This succinct, but very intelligent and enjoyable introduction to the academic study of gothic literature has aged remarkable well and can be actually seen as a microcosmos of the late 20th-century critical approaches. The book is divided into four clear and interconnected sections: an introduction to the historical contexts, the philosophical and spiritual currents of the time, and even brief biographies of the most important authors in the genre; a summary of the main topics of Gothic literature; a well-chosen selection of passages from classic gothic novels; and a crash course into Freudian, Marxist, and feminist critical approaches to literature. Having set up this critical structure, readers are provided with guidelines for beginning their own critical approaches to the genre. The book was obviously aimed at undergraduate students majoring in English literature at the turn of the century, but it remains an interesting tool for anyone interested in Gothic literature, both newcomers and experts requiring a refreshment course.