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128 pages, Kindle Edition
First published February 25, 2021
I wonder when I read reviews pointing out the problematics of a novel, whether the point is not that the readers were offended to the extent that it had to be mentioned in their review but rather it is like putting your pronouns in your Twitter bio. It is a statement of allegiance more than of real feeling.
Or, is it that should the reviewer not mention that they disagree with the opinions of the characters, or the writer, or the lack of representation of any particular minority; it will be interpreted as an agreement with the views of any and all characters as well as the author. It should be noted that the antecedents of the author are also important, as the British Library so helpfully pointed out, so readers of Byron, Wilde or Hughes not indicating in their review that they do not support slavery should be assumed to be in favour of it.
While I'm on the point, referring to an artist by their surname only is problematic as it 'discriminates against black or female composers who are called by their full names' . I should be reassuring and say that of course if you fail to mention that you are against the injustice in Pride and Prejudice of the Bennet sisters not inheriting you are tacitly supporting primogeniture. Not deploring the lack of black characters in The Great Gatsby, is an ominous silence that can only indicate secret feeling of white supremacy. By reading a novel that does not have any transgender or disabled characters, you are colluding in a conspiracy to silence these marginalised voices by reading a book that failed to represent them, and will be condemning yourself as a non-ally, a part of the oppressor class, especially if you read something by a heterosexual white man. Reading a work written in standard English is a mark against you, it ignores the demands of black linguistic justice by "using academic language and standard English as the accepted communicative norm, which reflects white mainstream English" and this "creates a climate of racialised inferiority toward Black Language and Black humanity.”
The only mitigation open for you, my dear phobic reviewer, is to restrict your reading to only books written either by or about ethnic or sexual minorities, preferably written in dialect. Should the western canon ever be read, as it should not be as the term classic is applied only to the patriarchal offerings of white men, it must be qualified by an assertion in your review that even though a Dickens novel has been read, you the reader, are fully aware of his privilege and racism and that his books are only popular because he is a man and his popularity among the working classes of the nineteenth century was only so that they could read reflections of their own misogyny and colonialism.
Reading as a performance of one's own virtue, does not impress me.
Saying what you really think is harder but you will feel better afterwards.
"Debate is not, as some have asserted, a ‘fetish’. It is the means by which we forestall the closing of our minds. We argue to refine our point of view, to challenge our certainties, and to persuade others when we feel that they are misguided. In order to do this, we must be able to understand our opponent’s perspective, and not satisfy ourselves with crude misrepresentations. Above all, we argue because we know, even when we are not willing to admit, that there is always the possibility that we might be wrong. We are not infallible, and we can be sure that much of the received wisdom of the present will be derided by our descendants."