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480 pages, Mass Market Paperback
First published March 1, 1977
Condominium was not a completely successful novel but at the same time it was a Master Class in the craft of writing. If I had to guess, the reason it is generally remembered fondly is that its faults were erased by the end of the book. Initially there were too many characters, some of whom were not doing much of interest (or were not particularly interesting themselves.) But a little past the halfway point MacDonald ends each chapter following the gradual formation of a hurricane, starting as a mere pressure system an ocean away and continuing until it batters the Florida coast in all its fury. This was not self-indulgence of the kind that anyone who reads regularly has been subjected to many times over, where a writer spends pages describing an oilfield in Oklahoma or a Colorado mountain range or a winding coastal highway in the Pacific Northwest; images readers already know too well from exposure to other media. All that is needed to put us in the scene is a couple of intimate details that makes this particular version unique. In Condominium the storm is the point. That MacDonald can follow its progression without the presence of flesh-and-blood characters and not bore the reader is a major accomplishment in itself. But it also serves to magnify the impact once we do get to experience the devastation through the eyes of various characters. It is amazing work.My last line above. Well, that’s how I ended up rereading the book in whole. It is amazing work. And for the most part my comments proved correct. My memory only failed me in two respects. The first was, yes, there were too many nonessential characters--and yet they had not extended as deeply into the novel as I’d remembered. Their effect was negligible. My other mistake was in forgetting the scope of MacDonald’s prowess. It was not just the sheer power of his narrative that made Condominium work. It was his ability to show facets and effects of the storm by dropping in on previously unmet characters and giving us quick, vivid snapshots of their lives. In experiencing their reactions and responses, their fears and regrets, one after the other after the next, MacDonald built a picture of a community under siege. He had turned unbridled destruction into a majestic tapestry.