This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Joseph Thomas Sheridan Le Fanu was an Irish writer of Gothic tales and mystery novels. He was the leading ghost-story writer of the nineteenth century and was central to the development of the genre in the Victorian era. M.R. James described Le Fanu as "absolutely in the first rank as a writer of ghost stories". Three of his best-known works are Uncle Silas, Carmilla and The House by the Churchyard.
This volume contains the rest of the story - The room in the Dragon Volant. I find it easiest to summarize as I go with older stories. *** When we left our dumbass hero Beckett, he had been drugged by the love of his life, robbed and was about to be placed in a coffin… silly, silly boy.
The rest of this volume is Carmilla, and I have read that before on its own. (and gave it 3 stars)
In a Glass Darkly is a collection of 5 short stories by J. Sheridan Le Fanu and usually issued as a single volume, but the Gutenberg Project version for the Kindle has been split into 3 volumes. This isn’t a problem, especially when you consider all 3 are free. But the arrangement of the fourth story, The Room at the Dragon Volant within the volumes is bizarre. Volume 2 contained the first 23 chapters of that story, this, volume 3, contains the concluding 3 chapters.
The Room at the Dragon Volant is the only story not to have a supernatural element. It is the story of an impressionable young English man’s attempts, while travelling in France, to save a beautiful and mysterious woman from an unhappy marriage. it is a brilliant story with an ingenious Hitchcockian ending. It doesn’t really fit into the same gothic bracket that all the other stories in this collection belong. But what it lacks in atmospherics it makes up for in plot.
The other story in this volume is Carmilla. This story not just fits into the gothic bracket it probably defines the genre. Not only did it greatly influence Bram Stoker in writing Dracula but has also been the basis of several movies including Carl Theodor Dreyer's 1932 film Vampyr and Hammer Films’ Karnstein Trilogy. This is my favourite story in the whole collection with The Room at the Dragon Volant coming a close second.
Carmilla is at it’s core a love story, and the first example of the lesbian vampire. J Sheridan Le Fanu portrays this in a subtle way, and never acknowledges homosexuality in the novella at all.
“But to die as lovers may, to die together, so that they may live together.” is brilliant quote from this novella and epitomises Carmilla. For me it’s up there with the children of the night line uttered by Bela Lugosi in Universal’s Dracula.