come in the genre. More brutal, more vicious and far nastier than the Mitch Rapp and Scott Harvath books, the story of Tara Chace also surpassed them in complex geopolitical gambits, real world research and complex, visceral action scenes. None of that comforting American Jingoism in sight, Queen and Country brought the cut throat moral ambiguity inherent in the British tradition of spy thrillers, put a Glock 17 in its hand and told it to go out and break the hearts and preconceptions of readers everywhere. A Gentleman’s Game lives up to this promise and more. Bursting with that glorious British cynicism, full of more back stabbing than a kitchen knife holder, it’s a complex, story where the world is out to get a tough British spy and she has to constantly prove with every bullet fired at her than she can beat the “Gentleman’s Game” and live to fight another day.
Action and setting? Outstanding as usual. Rucka was a writer, not a comic book artist, but he knows how to capture the realistic fast paced life or death violence that is part and parcel of Chace’s job as a British super spy. From the opening deaths at lunchtime in London, to the meticulous stalking through Saana’s souk and a later infiltration into one of Yemen’s biggest Mosques, we also have one heck of a running fist fight between Chace and her opposite numbers in London. The backdrops are brought to life with sufficient competence and local colour. From the claustrophobic London Tube stations, to sunny safe houses in Tel Aviv, a particular highlight in the story is the portrayal of Yemen where a key portion of the action takes place. Rucka gets the local details of Pre – Arab Spring Yemen down perfectly, culture, customs and security threats included.
Research? This is what made Queen and Country one of the best spy fiction franchises in the Post 9/11 era. Rucka’s comics showed that comic book series didn’t have to be restricted to the escapist and the fantastical and could even be the basis of mature espionage drama, bigger in scope than the old James Bond newspaper comics. The level of detail he brought to Gentleman’s Game is a case in point, deftly matching other established contemporary spy thrillers, perhaps even more so. Whether it be the inner workings of the new breed of cheap, cheerful and devastating terrorist attacks, tradecraft, assassination planning and the dynamics of inter – service rivalries between foreign services and the general mistrust and paranoia that goes on when national interests and pride are on the line, Queen and Country has the perfect level of real world detail that enriches the moral ambiguities and complexities of the story even further. Rucka, while an American is able to give a more British flavour to the book, making it a far, far different beast from “Memorial Day” or the more recent “SPYMASTER”.
Characters? Superb, superb. So many standouts but I’ll focus on two. First, Tara Chace, our anti – heroine. Chace fits all the usual qualifications for the tough, strong female protagonist. A drop-dead stunner who has been given superb combat training and tradecraft tuition, she can seduce any man to bed or gun down several Jihadists single handed in the sands of Arabia. She’s no Mary Sue however, Rucka is a much better writer than that. Chace is someone who would envy the luxuries that Scott Harvath and Mitch Rapp gets, such as cast-iron political protection and a lot of Gucci firepower. Chace constantly has to deal with the looming spectre of the SIS chief second guessing her unit, her best laid plans going catastrophically wrong, and being all the time at constant near death injuries or worse.
Chace suffers during her job, something that defined her from her male counterparts who at times, had it rather easy in spite of the world ending stakes they may have faced. Rucka gives Chace a very rich characterization. Someone who knows she’s the best at her job but is full of self-loathing at all the terrible necessities she’s had to do for Queen and Country over the years, but is resigned to keep doing them as someone has to get those jobs done. Badass, highly relatable and compelling all the way, the current crop of female thriller protagonists like Jennifer Cahill of Brad Taylor fame owe a massive debt to the one, the only Minder One, with interest.
Secondly, we have Landau and Borovsky. Landau and Borovsky. Directors of analysis and operations at Mossad, they are two major secondary characters who play a key role throughout the story. While at the start, it seems that Landau is the meek professional while Borovsky is the boisterous hard man, over the course of the story, they switch roles, with Landau exposing cowardice born of political expediency while Borovsky demonstrates surprising moral fortitude for a high-ranking intelligence officer. This clash of ideals and their musings on the infuriating political binds international terrorism puts counter – terrorism operatives in are among the highlights of the story and it’s a real shame that as this was the concluding trilogy of the franchise, they only appeared in this book.
Constructive Criticism? The length. I have some quibbles with the structure. Some scenes were a bit overdrawn here and there but apart from that, the book was near perfect. It wasn’t perfect however as its sequel blew it clean out of the water.
Overall, “A Gentleman’s Game” is an outstanding spy novel that at times surpasses established bestsellers and titans of the genre. Featuring a sterling plot that captured the true complexities and pain of the Post 9/11 spying game, a cast of brilliant characters, one in particular who blazed a trail with few realizing it, realistic action sequences and impressive real world research and moral ambiguity, the first act in the concluding trilogy of Queen and Country deserves to have been given more attention by spy novel enthusiasts. The next book in the concluding trilogy is even better than this one. Tara Chace will be fighting a private war for someone she’s grown to despise but can’t escape.
RECOMMENDED.