Dr Anya Crichton receives two invitations.
One is to testify at an Australian Senate committee inquiry into establishing a code of conduct in sport.
The other is to travel to the USA to give talks to premier league football players on sex, sexual health and issues of consent.
For followers of the Anya Crichton series, the themes of sexual assault and violence towards women are familiar, as her medical practice has specialised in these areas for a considerable time. The author is adept at creating scenarios in her novels for these issues to be examined, explored and critiqued while enjoying the fictional characters and the mystery to be solved. In this, the fifth Anya Crichton book, Fox has taken on the fraught area of prominent public figures who abuse women and get away with it because they are sporting heroes.
Early in the book we read of a young wife who is gang-raped by her new husband's NSW Rugby League team mates. They see no wrong in "sharing" the woman, nor do they show any understanding of when "no means no." On the other side of the world, the US football players demonstrate a similar lack of comprehension around consent.
An acknowledged world leader in her field, Anya delivers her lectures and encounters a concerted unwillingness on the part of players, managers and media to hold sporting stars accountable for appalling behaviour. She gets her third invitation - to assist the management of a (fictional) football team, the New Jersey Bombers, to address sexual misconduct and violence among its leading players. Anya's key contact is the somewhat enigmatic Ethan 'Catcher' Rye, and it is through his connections that she gets involved in the case of a young female publicist who is raped by a group of high profile players. She gains many insights into the male culture of sporting organisations and the pressures of public image and commercial interests.
As her work with the US players progresses, she becomes aware of the intense pressure on footballers to continue playing while injured, due to a combination of public expectation and financial considerations. Thus the author is able to open up an elaborate plot line relating to, exposing and exploring problems of brain damage to players in contact sports who receive heavy knocks to the head.
I think the story went a step too far by opening up another area of controversy, which is the issue of rampant homophobia among male sports organisations. It is indeed an important topic, but perhaps just too much to take in, given the number of causes that Fox already put into the narrative.
At its core this novel is an exposition and a cautionary story about the ways in which elite sports people behave and the sometimes unhealthy participation of the media. I have no doubt Fox had a clear agenda to open up the issues to readers' scrutiny. Using a USA setting is clever, thus removing the action from "home", where Australians are becoming increasingly aware of outrages perpetrated by rugby and Australian Rules players.
I admired Fox's efforts, and think her cause is both important and highly relevant as a current controversy in Australian society. However, this book didn't really grab me as a crime novel. The style is too preachy, too didactic for the creation of a gripping narrative. Many of the characters are blatant cliches, such as the hot gospelling team owner Masterton and the acid-tongued journalist Annabelle Reichmann.
For me, the story simply didn't gel well, while I did enjoy some aspects of it. Despite its shortcomings the book held my attention, though I did skim some paragraphs when the author was expounding excessively on her causes. There were too many disparate elements thrown together, such as characters that make brief appearances then fade away. I believe this is due to the author's overarching agenda to make a major point about disrespect for women and sexual violence in sporting culture, and that the action and characters were designed around that priority.
Another thing that really bugged me and strained my credibility was Anya's easy ability to play detective in the absence of any law enforcement. Sure, Ethan is a lawyer for the football team and is tasked with cleaning up the team's image. But he is not a licensed operator or a police officer, and in reality neither he nor Anya would be empowered to act as a detective.
Despite the niggles that diminished my enjoyment of the book, Death Mask is a substantial piece of fiction with its roots anchored in present-day reality. The novel highlights the hypocrisy that surrounds sporting heroes when it relates to the Law. Right now, on free-to-air Australian TV you can watch former footballers who are convicted wife-beaters commentating on the play and pontificating in the post-mortems. It disgusts me and I turn off my TV any time those offensive men appear on my screen. So thank you, Kathryn Fox, for your exposition of this double standard in our community discourse.