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Revealing a world of shocking exploitation, Lambert describes how Wood (born Natasha Gurdin) was "handled" all her life -- first by a stage mother straight out of Central Casting, a manipulative Russian fabulist who pushed Natalie into stardom at age five and instilled in her daughter lifelong fears and insecurities; then by a studio system that wielded power with draconian severity. One of the few movie moppets to successfully segue into adult films, Wood was a cash cow for Warner Bros., yet she had pitifully little control over her own career. Over four decades she appeared in more than 50 films, wringing quality performances out of lackluster roles and proving her acting chops in a handful of gems like Rebel Without a Cause and Splendor in the Grass.
Lambert examines how early betrayals and emotional abuse surfaced in pathological fears (especially of the "dark waters" that, ironically, claimed her life), in an unshakable "Russian" melancholy, and in her innate mistrust of people. Indeed, the one high point in a love life filled with spectacularly bad choices was Robert Wagner, the compassionate soul mate she married twice.
What distinguishes this biography from other Hollywood tell-alls is a conspicuous absence of malice. With the same affectionate understanding he brought to his lives of George Cukor and Norma Shearer, Lambert has captured the enigmatic essence of Natalie Wood. Anne Markowski
656 pages, Hardcover
First published January 1, 2004
Most critics agree with The Washington Post that Natalie Wood "is splendid in every way." Capturing the real essence of another person is virtually impossible, especially when immersed in celebrity drama and pretense. In this moving and thorough examination of Wood's groundbreaking career and too-short life, Lambert, an accomplished novelist whose Inside Daisy Clover provided the basis for one of Wood's films, has come close to the impossible. With great empathy, he explores Wood the movie star and Wood the person, pointing out that all too often even she couldn't distinguish between the two. Natalie Wood, concludes the New York Times Book Reivew, "could be a model for a new way of looking at and thinking about today's movie stars."
This is an excerpt from a review published in Bookmarks magazine.