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505 pages, Hardcover
First published March 9, 2021
(I averaged my ratings for all 18 of these stories and came up with 2.7 stars for the book).
It’s possible that if I hadn’t come into this with high expectations, I might have enjoyed it more — that’s on me. But I did (have high expectations), and therefore wasn’t as impressed as I’d hoped to be.
Overall, I’m glad the book exists and that I read it. Black readers ought to see themselves more often represented as both characters and authors in every genre, and readers of all colors and origins could stand to broaden their horizons. I only wish the book had been better. Most of the stories fell flat to me, with only a few turning to corner into enjoyable. None wowed me (so no five-stars), and only two felt powerful enough to warrant four stars.
The stories cover a variety of time periods in Wakanda history — though a majority are set during the reigns of the two Wakandan kings we’ve seen in Marvel movies (T’Chaka and his son T’Challa). Many emphasize the inherent moral paradox of the “Wakanda first” policy that was evident in The Black Panther movie — Wakanda can continue to hide itself, isolate itself, and protect only itself, and in doing so ensure a high quality of life for its people — but this means the rest of the world, especially the Diaspora, suffers. Or Wakanda can make greater efforts to use its superior technology and resources to bring about positive change among wider humanity — at the risk of dangerous exposure and depletion. I was startled at how many of them (eight) were set at least partly in the U.S. — though this likely reflects the intended audience as well as the pool of authors (at least 14 of them are from or in the U.S.)
(I have published a longer review on my website, including mini-reviews of all 18 stories.)