Written in the splendid bareness of her late style, these pages are Marguerite Duras's theory of literature: comparing a dying fly to the work of style; remembering the trance and incurable disarray of writing; recreating the last moments of a British pilot shot during World War II and buried next to her house; or else letting out a magisterial, so what? To question six decades of storytelling, all the essays together operate as a deceitful, yet indispensable confession.
Marguerite Germaine Marie Donnadieu, (4 April 1914 -3 March 1996) known as Marguerite Duras, was a French novelist, playwright, screenwriter, essayist, and experimental filmmaker.
Her script for the film Hiroshima mon amour (1959) earned her a nomination for Best Original Screenplay at the Academy Awards.