If you live in Riseholme, England, you are a minion of Lucia (pronounced the Italian way), the Queen of Art and Culture. She controls the social network and has raised the poor little town to a degree of culture it has never known before. Any social event MUST have Lucia play the first movement of The Moonlight Sonata (she doesn't play the other two because they don't have the same 'mood' although her best friend Georgie knows they are actually too difficult for her!) and provide the requisite communal sigh (denoting the sheer beauty of it). If music is provided (and it had better never be a grammaphone!), Lucia will sit in her "appreciative" pose of elbow on knee, leaning forward, chin resting on hand, eyes slightly unfocused so that you know she is concentrating on the beauty of the music. In short she is a small town tyrant. But a loveable one. In the first story in this edition, Queen Lucia, Lucia's reign is suddenly threatened by the arrival of an opera diva who, of course not understanding the dear inhabitants of Riseholme and their tastes, institutes free-for-all "play" evenings, plays music on the grammaphone and threatens Lucia's dominance in every way. Will Lucia be able to survive? Will she be replaced? Will Riseholme lose its cultural magnificence?
In the second story, Lucia in London, Lucia's husband's aunt dies and throws them into deep mourning (although they haven't seen her in the 7 years she's been in the asylum)AND into the ownership of a house in a nice section of London. Lucia has never made it a secret of her distaste of London and its hustle-bustle, mindless actions, etc. When she visits it, she always longs to return to "dear Riseholme" with its quiet and its culture. But now it appears that she is determined to move to London. Will she really go? Will she decided to stay? What will happen to the Hurst, her house in Riseholm? And who will take over the social programming?
Lucia's neighbors are a wonderful lot as well. Georgie (or Georgino, since they MUST speak Italian!) is not married, lives by himself, accompanies Lucia in her piano duets and embroiders. Mrs. Quantock, short and round, moves from one fad to the next - spiritualism, yoga, onion soup diets, you name it. Mrs. Antrobus who can't hear a thing in spite of her enormous ear trumpet. Mrs. Weston who rides all day in a bath chair, pushed by one servant or another at a breakneck speed around the town. And others too numerous to mention.
Another story on a different heroine, Miss Mapp, is included as well. Miss Mapp is around 40 and has her eye on the Major who lives just across the street. In more way than one. Miss Mapp has a bow window in her garden room from which she can watch the entire street to catch someone doing something he/she ought not. She is worried that her servants are using her phone for their own purposes, she MUST be the one who starts gossip spinning around town, can NEVER be wrong about what's happening in the town, and never hesitates to explain the the Major and the Captain how they must lead their lives.
In short, these two ladies typify English small town life between the Great War and the Great Depression. The humor is sharp, the characters all complicit, and the writing sweet. E. F. Benson is well worth reading.