At first, I was very unsure if I really wanted to read this book or not. It seemed like for each positive review on Goodreads there was also a negative one. As most positive reviews were from people who watched the anime movie, let me tell you that I rate this book with the score you can see above without having seen the movie - all I did was watch the trailer to help me decide whether to read this book or not, and in hindsight, the trailer really doesn't do this amazing and magical book justice at all!
A lot of the negative comments and even one or two-star ratings stem from the fact that in the very beginning of this book, an old man gropes a young woman. From the way that people were blowing up this moment, I thought it would be the most disgusting, rapiest moment to ever encounter in a novel. As it turned out, things are actually sort of straight-forward: A young woman meets a charming old man in a bar, old man gropes young woman, old mas is literally chased out of said bar by the people around that girl. The "moral" that you can get of that episode, if there even is one, would be that even charming old people you encounter at night can turn out to be vile characters - so you better keep an eye on yourself. I see nothing wrong with this small episode and think that people figuratively ripping this book in halves because of that scene are not doing the amazing rest of the book justice. But I can of course see that people would have a problem this sort of scene and can totally understand why people wouldn't want to read something like that.
This book holds four stories that each follow the perspective of a young man who has a crush on a female member of his university club and said crush, as they navigate through different scenarios and are always in the proximity of each other but (almost) never quite close enough to have a proper conversation. The story of this book is pretty non-existent and the characters are there to propel the events of the story forward. If gripping characters and an exciting story are what you are looking for, I advise you to look somewhere else. What this book wants to offer is four tightly packed, well written, fun as hell novellas that make for some of, if not THE best writing I have ever encountered in a novel. If you want to have a blast with a book but do not need conventional story or characters, you will have the ride of your life with this book. Below, I will rate each of the four stories individually:
1) 4/5 Stars
This is the story that you will mostly see shots of if you watch the trailer for the anime movie adaptation of this novel. Frankly, I don't know if the movie just adapted the first story of the marketing team thought that the bar crawl story would make for the most exciting material to lure viewers into theatres. In my opinion, this story is great, yes, but it pales in comparison to the second and third story of this volume. This first story gives us a first glimpse of the two narrators, the (I think) unnamed male and female protagonists, introduces major characters that you will meet again over the course of the novel and above all gives you a first impression of the great and bizarre writing style of Morimi. If you aren't used to this, however, especially Higuchi and his shenanigans can be a bit much to bear. However, it is already in this first story that Morimi brings his way of storytelling, in which each aspect, no matter how little they seem at first, is important to get the protagonists to where they need to be in the end of the story, almost to perfection.
2) 5/5 Stars
Namu-Namu!
After the first story gave you time to get used to his writing, Morimi shifts into higher gears in this second story and writes a compelling story, almost a chase, of our male protagonist trying to find his crush on a used book fair. There are shifts and turns as to whether they will meet or not and if both of them will be able to reach their goal - which happens to be the exact same thing, but both go different routes on their way. There is even more crazy stuff to find here and more weird coincidences in which people meet or become relevant for the story. And this is exactly what makes this store so great: This is Morimi simply crafting a story not distracted by character development or story progression and that can instead purely focus on being a well-crafted, well-executed, tightly-packed 80 pages joyride from start to finish.
3) 6/5 Starts
I usually frown at people using this cheap trick of rating books with six stars to show their excitement but, please, hear me out. This story is by far the BEST story, the best and most well-written, most enjoyable piece of literature I have ever laid my eyes on. I have rated books with 5 stars before because I enjoyed them or thought that they were well-written but this story is by far above everything else I have rated so far - therefore I need to somehow rate it higher than all those other books I rated with 5 stars. This story is perfect from start to finish and packed with even more crazy mayhem that looks stupid at first glance, becomes important two pages later and plays a major role in bringing the story to a finish. The term "guerilla stage production" sounds stupid and crazy at first but after a couple of pages becomes the best thing to be ever written about. In the setting of a university school festival, strange coincidence like said guerilla stage play, a kotatsu appearing out of nowhere and seemingly disappearing without a trace, a girl exhibiting an artificial elephant butt amass and suddenly become important not only for the amazing story unfolding in this short story /novella but also for our two protagonists. This is a novella par excellence: Each and every information that is mentioned happening in this school festival will be important for how the story plays out in the end and I really have to stop writing about it now because - if truth be told - it would be best to go into this story completely blind.
4) 2/5 Starts
Ooof! How did this happen? While the first story managed to serve as an introduction to the world and characters of this book and at the same times just be a crazy and enjoyable story, this fourth story is obviously tacked on to bring the overarching main story to a close. This, it does pretty well and gifts the book with an ending that - in my opinion - is well written and fits the overarching story thematically, logically and style-wise. However, the route that the story takes - the entire uni being knocked out with a cold and our female protagonist being the last woman standing and only one able to find a remedy for the illness - is long-winded, at times uninteresting and feels like Morimi is taking a stroll down memory lane of the first three stories in this volume, sometimes forcing characters from these stories into this one without them really serving a purpose. If this story didn't happen, this book would have been a solid 5 starts, however, you cannot really let this weak finish to an otherwise amazing piece of literature slide that easily. In my opinion, this conclusion wasn't even necessary. Granted, it did bring the story to a close, but I think that ending the book with the open ending of the third story could have worked and would have fit the story thematically as well.
Even with this weak of a fourth story, "The Night Is Short, Walk on Girl" is a stunning novel that entertains from start to finish and is perfect if you want to read something like you probably never have before.