Take two pillars of English society, the country village and the public school. Strip them until nothing remains but their pathologies. Throw in corrupt politicians, gangsters, an alien menace whose centuries-long plan is ready to be put into high gear, and racism and xenophobia. Add a dollop of sex and violence. Last but certainly not least, sprinkle the Doctor and Ace and top. Serve chilled. Or, in this case, hot. Such is the recipe for Keith Topping and Martin Day's The Hollow Men.
Spiritually the book has much in common with the television stories "The Daemons" and "The Awakening." In fact, the book is a sequel to the latter, surely one of the more unlikely candidates for a sequel among Doctor Who stories. Both concern small country villages imperiled by an alien threat which manipulates humans in order to feed off their psychic energy and carry out its own ends. If you're wondering - as the Doctor himself muses aloud at one point - why the invasion that was thwarted in "The Awakening," this book explains why.
Substantively, though, the book is very much in keeping with the Virgin New Adventures, even though it was published as part of the BBC's Past Doctor Adventures range. The Doctor isn't the master manipulator in this one that he is in the Virgin books. But he clearly has had his eye on Hexen Bridge, the village where most of the action occurs, for his long time; since right after "The Daemons," he explains at one point. So for him he's been keeping an eye on things for several centuries, though in human terms the story takes place early this century, so about thirty years after "The Awakening" and fifty after "The Daemons."
Thematically the book is like the NAs, too, with gun running, drug dealing, corruption, adultery, racism: all the so-called adult stuff woven in, that is, that made the NAs notorious on one hand, but when handled right so compelling on the other. The Hollow Men hews a middle course, trying to keep the shape of a story from Season 26 while incorporating the more mature storytelling of the Virgin books, without succumbing to the seediness and grubbiness of them at their worst. For the most part Topping and Day straddle the two worlds successfully.
If there's one criticism I have, it's that the Doctor gets sidelined for a good portion of the novel. He arrives at Hexen Bridge, is kidnapped and taken to Liverpool, then he makes it back to Hexen Bridge to confront the alien menace. But most of the action is initiated by others, the villains and the Doctor's associates. Even when he does confront Jerak (the alien menace) at the end, he does so through the spirits of the people Jerak has consumed. Jerak always remains abstract and indistinct, a mass of tentacles writing in the ground and scarecrows maurauding in the night.
Jerak fell to Earth in 1685. 325 years later the descendants of his first victims are still paying for the sins of their fathers. Whether one can escape one's past - and how one does so - is the main theme of the book. It is fitting it should be set at a school in a tiny village. Few English institutions (the church comes to mind) are more dominated by their pasts and traditions. Breaking free may only be possible at a terrible cost. But the cost of remaining in bondage, as the villagers of Hexen Bridge have known for centuries, may be even worse. Lucky for them they have a renegade Time Lord in their corner.
Friday, March 1, 2013