John Julius Norwich Chronicles The Apogee Of Byzantine Supremacy Over Asia Minor & The Mediterranean, During The Period Ranging From 800-1081 A.D.
Following the reign of the Greek empress Irene in 802 AD, Byzantium entered a period of supremacy which can be considered the apex of its political & military power, during the historical period ranging approximately from 867-1025. This unprecedented period of growth & prosperity came about in large part due to the administrative & military efforts of intelligent, ambitious, & politically experienced rulers such as Basil I the Macedonian, Romanus I Lecapenus, & John I Tzimisces, all of whose accomplishments at the negotiating table & on the battlefield did much to increase Greek power, prestige, & influence in the eastern Mediterranean region. After the senseless destruction of thousands of religious artifacts by the first iconoclast emperors, Leo III the Isaurian, & his son, Constantine V 'Copronymus', Byzantium's reputation as a center for learning & the arts had suffered dramatically, & it was due to the wisdom of the philosophically oriented, enlightened emperors, Leo VI the Wise & Constantine VII 'Porphyrogenitus', the Scholar Emperor, that this unfortunate trend was somewhat reversed, though the relics themselves were irreplaceable. The period covered by John Julius Norwich in volume two of his history of the Byzantine empire, Byzantium: The Apogee, spans some two hundred eighty-one years, from the ascent of the Holy Roman Emperor Charlemagne in 800 until the abdication of the Eastern emperor Nicephoras III Botaneiates, which preceded the rise of Alexius Comnenus in 1081.
This cloth-bound, hardcover edition of John Julius Norwich's Byzantium: The Apogee is volume two in his Byzantium trilogy, which chronicles between three volumes over 1130 years of the history of the Byzantine empire from its inception in the Age of Constantine, to its tragic fall during the reign of Constantine XI Dragaš Palaeologus in 1453. The book is manufactured by the London-based Folio Society, an upper tier publisher which specializes in high quality, collector's editions of books from all literary genres. This edition is printed on caxton-wove paper & features 46 exclusive full-color photographs of Byzantine art & architecture. Each entry in the Folio edition of the trilogy features its own unique cover design, & this volume's cover art was inspired by an 8th-9th century silk motif of winged riders from a museum in Berlin, Germany.
In the short introduction, Norwich provides some general background on the historical era & flow of events in his narrative, & briefly discusses the period's smaller range of years & comparative richness of sources when held next to the first entry. "The present volume covers a shorter period than the first: rather less than three centuries as opposed to rather more than five. This is partly because, as always throughout history, there is an acceleration in the march of events: ever greater numbers of characters make their appearance on the scene & the whole canvas of the Eastern Mediterranean becomes, in consequence, increasingly overcrowded. The principal reason, however, lies in the fact that the contemporary authorities for this second period are a good deal more informative. For the first centuries of the Byzantine era the surviving records are - as I pointed out in my earlier introduction - quite pitifully thin, & moreover, as likely as not to contradict one another...Now, as the pace increases & the story builds up its own momentum, the chroniclers begin to proliferate & to enliven their accounts more frequently with portraits, descriptions & anecdotes...For the rest, thanks to such writers as Liudprand of Cremona, St Theophanes & his continuators, George Cedrenus, John Scylitzes & above all the odious but ever-fascinating Michael Psellus, we can enjoy an incomparably more colourful picture of life in the Imperial Palace of Byzantium in the early middle ages than we can of any other court in Europe."
He also speaks to the general goals he hoped to achieve in composing this second entry in the trilogy -- "From the outset my only object has been to provide the interested non-specialist with the sort of bird's eye view of Byzantine history that I myself wanted when I first fell under the spell of the Eastern Mediterranean. The measure of my success must remain an open question: even in this relatively modest undertaking there is still the best part of four centuries to go. But we have now comfortably passed the point of no return; I, at least am enjoying myself; & if I can persuade other kindred spirits to share my enjoyment I shall be happy indeed." The three volumes in the Byzantium trilogy were originally published by Viking Penguin in Great Britain in 1988, 1991 & 1995.
In Chapter 1, Krum: 800-814, Norwich discusses the circumstances leading to the rise of the Bulgar chieftain, Khan Krum, which occurred during the reign of the emperor Nicephorus I. Nicephorus was necessitated to levy an array of new taxes to restore the Byzantine treasury following the costly reign of Empress Irene, & he also undertook a resettlement programme to repopulate the Greek Peloponnese region similar to the one initiated during the first reign of Justinian II to reinforce Asia Minor from the threat of Saracen invasion, which can be read about in the first volume, Byzantium: The Early Centuries. His reign came to an end in 811, however, while leading an expedition accompanied by his son, Stauracius, against Krum in which he navigated his army into a narrow defile at where historians believe to be the Pass of Verbitza, & Nicephorus dies during the fighting, while his son is mortally wounded. His successor is Michael Rhangabe, who brings to fruition his predecessor's Pax Nicephori, a peace treaty with the Holy Roman Emperor Charlemagne which officially acknowledged & recognized the rule of both emperors, along with land cessions of Venice & Istria to the Eastern Roman empire.
After a series of victories in Thrace, the Bulgar Khan, Krum, acquires a considerable amount of war spoils, including a cache of the closely-guarded mixture known as Greek fire, & at Versinicia, the warlord finally comes face to face with an imperial army led by the emperor Michael I Rhangabe himself & his two lieutenants, John Aplakes & Leo the Armenian, but the Byzantine army is defeated, with the most likely explanation being that Michael is betrayed on the battlefield by his own commanders. He must subsequently abdicate his position to Leo, who becomes the next Byzantine emperor, Leo V. The author does such a stellar job of moving the narrative along smoothly, everything is so well-presented that the reader at times cannot help but become swept up in the dramatic events as they unfold in Norwich's signature eloquent writing style. Leo then dispatches an urgent emissary to Krum, requesting that he attend a meeting to broker a truce, but this ostensible diplomatic entente is nothing more than a stratagem intended to catch Krum unawares, & the Khan realizes this & escapes just in the nick of time, only to then undertake a grim revenge, raiding large swaths of the Constantinopolitan suburbs & several towns in Byzantine Bulgaria on his way back to his homeland. Krum begins assembling a second army, but on 14 April 814, he is stricken by a sudden illness & dies, & the Byzantines are thus spared the remainder of his wrath.
The revival of the Byzantine practice of outlawing priceless religious artwork & relics is the primary area of focus in Chapter 2, The Return of Iconoclasm: 814-829, & it begins in the summer of 814, with the emperor Leo V initiating the appointment of a committee to investigate a possible return to iconoclastic edicts. After the destructive reigns of Byzantium's first iconoclast emperors, Leo III & his son, Constantine V, there was a short succession of iconodule rulers, most prominently the Greek empress, Irene, who attempted to reverse the tide, with mixed results. Iconodulism is the opposite of iconoclasm, & it is loosely defined as the practice of venerating & defending religious icons for devotional use. The two ecclesiastics delegated by Leo for the leadership of this commission were John the Grammarian & Anthony, Bishop of Syllaeum, & after a period of six months the men made their findings known, culminating in the General Synod of Easter 815, which once again formally forbade the unsanctioned production of religious icons by the Orthodox Church. The author provides an excerpt from the original text of the findings & judgment of the clerical committee which assist in illustrating for the reader just how serious these matters were perceived in Byzantine religious culture.
Also canvassed in this chapter is the conspiracy to usurp the emperor Leo V by his erstwhile companion, Michael, who, along with several highly placed officials, plots to acquire the throne for himself, but the scheme is uncovered & the would-be supplanter is thrown into gaol to await his fate. However, he has assistance from inside the prison, & in a dramatic chain of events, he is sprung free & with the help of his partisans actually overthrows his former liege lord, becoming the next emperor of Byzantium, Michael II of the Amorian dynasty. Norwich alerts the reader to a change in the narrative style of his sources at this point in his chronicle, as the extant writings for this period switch from the monk Theophanes to the mysterious writer known only as 'The Continuator'. He provides an endearing description of this enigmatic character in the following passage -- "We may suspect him of occasionally elaborating his account with more than a touch of artistic license, & are probably right to do so - particularly since the later compilation dated from the middle of the tenth century, well over a hundred years after the events here described; but he certainly knows how to tell a story, & natural storytellers are all too rare in medieval history. In all essentials, we have no reason to doubt his reliability; & even for the rest, so long as we hold an occasional pinch of salt at the ready, there is no reason not to enjoy him." The author will periodically pause his narrative to provide his reader with further information on sources, events, & writers in a seamless fashion which speaks to his undeniably exceptional abilities as an historian & as a writer.
Among the subjects discussed in Chapter 5, Of Patriarchs & Plots: 857-866 & Chapter 6, Double Murder: 866-867, are three of the era's most prominent men of learning - Photius the Patriarch, Cyril of Thessalonica, & Leo the Philosopher (not to be confused with the Byzantine emperor, Leo the Wise). Photius the Patriarch was a close associate of Bardas, the uncle of the emperor Michael III, & he was a renowned man of learning, but the manner in which he came to power was a topic of much contention between the Christian & Orthodox Churches, & led to what became known as the Photian schism. Cyril of Thessalonica developed his own alphabet while working as a missionary aiding in the spread of Christianity to the Moravia region in Eastern Europe, & was later revered as a saint alongside his brother Methodius. After the esteemed instructor Leo the Philosopher achieves fame when a student of his unwillingly journeys to Baghdad as a prisoner of war & made a very positive impression on the Abbasid Caliph Mamun, Leo's teaching career skyrockets, & the emperor Theophilius awards him a commission to give lectures at the Church of the Forty Martyrs in Constantinople.
The emperor Basil I of the Macedonian line proved to be an effective leader in many arenas for the Byzantines, successfully winning major conquests in Asia Minor fighting against the Saracens & Paulicians, & despite the rivalry he shared with the Western emperor Louis the Pious he managed to regain suzerainty of South Italy, a region which was highly sought after by both rulers. Basil's reign also saw extensive missionary work in many regions of the Baltic Peninsula, & with the scholar Photius's assistance he oversaw completion of several influential legal treatises, among them the Procheiron, which is a collection of the most highly utilized governmental legislations, & the Epanagoge, an expanded version of the first work but with additional information outlining the duties of the Byzantine Emperor & Patriarch. All of this material is covered in Chapter 7, Basil the Macedonian: 867-886.
Leo VI the Wise's most enduring legacies to Byzantine society were derived from his considerable intellect & formidable erudition; he was one of the empire's famous enlightened rulers whose contributions to imperial law were second only to those of Justinian the Great. Leo worked alongside Symbatius, his protospatharius (a rank in the Byzantine imperial service), & together they continued the revisions & recodifications to Byzantine law began during the reign of Leo's father & predecessor, Basil I. Among their most notable written works is a six-volume, sixty-book set known as the Basilica, a morality-themed reorganization & improvement upon Justinian's extensive law manuals of the sixth century, as well as the Novels, a series of 113 edicts that revised & updated existing laws & ordinances to reflect the changes in the social landscape that occurred in the years since the laws had first been published, also consolidating power in the person of the emperor by scaling back the powers of the Curia & Senate. Norwich also focuses on Leo's four separate marriages & the accompanying changes to the nuptial laws that had to be enacted in order to accommodate the emperor's wishes, despite his people's general disapproval of them. Leo VI's reign is the primary topic of discussion in Chapter 8, Leo the Wise: 886-912.
Romanus I Lecapenus first came to power in 919 by nominating himself the guardian of the emperor Constantine VII 'Porphyrogenitus', who was still in his minority, & assuming the title of basileopater, an official title which first came into use during the reigns of Basil I & Leo VI, & his family had first achieved promience in the Battle of Tephriké when his father, Theophylact, saved the life of the emperor Basil I during the fighting. The emperor Romanus I Lecapenus is primarily discussed in Chapter 9, The Rise of Romanus: 912-920, & Chapter 10, The Gentle Usurper: 920-948. Romanus was a gifted tactician & experienced general who served the empire first as strategos (provincial governor) of the theme of Samia, which was followed by a promotion in 912 to the rank of drungarius (high admiral). Despite his usurpation of the throne, his reign was on the whole moderately peaceful, & he proved himself a capable, if not brilliant, administrator who left the empire in a better state than he had found it.
Known as the Scholar Emperor, Constantine VII 'Porphyrogenitus' was born the only child of Leo VI the Wise's fourth & final marriage to Zoe Carbonospina, a union that Leo was only able to have legitimized after much diplomatic wrangling, negotiating & bargaining with the Orthodox & Christian Churches. His sobriquet, 'porphyrogenitus', means 'born in the purple', which refers to the fact he was born in the sacred imperial purple chamber in Constantinople's Great Palace. Constantine possessed a lifelong adoration for the written word, & has left history with more extant writings than any Byzantine emperor, but his two primary literary works are the De Ceremoniis Aulae Byzantinae, a compendium of imperial rituals & ceremonial traditions, & another treatise now referred to as De Administrando Imperio, which is a sort of ruler's manual Constantine wrote for his son Romanus II to more effectively establish amicable relations with the numerous barbarian tribes that surrounded the empire on all sides. But this remarkable ruler was much more than merely a scholar, he was also an effective politician & administrator who made wise personnel decisions & seemed to have a knack for choosing the right man for the job. He was also an esteemed patron of the arts who welcomed skilled artisans from all fields, a bibliophile, & even a talented painter. Constantine VII's reign proved to be the genesis for an unparalleled period of Byzantine artistic & cultural growth which became known as the Macedonian Renaissance. The majority of Constantine VII's 46-year reign as well as that of his son, Romanus II, which lasted a mere 4 years, from 959-963, are discussed in Chapter 11, The Scholar Emperor: 945-963.
The Battle of Manzikert was the one of the most catastrophic tactical defeats in the history of the Eastern Roman empire, & it resulted in the cession of huge swaths of land in eastern & northeastern Asia Minor to Alp Arslan & the Seljuk empire, & an enormous loss of imperial prestige due to the capture & ransom of the Byzantine emperor, Romanus IV Diogenes, occurring in the battle's aftermath. In many ways, Manzikert signified the beginning of the end for Byzantium, as the Seljuk Turkish forces were able to effectively dominate affairs on the continent & the empire would never be quite the same as it had been. Overall, John Julius Norwich's Byzantium: The Apogee is an exceptionally composed, non-stop thrill ride through the Byzantine empire's most prosperous historical period. Moreso than the first volume, the book showcases the larger-than-life personalities of the emperors themselves, providing an undeniably exciting narrative that builds upon the previous entry's plotline which managed to maintain this reviewer's interest the entire way through. There are plenty of noteworthy events to be found in Norwich's rich history, & the appearance of characters such as the Byzantine general George Maniakes & the various popes in power during the East-West Schism of 1054 should be familiar to readers of this remarkable historian's other books, such as The Normans in the South: 1016-1130. The final entry in the trilogy, Byzantium: The Decline & Fall chronicles the period from the ascension of Alexius Comnenus in 1081 to the final siege & capture of Constantinople by the Ottoman empire in 1453. Thank you so very much for reading, I hope you enjoyed the review!