John Hoyer Updike was an American writer. Updike's most famous work is his Rabbit series (Rabbit, Run; Rabbit Redux; Rabbit Is Rich; Rabbit At Rest; and Rabbit Remembered). Rabbit is Rich and Rabbit at Rest both won Pulitzer Prizes for Updike. Describing his subject as "the American small town, Protestant middle class," Updike is well known for his careful craftsmanship and prolific writing, having published 22 novels and more than a dozen short story collections as well as poetry, literary criticism and children's books. Hundreds of his stories, reviews, and poems have appeared in The New Yorker since the 1950s. His works often explore sex, faith, and death, and their inter-relationships.
3.5 rounded up to 4 stars. Only five of the twenty stories really interested me:
Paul Bowles, "In the Red Room" Andre Dubus, "A Father's Story" Wright Morris, "Glimpse into Another Country" Joyce Carol Oates, "Nairobi" Cynthia Ozick, "Rosa"
Pretty good overall. Three i thought were noteworthy: A Father's Story, Andre Dubus Lena, Mavis Gallant Morrison's Reaction, Stephen Kirk though if anyone can explain the ending to Morrison's Reaction i would aprreciate it.
One of these days ill read a B.A.S.S. where i love every story and then ill have found an author to follow.
I’m letting out a deep sigh I as write this closing for “The Best American Short Stories 1984”.
I had such high hopes for myself when I started this anthology. I felt that I would attack it and read through it with all the gusto as say…the John Gardner edited anthology.
Perhaps I didn’t want to finish this collection. Honestly, the stories collected here by Updike were outstanding. Collected, I think I have enjoyed them the most of all the BASS I have read to this date.
Of course, I did wonderful job of throwing obstacles up in front of my progress.
I read Ian Frazier’s rather large book - “Travels in Siberia” (absolutely wonderful). And reading this book pushed me into my Russian phase which caused me to start this new blog -
A major improvement over Anne Tyler's editorial turn: almost uniformly top-notch work, and satisfyingly varied, too. My favorites, in rough order of preference:
Donald Justice - "The Artificial Moonlight" (the standout for me) Paul Bowles - "In the Red Room" Mavis Gallant - "Lena" James Salter - "Foreign Shores" Madison Smartt Bell - "The Naked Lady" Lee K. Abbott - "The Final Proof of Fate and Circumstance" Joyce Carol Oates - "Nairobi"
And a few honorable mentions: Cynthia Ozick - "Rosa" Wright Morris - "Glimpse into Another Country"